Broken windows on a building in Welles Street. The photographer comments, "Keep out of sight. The wind will cover our breathing. Is there anything to eat in here?".
A digitally manipulated image of the dome of the Cathedral of the Blessed Sacrament.
A PDF copy of pages 196-197 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Container Art'. Photos: Eugenio Boidi
Artist and landscape architect Bridget Allen wouldn't have known how appropriate the name of her gardening business was to be when she set it up, out of Ilam art school and working at the Christchurch Botanic Gardens. The name Regenerative Gardening Maintenance was prophetic given her city and its landscape was about to start regenerating. The 2010-2011 Canterbury earthquakes saw not only buildings turned to rubble, large tracts of land, including an area around Ōtākaro Avon River the size of two New York Central Parks, started to turn from suburbia back to nature. The red zone has been turning green ever since. In the wake of tragedy artists and gardeners came together to innovate and create new public spaces, with an eye on sustainability and community connection. Allen cofounded New Brighton sewing charity Stitch-o-Mat and retrained as a landscape architect. Since 2023 she has been the director of The Green Lab, which began after the quakes as Greening the Rubble, creating urban green spaces and events for connection, while also working with residents to make their own backyards more sustainable. Ever busy with working and planting bees, workshops to build habitats for plants and nature, and consultations to help people make their backyards more sustainable, on August 16 Bridget is running with The Green Lab Birds of Brighton printmaking workshops. It's at the Make Station in New Brighton Mall at 11am and 1pm. No experience is needed. She joined Culture 101's Mark Amery.
A video of members of the public burning the 'Temple for Christchurch' art piece at the Motukara Raceway. The art piece was designed by artist Hippathy Valentine to provide a mechanism for emotional healing alongside the physical rebuilding of Christchurch. People were encouraged to visit the temple and to write stories and leave memorabilia. The piece is being burned to signify the release of these stories.
UC student trainee science teacher Carrie Whyte helps out at a Papanui study centre, assisting Bopha Chea with her Art History assignment.
Barry Corbett, a Christchurch City Councillor is at the Christchurch Art Gallery which is being set up as a Civil Defence Centre.
Radio New Zealand reporter Jessica Maddock reports from the Christchurch City Art Gallery which has been converted into a Civil Defence centre.
UC student trainee science teacher Carrie Whyte helps out at a Papanui study centre, assisting Bopha Chea with her Art History assignment.
A digitally manipulated image of a damaged building. The photographer comments, "Part of Christchurch City is out of bounds for the public and is called the red zone".
Dried liquefaction in North New Brighton. The photographer comments, "This shape formed as the liquefaction after the 23 December earthquake in Christchurch started to dry out".
Photograph captioned by Fairfax, "Prince William, Mayor Bob Parker. His Royal Highness Prince William visits the EOC centre in the Christchurch Art Gallery".
Radio New Zealand reporter Jessica Maddock reports from outside the Christchurch City Art Gallery which is being converted into a Civil Defence centre.
Radio New Zealand reporter Jessica Maddock reports from outside the Christchurch City Art Gallery which is being converted into a Civil Defence centre.
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
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Christchurch Art Gallery curator talks about the show she has recently taken to Western Australia about the consequences of the earthquakes on Christchurch artists.
View down Worcester Street, with Christchurch Art Gallery in the back, and next to it is Worcester Chambers, which housed the Languages International Christchurch.
Street art seen across a vacant and overgrown demolition site. On the wall are the words 'LOVE' and a girl holding a small plant.
A PDF copy of pages 112-113 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'On First Looking Into Chapman's Homer'. Image: Michael Parekowhai Chapman's Homer 2011. Bronze, stainless steel. Courtesy of the artist and Michael Lett, Auckland. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
The dome of the Cathedral of the Blessed Sacrament silhoutted against the evening sky. The photographer comments, "Cathedral of the Blessed Sacrament taken at sunset looking west".
A PDF copy of pages 252-253 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Udder'. Photos: Trent Hiles
A PDF copy of pages 264-265 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Knit Happens'. Photos: Jen McBride
A PDF copy of pages 250-251 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Cardencity'. Photos: Trent Hiles
A photograph of a damaged house has been reflected in the lower part of the image and digitally manipulated.