Historical images of the Engineering School, taken of the College of Engineering circa 1962. Image of the Mushroom Building.
Historical images of the Engineering School, taken of the College of Engineering circa 1962. Image of the mechanics lab.
Historical images of the Engineering School, taken of the College of Engineering circa 1962. Image of the mechanics lab.
One landscape colour digital photograph taken on 25 September 2011 showing the site of the Lyttelton Historical Museum on the corner of Gladstone Quay and Donald Street. The photograph shows the temporary fencing around the levelled site. The building visible at the rear is the former Municipal Stables on Donald Street. To the right of the phot...
One landscape colour digital photograph taken on 14 July 2011 showing damage to the Lyttelton Historical Museum on the corner of Gladstone Quay and Donald Street. The photograph shows the safety fencing and containers installed after the 22 February 2011 earthquakes. Architect Closed after the September 2010 earthquakes, the Lyttelton Museum bu...
The site of the Historical Court House in Kaiapoi, completely clear now. Wire fencing still bars off the entrance to the site, keeping people away.
Our city is a repository for the social and historical narrative of our past Each street, wall, facade, interior is an integral part of the people who walked passed them, shopped in them, worked in…
Damage to Cranmer Courts, formerly the Normal School. The tower has collapsed, exposing interior walls.
It’s been a busy month for Underground Overground Archaeology as we’ve been actively involved in New Zealand Archaeology Week 2018 running displays, historical tours, and talks – all of them highly successful thanks to history and archaeology lovers across the … Continue reading →
As a researcher for Underground Overground Archaeology, I spend my time searching written and visual sources for historical information on the sites the archaeologists are working on. The newspapers available on Papers Past are some of the best sources for rediscovering … Continue reading &...
Gender matters. And it’s complicated, which is why writing this blog post has been particularly difficult. Why is it so complicated, from an archaeological standpoint? Well, let me try and explain. Historical archaeology developed as a discipline in the mid-20th … Continue reading →
Class is a complicated concept, historically and in the present day. It’s difficult to define, somewhat ephemeral, and yet so clearly there in our societies and our cultures. For better or for worse, social stratification has been part of human … Continue reading →
At the start of an archaeological investigation we often consult historical documents to learn as much as we can about a site’s past. Such research can identify the buildings that were once present, the people associated with the site through … Continue reading →
Christchurch’s architecture, both new and old, has been brought to life in an illustrated walking book that pays homage to the city’s historical buildings and showcases its new direction in the post-earthquake era.
Sometimes we come across such a spectacular artefact, that we are inspired to look a little deeper into the historical industry from which it was used. The discovery of a charcoal clothes iron got me thinking about the domestic lives … Continue reading →
Appendix Two to the submission of the then New Zealand Historical Places Trust to the Canterbury Earthquakes Royal Commission. The appendix is titled, "Damage to Significant Buildings in Central Christchurch (as at 13 October 2011)".
Historical archaeology has many facets, it includes recording buildings and features, artefact analysis, names and dates, but if you take a moment, collaborate all that data, you have a powerful tool for telling someone’s story. Some call this type of … Continue reading →
A digitally manipulated image of 'Save Our Cathedral' ribbons hanging from a cordon fence near Latimer Square.
Brooklands Lagoon / Te Riu o Te Aika Kawa (‘Brooklands’) is an important wetland and estuarine ecosystem in Canterbury. It is a site of cultural significance to Ngāi Tūāhuriri, and is also valued by the wider community. Home to an array of life, it is connected to the Pūharakekenui/Styx and Waimakariri rivers, and is part of a wetland landscape complex that includes the Avon-Heathcote / Ihutai estuary to the south and the Ashley / Rakahuri estuary to the north. Notionally situated within the territorial boundary of Christchurch City Council and jurisdictionally encompassed by the regional council Environment Canterbury, it has been legally determined to be part of the coastal marine area. The complicated administrative arrangements for the lagoon mirror the biophysical and human challenges to this surprisingly young ecosystem since its formation in 1940. Here we present a synthesis of the historical events and environmental influences that have shaped Brooklands Lagoon. Before existing as an intertidal ecosystem, the Waimakariri river mouth was situated in what is now the southern end of the lagoon. A summary timeline of key events is set out in the table below. These included the diversion of the Waimakariri River mouth via the construction of Wrights Cut in the 1930s, which influenced the way that the lower reaches of the river interacted with the land and sea. A large flood in 1940 shifted the river mouth ~2 to 3 kilometres north, that created the landscape that we see today. However, this has not remained stable, as the earthquake sequence in 2010 and 2011 subsided the bed of the estuary. The changes are ongoing, as sea level rise and coastal inundation will place ongoing pressure on the aquatic ecosystem and surrounding land. How to provide accommodation space for Brooklands as an estuary will be a key planning and community challenge, as Environment Canterbury begins the engagement for the review of its Regional Coastal Plan. There is also a requirement to safeguard its ecological health under the 2020 National Policy Statement on Freshwater Management. This will necessitate an integrated mountains to sea (ki uta ki tai) management approach as the lagoon is affected by wider catchment activities. We hope that this report will contribute to, and inform these processes by providing a comprehensive historical synthesis, and by identifying considerations for the future collaborative management of Brooklands Lagoon, and protection of its values. In essence, we suggest that Te Riu o Te Aika Kawa deserves some sustained aroha.
Earlier this year, we excavated a site on Armagh Street that revealed not only a large quantity of artefacts, but also a historical and material narrative set in the swampy bowels of a fledgling city, a tale of politics, commerce, … Continue reading →
The timing of large Holocene prehistoric earthquakes is determined by dated surface ruptures and landslides at the edge of the Australia-Pacific plate boundary zone in North Canterbury, New Zealand. Collectively, these data indicate two large (M > 7) earthquakes during the last circa 2500 years, within a newly formed zone of hybrid strike-slip and thrust faulting herein described as the Porter's Pass-to-Amberley Fault Zone (PPAFZ). Two earlier events during the Holocene are also recognized, but the data prior to 2500 years are presumed to be incomplete. A return period of 1300–2000 years between large earthquakes in the PPAFZ is consistent with a late Holocene slip rate of 3–4 mm/yr if each displacement is in the range 4–8 m. Historical seismicity in the PPAFZ is characterized by frequent small and moderate magnitude earthquakes and a seismicity rate that is identical to a region surrounding the structurally mature Hope fault of the Marlborough Fault System farther north. This is despite an order-of-magnitude difference in slip rate between the respective fault zones and considerable differences in the recurrence rate of large earthquakes. The magnitude-frequency distribution in the Hope fault region is in accord with the characteristic earthquake model, whereas the rate of large earthquakes in the PPAFZ is approximated (but over predicted) by the Gutenberg-Richter model. The comparison of these two fault zones demonstrates the importance of the structural maturity of the fault zone in relation to seismicity rates inferred from recent, historical, and paleoseismic data.
Lyttelton was hit harder than most by the Christchurch earthquakes - particularly the Lyttelton Museum. But now it's back - triumphantly, we may say! - with a little help from its friends, past and present. Key historical figures in Lyttelton's history are brought back to life in a new exhibition by Julia Holden - Lyttelton Redux - which has just opened at Canterbury Museum.
Canterbury Provincial Council Buildings after the 6.3 magnitude quake hit Christchurch 22 Feburary 2011. This small cluster of historic buildings in central Christchurch are treasured by the city, both for their historical importance and their beauty. Canterbury Provincial Council Buildings (1858 to 1865) were designed by Benjamin Mountfort, C...
Appendix One to the submission of the then New Zealand Historical Places Trust to the Canterbury Earthquakes Royal Commission. The appendix is titled, "Maps of Central Christchurch identifying registered Category I and II historic places and their level of damage sustained following the 22 February 2011 Christchurch earthquake (as at 31 March 2011)".
Museums around the world are often affected by major catastrophes, and yet planning for these disasters is an often neglected aspect of museum practice. New Zealand is not immune from these events, as can be seen in the recent series of serious earthquakes in Christchurch in 2010 and 2011. This dissertation considers how prepared the New Zealand museum sector is to handle unexpected events that negatively affect its buildings, staff, operations and treasured collections. The central research question was: What is the overall state of emergency planning in the New Zealand museum sector? There was a significant gap in the literature, especially in the local context, as there has been only one other comparable study conducted in Britain, and nothing locally. This dissertation makes a valuable contribution to the field of museum studies by drawing on theory from relevant areas such as crises management literature and by conducting original empirical research on a topic which has received little attention hitherto. The research employed a number of methods, including a review of background secondary sources, a survey and interviews. After contextualising the study with a number of local examples, Ian online survey was then developed an which enabled precise understanding of the nature of current museum practices and policies around emergency planning. Following this I conducted several interviews with museum professionals from a variety of institutional backgrounds which explored their thoughts and feelings behind the existing practices within the industry. The findings of the research were significant and somewhat alarming: almost 40% of the museum and galleries in New Zealand do not have any emergency plan at all, and only 11% have what they considered ‘complete’ plans. The research revealed a clear picture of the current width and depth of planning, as well as practices around updating the plans and training related to them. Within the industry there is awareness that planning for emergencies is important, but museum staff typically lack the knowledge and guidance needed to conduct effective emergency planning. As a result of the analysis, several practical suggestions are presented aimed at improving emergency planning practices in New Zealand museums. However this study has implications for museum studies and for current museum practice everywhere, as many of the recommendations for resolving the current obstacles and problems are applicable anywhere in the world, suggesting that New Zealand museums could become leaders in this important area.
A proposed design by John Raven for a new cathedral, tied to a cordon fence. Clarendon Tower can be seen in the background. The photographer comments, "Someone is asking for designs for a new Christchurch Cathedral after it was announced that the old historical building will not be repaired, to be put on the fences through which people can see the de-construction of the old one. This design looks a great one to me".
A digitally manipulated photograph of the Ozone Hotel's sign, leaning against a cordon fence. The photographer comments, "This sign was all that remained after the demolition of the historical Ozone Hotel, which was damaged in the Christchurch earthquakes. The sign disappeared so hopefully it will reappear at a later date in a museum. The bits of blue were the painted bricks of the hotel, which made it really stand out".
Part of Mike Hewson's installation 'Homage To Lost Spaces' in the Cramner Courts building, photographs of people riding bicycles have been inserted into a gap in the building. The photographer comments, "Cranmer Courts was very badly damaged in the quakes that unexpectedly hit Christchurch. Originally big photographs were put into the holes where the doors and windows were, but now these massive pictures have been put across the boarded up ends of the buildings to keep them alive in the minds of the people of Christchurch. The project was thought up by Mike Hewson".
On 15 August 1868, a great earthquake struck off the coast of the Chile-Peru border generating a tsunami that travelled across the Pacific. Wharekauri-Rekohu-Chatham Islands, located 800 km east of Christchurch, Aotearoa-New Zealand (A-NZ) was one of the worst affected locations in A-NZ. Tsunami waves, including three over 6 metres high, injured and killed people, destroyed buildings and infrastructure, and impacted the environment, economy and communities. While experience of disasters, and advancements in disaster risk reduction systems and technology have all significantly advanced A-NZ’s capacity to be ready for and respond to future earthquakes and tsunami, social memory of this event and other tsunamis during our history has diminished. In 2018, a team of scientists, emergency managers and communication specialists collaborated to organise a memorial event on the Chatham Islands and co-ordinate a multi-agency media campaign to commemorate the 150th anniversary of the 1868 Arica tsunami. The purpose was to raise awareness of the disaster and to encourage preparedness for future tsunami. Press releases and science stories were distributed widely by different media outlets and many attended the memorial event indicating public interest for commemorating historical disasters. We highlight the importance of commemorating disaster anniversaries through memorial events, to raise awareness of historical disasters and increase community preparedness for future events – “lest we forget and let us learn.”
In this paper we introduce CityViewAR, a mobile outdoor Augmented Reality (AR) application for providing AR information visualization on a city scale. The CityViewAR application was developed to provide geographical information about the city of Christchurch, which was hit by several major earthquakes in 2010 and 2011. The application provides information about destroyed buildings and historical sites that were affected by the earthquakes. The geo-located content is provided in a number of formats including 2D map views, AR visualization of 3D models of buildings on-site, immersive panorama photographs, and list views. The paper describes the iterative design and implementation details of the application, and gives one of the first examples of a study comparing user response to AR and non-AR viewing in a mobile tourism application. Results show that making such information easily accessible to the public in a number of formats could help people to have richer experience about cities. We provide guidelines that will be useful for people developing mobile AR applications for city-scale tourism or outdoor guiding, and discuss how the underlying technology could be used for applications in other areas.