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Images for building site; more images...

Images, UC QuakeStudies

A photograph of Elizabeth Ackermann standing in front of a partially-demolished building on Cashel Street. In the background, two excavators are working to remove the rubble from the site.

Images, UC QuakeStudies

A photograph of 141 Cambridge Terrace taken from across a vacant site on Gloucester Street. The building is under deconstruction and the windows have been removed so that the inside is visible.

Images, UC QuakeStudies

View down Gloucester Street at a cordon access point, with a cordon station on the left and road cones to divert traffic in front. In the background, diggers sit on the demolition site where the Brannigans building was.

Images, UC QuakeStudies

Looking down Gloucester Street where ongoing demolition and reconstuction work are continuing. Street signs on the road say 'no road marking' and 'truck crossing'. In the background is a Wilson's carpark, converted from a site where a building has been demolished.

Images, UC QuakeStudies

A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "Finally, the mess outside Coffee Culture on High Street has been cleared and demolition work will complete what the earthquake began. The red containers in the background are Fletchers containers, servicing the Hotel Grand Chancellor deconstruction".

Images, UC QuakeStudies

A photograph of members of the public walking along Gloucester Street near the Colombo Street intersection. In the background, the site of the demolished Farmers Building can be seen as well as the car park to the left.

Images, UC QuakeStudies

View down Papanui Road. Some road works ahead with a sign that says 'Extreme Care Cyclist Merging' and 'Footpath closed please use other side'. On the left is a shop operating out of a shipping container in a site where a building has been demolished.

Videos, UC QuakeStudies

A video of a press conference with Canterbury Earthquake Recovery Minister Gerry Brownlee. Brownlee announced that cabinet has agreed to redevelop the hospital sites throughout Canterbury. This will include the building of additional operating theatres, the replacement of around 5000 beds, the expansion of the intensive care unit and emergency department, and the building of a new hospital for older persons in Burwood.

Videos, UC QuakeStudies

A video of a tour of the Christchurch central city Red Zone. The video includes footage of Oxford Terrace, Armagh Street, Colombo Street, Gloucester Street, Hereford Street, High Street, the Westpac Trust Building, Cashel Street, Manchester Street, Poplar Lane, the site of the demolished Convention Centre, and the Crowne Plaza Hotel.

Images, UC QuakeStudies

Flowers blooming in a vacant site left by the demolition of a building at the corner of Worcester Street and Stanmore Road. A sign on the ground says 'Commemorative service here Wed 22nd Feb. Bring flowers, seedheads and symbols of memory and hope". In the background, on the wall it says 'Do not demo!'.

Images, UC QuakeStudies

People look through the cordon fence at the corner of Colombo and Hereford Streets. On the left is the former site of Camera House, and on the right is the ANZ building, with its ground floor windows boarded up. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.

Images, UC QuakeStudies

A digitally manipulated image of Michael Parekowhai's sculpture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "This is the work of New Zealand artist Michael Parekowhai titled 'On First Looking into Chapman's Homer'. There are two bronze pianos and a very dominant looking bronze bull on each".

Videos, UC QuakeStudies

A video of a tour of the Christchurch central city Red Zone. The video includes footage of the site of the Brannigans Building on the corner of Oxford Terrace and Gloucester Street, the inside of the central library, Gloucester Street, Manchester Street, High Street, Poplar Lane, and Hereford Street.

Images, UC QuakeStudies

A digitally manipulated photograph of a stencilled logo for the Christchurch School of Music. The photographer comments, "The Christchurch School of Music donated several old broken pianos to be placed on Gap Filler sites in Christchurch. Gap Filler make the land where buildings have been demolished into places the local inhabitants can enjoy. As in Maths two negatives make a positive".

Images, UC QuakeStudies

An access point into the CBD cordon at the corner of Gloucester and Oxford Terrace. Road cones and fencing can be seen in the background with a sign saying 'Access point. Hours of operation 6am-7pm daily. Outside this house use Manchester St/Cambridge Terrace access point'. Inside the cordon, a station can be seen on the left, as well as some workers and cars. The demolition site at the back is where the Brannigans Building used to be.

Images, UC QuakeStudies

A digitally manipulated image of light sculptures on Gloucester Street during the LuxCity event. The photographer comments, "This was part of the LuxCity event in Christchurch, New Zealand. It was a way of creating a city of lights on the sites of demolished buildings in the earthquake devastated red zone. 350 architecture and design students from all around New Zealand created and constructed 16 pop up spaces".

Images, Alexander Turnbull Library

Photographs of central Christchurch after the 2010-2012 earthquakes taken 25 February 2012 by Sean McMahon. Locations are chiefly Manchester, Saint Asaph, Cashel, Columbo and Lichfield Streets, and the Bridge of Remembrance. Images show fencing around areas closed to the public, damaged and collapsed commercial buildings, cleared sites, re-opened Cashel Street area with shops and a cafe. Source of title - Title supplied by Library Quantity: 34 digital photograph(s).

Images, Alexander Turnbull Library

Shows a carcass that represents the Christchurch Cathedral with many people rushing to try to save it from demolition. Context: the extremely controversial debate about whether the Christchurch Cathedral which was severely damaged in the earthquakes, should be demolished, rebuilt on the same site in the same style or partially demolished and made into a memorial. Quantity: 1 digital cartoon(s).

Research papers, University of Canterbury Library

In this paper we introduce CityViewAR, a mobile outdoor Augmented Reality (AR) application for providing AR information visualization on a city scale. The CityViewAR application was developed to provide geographical information about the city of Christchurch, which was hit by several major earthquakes in 2010 and 2011. The application provides information about destroyed buildings and historical sites that were affected by the earthquakes. The geo-located content is provided in a number of formats including 2D map views, AR visualization of 3D models of buildings on-site, immersive panorama photographs, and list views. The paper describes the iterative design and implementation details of the application, and gives one of the first examples of a study comparing user response to AR and non-AR viewing in a mobile tourism application. Results show that making such information easily accessible to the public in a number of formats could help people to have richer experience about cities. We provide guidelines that will be useful for people developing mobile AR applications for city-scale tourism or outdoor guiding, and discuss how the underlying technology could be used for applications in other areas.

Images, UC QuakeStudies

Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.

Research papers, University of Canterbury Library

Earthquake Engineering is facing an extraordinarily challenging era, the ultimate target being set at increasingly higher levels by the demanding expectations of our modern society. The renewed challenge is to be able to provide low-cost, thus more widely affordable, high-seismic-performance structures capable of sustaining a design level earthquake with limited or negligible damage, minimum disruption of business (downtime) or, in more general terms, controllable socio-economical losses. The Canterbury earthquakes sequence in 2010-2011 has represented a tough reality check, confirming the current mismatch between societal expectations over the reality of seismic performance of modern buildings. In general, albeit with some unfortunate exceptions, modern multi-storey buildings performed as expected from a technical point of view, in particular when considering the intensity of the shaking (higher than new code design) they were subjected to. As per capacity design principles, plastic hinges formed in discrete regions, allowing the buildings to sway and stand and people to evacuate. Nevertheless, in many cases, these buildings were deemed too expensive to be repaired and were consequently demolished. Targeting life-safety is arguably not enough for our modern society, at least when dealing with new building construction. A paradigm shift towards damage-control design philosophy and technologies is urgently required. This paper and the associated presentation will discuss motivations, issues and, more importantly, cost-effective engineering solutions to design buildings capable of sustaining low-level of damage and thus limited business interruption after a design level earthquake. Focus will be given to the extensive research and developments in jointed ductile connections based upon controlled rocking & dissipating mechanisms for either reinforced concrete and, more recently, laminated timber structures. An overview of recent on-site applications of such systems, featuring some of the latest technical solutions developed in the laboratory and including proposals for the rebuild of Christchurch, will be provided as successful examples of practical implementation of performance-based seismic design theory and technology.