A photograph of street art in Sydenham behind the Waverley lounge. The art is partially obstructed by an unconnected pipe and depicts four blue bricks, three pink diamonds, three yellow scratches, and a line of blue, pink, and black bubbles.
A video of an address by Peter Rose, Chief Executive of Southern Response Earthquake Services Limited, at the 2015 Seismics and the City forum. This talk is about learning from complex claims and local knowledge.
A blog post written by Thérèse Angelo, Director of the Air Force Museum of New Zealand. This is the third guest post in the NZ Museums blog series marking the first anniversary of the Christchurch earthquake. This blog post was downloaded on 4 February 2015.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "Join the 2015 voice to co-create a vision for Greater Christchurch".
A photograph of street art on the side of a building between Brighton Mall and Hawke Street. At the base of the artwork is a block with the message "Sign of the Kiwi" painted on it.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "First notes and a few comments from the OVTRK forum meeting".
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "OVTRK OG bimonthly meetings with CERA Strategy and Policy - May 2015 update".
A photograph of street art on the rear wall of Wicked Campers on Ferry Road, taken from Leeds Street. AMI stadium is visible in the background. The photographer believes that the artist may be '007'.
This study investigates evidence for linkages and fault interactions centred on the Cust Anticline in Northwest Canterbury between Starvation Hill to the southwest and the Ashley and Loburn faults to the northeast. An integrated programme of geologic, geomorphic, paleo-seismic and geophysical analyses was undertaken owing to a lack of surface exposures and difficulty in distinguishing active tectonic features from fluvial and/or aeolian features across the low-relief Canterbury Plains. LiDAR analysis identified surface expression of several previously unrecognised active fault traces across the low-relief aggradation surfaces of the Canterbury Plains. Their presence is consistent with predictions of a fault relay exploiting the structural mesh across the region. This is characterised by interactions of northeast-striking contractional faults and a series of re-activating inherited Late Cretaceous normal faults, the latter now functioning as E–W-striking dextral transpressive faults. LiDAR also allowed for detailed analysis of the surface expression of individual faults and folds across the Cust Anticline contractional restraining bend, which is evolving as a pop-up structure within the newly established dextral shear system that is exploiting the inherited, now re-activated, basement fault zone. Paleo-seismic trenches were located on the crest of the western arm of the Cust Anticline and across a previously unrecognised E–W-striking fault trace, immediately southwest of the steeply plunging Cust Anticline termination. These studies confirmed the location and structural style of north-northeast-striking faults and an E–W-striking fault associated with the development of this structural culmination. A review of available industry seismic reflection lines emphasised the presence of a series of common structural styles having the same underlying structural drivers but with varying degrees of development and expression, both in the seismic profiles and in surface elevations across the study area. Based on LiDAR surface mapping and preliminary re-analysis of industry seismic reflection data, four fault zones are identified across the restraining bend structural culminations, which together form the proposed Oxford–Cust–Ashley Fault System. The 2010–2012 Canterbury Earthquake Sequence showed many similarities to the structural pattern established across the Oxford–Cust–Ashley Fault System, emphasising the importance of identification and characterization of presently hidden fault sources, and the understanding of fault network linkages, in order to improve constraints on earthquake source potential. Improved understanding of potentially-interactive fault sources in Northwest Canterbury, with the potential for combined initial fault rupture and spatial and temporal rupture propagation across this fault system, can be used in probabilistic seismic hazard analysis for the region, which is essential for the suitability and sustainability of future social and economic development.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. The section depicts the video game character Sonic the Hedgehog and is captioned, "Sonic by Rei".
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a stylised face, with the words, "Such a lovely place bro!". There is a wire cordon fence in front of the wall.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork has been painted around a sign which warns the building is under electronic surveillance.
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a stylised face, with the words, "Such a lovely place bro!". There is a wire cordon fence in front of the wall.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "Transition to Regeneration Plan - Have Your Say!". Note that video material originally included on the page has been removed for display reasons.
A photograph of street art on the side of a house. The artwork shows plants, kowhai flowers, two tui, and their eggs. There is a stepladder on the right-hand side of the artwork and spray paint cans on the ground in front of it.
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Against the Odds: community access radio broadcasting during the Canterbury earthquakes, some reflections on Plains FM 96.9". It was written by Brian Pauling and Nicki Reece.
Base isolation is arguably the most reliable method for providing enhanced protection of buildings against earthquake-induced actions, by virtue of a physical separation between the structure and the ground through elements/devices with controlled force capacity, significant lateral deformation capacity and (often) enhanced energy dissipation. Such a design solution has shown its effectiveness in protecting both structural and non-structural components, hence preserving their functionality even in the aftermath of a major seismic event. Despite lead rubber bearings being invented in New Zealand almost forty years ago, the Christchurch Women's hospital was the only isolated building in Christchurch when the Canterbury earthquake sequence struck in 2010/11. Furthermore, a reference code for designing base-isolated buildings in New Zealand is still missing. The absence of a design standard or at least of a consensus on design guidelines is a potential source for a lack of uniformity in terms of performance criteria and compliance design approaches. It may also limit more widespread use of the technology in New Zealand. The present paper provides an overview of the major international codes (American, Japanese and European) for the design of base-isolated buildings. The design performance requirements, the analysis procedures, the design review process and approval/quality control of devices outlined in each code are discussed and their respective pros and cons are compared through a design application on a benchmark building in New Zealand. The results gathered from this comparison are intended to set the basis for the development of guidelines specific for the New Zealand environment.
The purpose of this study is to analyse the felt earthquake impacts, resilience and recovery of organizations in Canterbury by comparing three business sectors (accommodation/food services, Education/Training and Manufacturing). A survey of the three sectors in 2013 of Canterbury organizations impacted by the earthquakes revealed significant differences between the three sectors on felt earthquake impacts and resilience. On recovery and mitigation factors, the accommodation/food services sector is not significantly different from the other two sectors. Overall, the survey results presented here indicate that the Accommodation/Food Services sector was the least impacted by the earthquakes in comparison to the Education/Training and Manufacturing sectors. Implications for post-disaster management and recovery of the accommodation sector are suggested.
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Social Media, Crisis Mapping and the Christchurch Earthquakes of 2011". It was written by Abi Beatson, Angi Buettner, and Tony Schirato.
A video of an address by Brian Parker, Project Manager of Canterbury Communities' Earthquake Recovery Network (CanCERN) and Managing Director of Sharp Teaching, at the 2015 Seismics and the City forum. This talk is about learning from complex claims and local knowledge.
A photograph of street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange city behind purple tag art with DTR's mark on it. The wall with the artwork, is hidden behind a billboard for CPIT, and a bike rack.
A photograph of the interior of the partially-demolished Odeon Theatre. The top of the walls have been demolished and a nearby building on Manchester Street is visible in the background. Elephants have been painted on the wall of this building.
A photograph of the interior of the partially-demolished Odeon Theatre. The top of the walls have been demolished, and a nearby building on Manchester Street is visible in the background. Elephants have been painted on the closest wall of this building.
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a woman's face, and the silhouette of a suffragette wearing a jester's cap. There is a wire cordon fence in front of the wall.
A photograph of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings and leaflets pasted to a concrete block wall. At the bottom of the piece is a leaflet with the word "You" written in blue, capital letters.
A photograph of a section of a piece of street art on the side of a former railway-goods shed, near the Colombo Street overbridge. This section of the artwork depicts a woman with wings. It is signed by DTR FAT and Stacey Lee.
A photograph of section of a mural on the side of the Shoreline Fitness Centre on Hawke Street. This section contains a large bubble with the message, "Space. Occupy Equality Street", inside. Next to this is another bubble with the message, "Love", painted inside.
A photograph of street art by the DTR crew located on a factory wall in the central city. The artwork depicts the word "Freak" with the letters "DTR" written above it and topped with a crown. The window below the art is broken.
One of the features of the West Coast forests with their extremely high rainfalls is the large quantity of moss, that serve as a background to this mushroom.
A report commissioned by the Ministry of Health has found Canterbury residents are unlikely to suffer any health risks from asbestos exposure during the canterbury earthquake repairs. The Report is a review of Scientific Evidence of Non Occuptional Risks - and was convened by the Royal Society and the Prime Minister's Chief Science Advisor. Sir David Skegg, president of the Royal Society of New Zealand and Dr Alistair Humphrey, Canterbury Medical Officer of Health.