A white painted woven circular basket that flares out gently towards the top where it joins a woven oval shaped handle. A clear plastic sheet has been tied to the interior of the basket.
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar, and tarpaulins provide a roof over a seating area.
Photograph captioned by Fairfax, "Holy Trinity Church on Winchester Street in Lyttelton. The crack in the interior wall of the church by stained glass window will cost at least one million to repair".
A view of the interior of the Durham Street Methodist Church hall. The floor has been coated with plaster from the walls and ceiling, and items of furniture have been stacked up around the walls.
The wall of the Carlton Hotel has crumbled, exposing the interior of the upstair rooms. Scaffolding and steel bracing has been put up on the side, and a pile of building rubble can be seen on the footpath.
The wall of the Carlton Hotel has crumbled, exposing the interior of the upstair rooms. Scaffolding and steel bracing has been put up on the side, and a pile of building rubble can be seen on the footpath.
They’re one of the most ubiquitous aspects of 19th century houses, a feature that functions as both a source of warmth and light and a decorative element in the interior design of the house (as so many things do). We … Continue reading →
A PDF copy of pages 90-91 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Brewery'. Interior photo provided by The Brewery. Exterior photo: Tessa Peach.
A view of the interior of the Durham Street Methodist Church hall. The floor has been coated with plaster from the walls and ceiling, and items of furniture have been stacked up around the walls.
A photograph of members of the Wellington Emergency Management Office Emergency Response Team inside an earthquake-damaged house. One of the ERT members is climbing a staircase covered in rubble from a collapsed interior wall.
The Croydon House Bed and Breakfast Hotel on Armagh Street. The east wall has collapsed, exposing the building's interior and spilling masonry into the car park. The car park has been cordoned off by yellow tape which reads, "Please keep out".
A house on Avonside Drive with cracks in its foundations and the interior wall of its porch as a result of the 4 September 2010 earthquake. Cracks can also be seen in the asphalt of its driveway.
A photograph of detail of the Cathedral of the Blessed Sacrament. The tower on the south-west corner has partly crumbled, leaving the inside space exposed. A door can be seen propped up against the interior wall.
<strong>Natural disasters are often unpredictable and are happening frequently. Some natural disasters cause damage to communities, resulting in displaced individuals. Due to this there is a need for shelter, however, there are many unknown factors. These include unknown demographics, a strain on time, cost, and resources, and the unknown location. This study begins by identifying a lack of identity and personality in existing post-disaster shelter designs, including the example of Linwood Park from the Christchurch 2011 earthquake. Further research shows the lack of personalisation within shelters, along with addressing key requirements needed for shelters. While providing the basic needs is essential, this thesis also addresses how personalisation can impact a space. Taking bach architecture as a driver for a basic, yet unique approach to temporary accommodation, Lake Clearwater Settlement was used as a case study. Through surveys, interviews, and a reflective design process, the importance of embracing identity emerges as a key element in fostering dignity, livelihood, and a sense of self in displaced individuals.</strong>This thesis explores innovative approaches to post-disaster shelter design with a focus on accommodating the unique needs and individuality of displaced individuals. From challenging conventional shelter concepts to embracing self-design and community involvement, the research addresses the question of how interior and exterior features can cater to the diverse requirements of those affected by natural disasters.
Photograph captioned by BeckerFraserPhotos, "The inside of St Bartholomew's Anglican Church in Kaiapoi, the oldest surviving church in Canterbury. It was designed by Benjamin Mountfort and completed in 1855".
Damage to a house in Richmond. The foundation is all that remains of one room, and the exposed interior wall has been covered with builders' paper for protection. The photographer comments, "Revisiting our abandoned house. Back door and the floor of the sunroom".
The damaged Ozone Hotel has had its window frames removed, and the interior has been gutted. The photographer comments, "The Ozone was badly damaged in Christchurch's February earthquake, but at considerable risk someone has removed the windows and door".
Damage to a house in Richmond. The foundation is all that remains of one room, and the exposed interior wall has been covered with builders' paper for protection. The photographer comments, "Revisiting our abandoned house. Temporary protection after the sunroom was demolished".
A photograph of the interior of the partially-demolished Odeon Theatre. The top of the walls have been demolished and a nearby building on Manchester Street is visible in the background. Elephants have been painted on the wall of this building.
A photograph of the interior of a USAR station in Latimer Square. Boxes of supplies are stacked along the walls and keys are hanging on a board. The station is made up of wooden struts with a tarpaulin roof and walls.
A photograph of the interior of the partially-demolished Odeon Theatre. The top of the walls have been demolished, and a nearby building on Manchester Street is visible in the background. Elephants have been painted on the closest wall of this building.
The window of a shop in Kaiapoi, with the gutted interior just visible behind the signs. A sign on the window reads "The Scallywags beat us! We have moved 158.26 meters (sic) to the corner of Fuller Street and Williams Street". Many businesses moved temporarily or permanently due to earthquake damage.
A photograph captioned by BeckerFraserPhotos, "The interior of a house at 464 Avonside Drive which has cracks and other evidence of post earthquake life. Large containers of drinking water have been placed behind the armchairs for the next time power and water supplies are interrupted".
Internal damage to a house in Richmond. A large crack in the wallboard below a window has exposed the bricks, and the skirting board has moved away from the floor. The photographer comments, "Cracks in the wall of the sunroom. This is the interior view of the crack in the previous shot".
An interior view of the Cranmer Court building's octagonal corner section, which housed Plato Creative from March 2008 to November 2009. Although designed to house a book depot, the room was used as the principal's office while Christchurch Normal School was operating from the building. The photograph showcases its high windows and intricate wooden ceiling.
Broken panelling on a building on Colombo Street has exposed the interior of the walls. The photographer comments, "Seen in the Christchurch Earthquake Red Zone. If you saw this anywhere else in the world you would have thought that it was a piece of modern art".
One green plastic Port-A-Loo door with surround, lock and mirror on interior; Port-A-Loo logo on front. One of the most immediate challenges facing Christchurch residents following the 22 February 2011 earthquake was the restriction on using residential toilet facilities. The restrictions were implemented due to the extensive damage to sewerage...
An aero-modelling quadricopter device used by Opus International Consultants to assess the structural integrity of the interior of the Cathedral of the Blessed Sacrament, Christchurch. The drone is comprised of a central hull with high definition video recording capability surrounded by four circles of grey foam, each containing a smaller black ...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the former Canterbury Hotel and adjoining row of shops on Oxford Street. This photograph was taken on Oxford Street and shows the collapsed façade of the row of shops behind safety fencing, the interior of the building is exposed. Shadbolt House is visib...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the former Canterbury Hotel and adjoining row of shops on Oxford Street. This photograph was taken on Oxford Street and shows the collapsed façade of the row of shops behind safety fencing, the interior of the building is exposed. The design of many older...