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Images, UC QuakeStudies

A man takes a photograph inside a damaged house in Richmond. The photographer comments, "Revisiting our abandoned house. Photographing the dining room, note the cracked wall linings. (My brother Ross from Invercargill was visiting, he's in several of these)".

Images, UC QuakeStudies

Food cabinets in Man's Bakery and Cafe on Hereford Street. Food abandoned on 22 February 2011 can still be seen inside. The photographer comments, "It's a bit scary how fresh those biscuits still look - says something about the amount of preservatives we put in our food".

Images, UC QuakeStudies

Damage to a house in Richmond. The foundation is all that remains of one room, and the exposed interior wall has been covered with builders' paper for protection. The photographer comments, "Revisiting our abandoned house. Back door and the floor of the sunroom".

Images, UC QuakeStudies

Food cabinets in Man's Bakery and Cafe on Hereford Street. Food abandoned on 22 February 2011 can still be seen inside. The photographer comments, "It's a bit scary how fresh those biscuits still look - says something about the amount of preservatives we put in our food".

Images, UC QuakeStudies

An abandoned residential property at 32 Waygreen Avenue in New Brighton. The front of the section is overgrown with weeds and silt from liquefaction. One brick fence posts remain upright and two others have toppled onto the grass. The gutter has partly flooded.

Images, UC QuakeStudies

An abandoned residential property at 7 Seabreeze Close in Bexley. The section is overgrown with weeds making it difficult to see the house in the back section. The front section of the fence has been removed, and only two pillars remain standing.

Images, UC QuakeStudies

An abandoned residential property at 12 Seabreeze Close in Bexley. A damaged window has been boarded up around the side of the house and the front window has been vandalised with graffiti. The yard is covered with weeds and silt from liquefaction.

Images, UC QuakeStudies

Damage to a house in Richmond. The foundation is all that remains of one room, and the exposed interior wall has been covered with builders' paper for protection. The photographer comments, "Revisiting our abandoned house. Temporary protection after the sunroom was demolished".

Images, UC QuakeStudies

An abandoned residential property at 28 Waygreen Avenue in New Brighton. The front of the section is covered with weeds and silt from liquefaction. Three broken chairs lie outside the front of the house. The front door is open. 'HM' has been spray-painted in green onto the front wall.

Images, UC QuakeStudies

A house on Acland Avenue in Avonside that has been abandoned due to damage from the 4 September 2010 earthquake. The house's front garden has become overgrown and weeds have grown up through the cracks in its driveway. Its chimneys have collapsed and have been weather proofed with tarpaulins.

Images, UC QuakeStudies

A man takes a photograph in the kitchen of a damaged house in Richmond. Behind him, large cracks are visible above the doorway. The photographer comments, "Revisiting our abandoned house. Kitchen cracked, bench on a lean. (My brother Ross from Invercargill was visiting, he's in several of these)".

Images, UC QuakeStudies

A man takes a photograph in the kitchen of a damaged house in Richmond. Behind him, cracks are visible in the walls. The photographer comments, "Revisiting our abandoned house. Kitchen and dining area. (My brother Ross from Invercargill was visiting, he's in several of these)".

Images, UC QuakeStudies

An abandoned residential property at 4 Waireka Lane in Bexley. The driveway is covered with weeds and silt from liquefaction. One of the garage doors is twisted and the other has 'HM' spray-painted on it. The number four has been spray-painted on the brick wall under the window.

Research papers, Victoria University of Wellington

The suburb of New Brighton in Christchurch Aotearoa was once a booming retail sector until the end of its exclusivity to Saturday shopping in 1980 and the aftermath of the devastating 2011 Christchurch earthquake. The suburb of New Brighton was hit particularly hard and fell into economic collapse, partly brought on by the nature of its economic structure. This implosion created an urban crisis where people and businesses abandoned the suburb and its once-booming commercial economy. As a result, New Brighton has been left with the residue of abandoned infrastructure and commercial propaganda such as billboards, ATM machines, commercial facades, and shopping trolleys that as abandoned fragments, no longer contribute to culture, society and the economy. This design-led research investigation proposes to repurpose the broken objects that were left behind. By strategically selecting objects that are symbols of the root cause of the economic devastation, the repurposed and re-contextualised fragments will seek to allegorically expose the city’s destructive economic narrative, while providing a renewed sense of place identity for the people. This design-led thesis investigation argues that the seemingly innocuous icons of commercial industry, such as billboards, ATM machines, commercial facades, and shopping trolleys, are intended to act as lures to encourage people to spend money; ultimately, these urban and architectural lures can contribute to economic devastation. The aim of this investigation is to repurpose abandoned fragments of capitalist infrastructure in ways that can help to unveil new possibilities for a disrupted community and enhance their awareness of what led to the urban disruption. The thesis proposes to achieve this research aim by exploring three principal research objectives: 1) to assimilate and re-contextualise disconnected urban fragments into new architectural interventions; 2) to anthropomorphise these new interventions so that they are recognisable as architectural ‘inhabitants’, the storytellers of the urban context; and 3) to curate these new architectural interventions in ways that enable a community-scale allegorical and didactic experience to be recognised.

Images, UC QuakeStudies

A residential property in Bexley with an overgrown garden. A wheelbarrow has been abandoned in the garden, and the garage door is tagged with graffiti. Dried liquefaction silt still covers the ground. The photographer comments, "Today I took a drive around the residential area between Bexley and New Brighton. It was a stark reminder to be thankful for the situation we're in and perhaps not complain too much that our garden wall hasn't yet been rebuilt".

Images, UC QuakeStudies

Damage to a house in Richmond. The foundation is all that remains of one room, and the exposed interior wall has been covered with builders' paper for protection. Weeds grow between cracks in the concrete patio. The photographer comments, "Revisiting our abandoned house. Cracked patio. The wooden floor is all that remains of a sunny living space with bifold doors, opening the house to the garden. This was so broken on 4/9/10 that it was immediately demolished".

Research papers, The University of Auckland Library

The Canterbury earthquake sequence of 2010-2011 wrought ruptures in not only the physical landscape of Canterbury and Christchurch’s material form, but also in its social, economic, and political fabrics and the lives of Christchurch inhabitants. In the years that followed, the widespread demolition of the CBD that followed the earthquakes produced a bleak landscape of grey rubble punctuated by damaged, abandoned buildings. It was into this post-earthquake landscape that Gap Filler and other ‘transitional’ organisations inserted playful, creative, experimental projects to bring life and energy back into the CBD. This thesis examines those interventions and the development of the ‘Transitional Movement’ between July 2013 and June 2015 via the methods of walking interviews and participant observation. This critical period in Christchurch’s recovery serves as an example of what happens when do-it-yourself (DIY) urbanism is done at scale across the CBD and what urban experimentation can offer city-making. Through an understanding of space as produced, informed by Lefebvre’s thinking, I explore how these creative urban interventions manifested a different temporality to orthodox planning and demonstrate how the ‘soft’ politics of these interventions contain the potential for gentrification and also a more radical politics of the city, by creating an opening space for difference.