A PDF copy of pages 302-303 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Outdoor Music Room'. Photos with permission from Greening the Rubble
A photograph of the public launch event for The Wet Issue by Freerange Press. The journal is being 'launched' with an elastic tie by Freerange Press director Barnaby Bennett. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of Freerange Press director Barnaby Bennett standing on a chair to give a speech at the public launch event for The Wet Issue by Freerange Press. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of the members of Crack'd for Christchurch during the launch of the Green Room garden. The members have gathered next to their armchair and ottoman artwork in the garden. The armchair and ottoman are covered in white sheets and tied with a blue bow. They will be unveiled for the first time during the launch.
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Sam Stringlen; students: Chi Tran, Aria Jansen, Naomi Snelling, Rebecca Wyborn
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Michael Smith; students: Alex Heperi, Gagan Saini, Shamal Nanji, Xavier Apelinga
A photograph of bricks forming a playing square of Christchurch: A Board Game. The bricks show a picture of ChristChurch Cathedral, and read, "ChristChurch Cathedral. Skip church, move to Ferry Rd".
A photograph of the installation 'Upon the Upland Road' on the former site of the Harbour Light in Lyttelton. The installation shows the last three lines of James K Baxter's poem, 'High Country Weather', written in the nautical flag alphabet.
A PDF copy of pages 72-73 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Now Panic and Freak Out'. Photo: Gaby Montejo
A photograph of the wall of a street football arena built by Student Volunteer Army volunteers. The wall has a sign attached acknowledging the support of Resene, and is painted with the words, 'Red zone timber'.
A PDF copy of pages 292-293 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Car Park Frontage'. Photos with permission from Greening the Rubble
A PDF copy of pages 280-281 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Temporary Housing'. Photos: Tessa Peach
A PDF copy of pages 30-31 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Homage to the Lost Spaces'. Photo: Andrew Hewson
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Best Man", and is on the Crichton Cobbers building on Fitzgerald Avenue.
A PDF copy of pages 322-323 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Hope Bear and Giraffing Around'.
A pdf copy of panel 2 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Louis Harrison-Aydon about his experiences of the 22 February 2011 earthquake. Above this is an image of Harrison-Aydon sitting in a graveyard .
A PDF copy of pages 204-205 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Four Corners Youth Space'. Page 204 photos: Irene Boles. Page 205 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Katherine O'Connor, Helen Campbell, and Sharon Wilson."
A pdf copy of panel 1 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Meredith Dyer about her experiences of the 22 February 2011 earthquake. Above this is an image of Dyer sitting on a path in the Botanical Gardens.
A pdf copy of panel 3 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Rose Laing about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Laing in her earthquake-damaged and overgrown garden.
A pdf copy of panel 9 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Maria Thackwell about her experiences of the 22 February 2011 earthquake. Above this is an image of Thackwell sitting in the entrance to the kitchen in her earthquake-damaged house.
A pdf copy of panel 11 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Bishnu Pokhrel about his experiences of the 22 February 2011 earthquake. Above this is an image of Bishnu Pokhrel sitting outside the main building of Hagley Community College.
A photograph of a detail of Mike Hewson's installation 'View from the Studio' in Re:Start Mall. An outline of the cathedral's tower is sketched on plywood, accompanied by the words, "Mike Hewson 2012. 'View From Studio'. (We should try keep some part of the cathedral rather than just demo-ing it)".
A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Helen Campbell, Katherine O'Connor, and Sharon Wilson."
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Running Hipster", and is on a building on the corner of Madras Street and St Asaph Street.
A photograph of Crack'd for Christchurch's preparation for mosaicking their armchair artwork in a garage. A number of mosaics of flowers and leaves have been laid over the floor. Several cars covered in dust sheets are parked in the background. To the right, Jenny Cooper is placing paper mosaic designs on the arms of the chair.Crack'd for Christchurch comments, "Some of the flowers made over the summer, laid out and ready to go on the chair."
A photograph of the launch event for Australian artist collective Field Theory's project The Stadium Broadcast. The launch is being held on the rooftop of C1 Espresso. The Stadium Broadcast was a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from 14 to 17 November. The launch event was part of FESTA 2014.
A photograph of Jason Maling from the Australian artist collective Field Theory. Maling is on the roof of C1 Espresso for the launch event of The Stadium Broadcast - a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from 14 to 17 November. The launch event was part of FESTA 2014.
A photograph of the launch event for Australian artist collective Field Theory's project The Stadium Broadcast. The launch is being held on the rooftop of C1 Espresso. The Stadium Broadcast was a 72-hour non-stop performance of personal tributes to Lancaster Park. The performace ran from 14 to 17 November. The launch event was part of FESTA 2014.
A photograph of the launch event for Australian artist collective Field Theory's project The Stadium Broadcast. The launch is being held on the rooftop of C1 Espresso. The Stadium Broadcast was a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from 14 to 17 November. The launch event was part of FESTA 2014.