A photograph of people playing with a parachute at CityUps. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a decorated fence. A sign on the fence advertises Gap Filler's first project. Behind the fence, an excavator is demolishing a building on Colombo Street.
A PDF copy of pages 180-181 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Gap Golf'. Photos: Gap Filler
An artist's impression of the installation 'Tonic', created as part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of Helen Campbell in the Green Room garden on Colombo Street. Helen has been repairing Crack'd for Christchurch's armchair and ottoman mosaics.
A photograph of Crack'd for Christchurch's finished armchair mosaic.Crack'd for Christchurch comments, "Mid September 2014, 5 days before the launch. Flora ready to go and meet Otto."
A photograph of Mike Hewson's installation 'Homage to the Lost Spaces' being installed on plywood covering the earthquake-damaged Cranmer Courts building.
A thumbnail photograph of Whole House Reuse item 364, cropped for the catalogue. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
An artist's impression of the installation 'In Your Face', created as part of the LUXCITY event. Tutor: Fraser Horton
A photograph of the exterior of the Lions Transitional Facility. A wooden ramp leads up to the entrance to the facility.
A photograph of members of Crack'd for Christchurch polishing the flower mosaics on their armchair artwork.Crack'd for Christchurch comments, "From left: Jennie Cooper, Helen Campbell, and Jenny Cooper."
Semi-circular quilt made from cotton, silk and bandage material to commemorate the 22 February 2011 earthquake. The quilt references Christchurch landscape features, buildings and soil profiles and displays 185 sewn crosses, eight facial profiles and a Harakeke (flax).
A photograph of Andrew Just from F3 Design (left) and Martin Trusttum, CPIT Faculty of Creative Arts, arranging models of the temporary ArtBox gallery on the corner of St Asaph Street and Madras Street. The photograph was taken during a public talk, which was part of FESTA 2012.
One white over-painted hand-made electric guitar made primarily from ash and maple timbers, also incorporating wood from a variety of historic buildings in Canterbury damaged or destroyed in the 2010 - 2011 earthquakes including the Arts Centre, Kutwell’s Warehouse, Lyttleton main street pub, Timeball Station, Carlton Hotel, Merivale shops, bui...
A video montage of LUXCITY, a city of lights that existed for one night on Saturday 20 October 2012. LUXCITY was the main event of FESTA 2012 and included 16 interactive installations, designed and fabricated by architecture and design students from across New Zealand. The film depicts the construction and set up, through to the public event on Saturday night.
A PDF copy of page 132 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'Hunters & Collectors Building'. Note that images have been removed from the page for copyright reasons.
A photograph of pieces of broken china laid on a mosaic design.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."
A photograph of visitors to CityUps playing with a large inflatable ball. The ball is part of an installation titled CHCH2061, created by architecture students from the University of Auckland. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of four people playing with a large inflatable ball at CityUps. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A PDF copy of pages 68-69 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Why is This Real Not That?'. Photo: Reuben Woods
A PDF copy of pages 26-27 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '100 Days to Rebuild Democracy'. Photos used with permission: Bronwyn Hayward
A photograph of Helen Campbell and Sigal Golan making mosaic leaves out of pieces of broken china.Crack'd for Christchurch comments, "In March an Israeli mosaicker travelling through New Zealand stayed with Helen for a week and gave us her time for free. Thank you Sigal Golan."
A photograph of Jayne White delivering coffees to the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage. In the background, mosaic flowers have been laid on the ground. A table with tea and coffee is sitting to the right.
A photograph of Jonathan Hall, Marie Hudson, and Jenny Cooper in Crack'd for Christchurch's workshop.Crack'd for Christchurch comments, "It is August 2013, two and a half years since the big quake. We have a plan, we have a tiny bit of funding, and we have commissioned the chair framework. From left: Jenny Cooper, Marie Hudson, and Jonathan Hall (chair engineer of Greening the Rubble)."
A photograph of members of Crack'd for Christchurch in their workshop in the Christchurch central city. In the background there are boxes of broken china.Crack'd for Christchurch comments, "From left: Shirley Walden and Marie Hudson."
A photograph of a pile of mosaic designs on a table. Next to the designs are a plate of scones and two hot drinks.Crack'd for Christchurch comments, "There is always good food around when Crack'd gets together."
A photograph of Helen Campbell and Jonathan Hall transfering Crack'd for Christchurch's ottoman artwork from Campbell's garage to a trailer.Crack'd for Christchurch comments, "Helen Campbell and Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."
A PDF copy of pages 230-231 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Flowers on Road Cones'. Photos: Irene Boles
A photograph of stencilled words on a footpath on Peterborough Street. The words read, "On Peterborough Street the houses are wonky. The ground has been pulled out from underneath them. The trick worked and the houses stayed up, but they are wonky. If you lived in them you might become wonky too".
A video of a panel discussion at the 2016 Seismics in the City Conference. The panel is titled, "Engaging: Generating Community Input and Feedback".Leanne Curtis of Breakthrough Services, Evan Smith, Programme Manager of Eastern Vision, and André Lovatt, CEO of the Arts Centre, present case studies.The theme of the panel reads, "'Regenerate Christchurch must and will engage with the community around what will be done' (André Lovatt, Chair, Regenerate Christchurch). Learning from the past by tapping the wisdom of communities and applying the lessons to the future as we shape the new city."