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Images for Street Christchurch Earthquake Christchurch; more images...

Images, UC QuakeStudies

A photograph of a map of Christchurch in a temporary Civil Defence headquarters set up at the Mainland Foundation Ballpark after the 4 September 2010 earthquake. Red, green and blue markings on the map indicate where flooding, sand and closures are located. Post-it notes and a key with a tag reading, "Manchester" are attached to the map.

Audio, Radio New Zealand

A new exhibition is simply called " 37". The show is by the photographer Doc Ross, features 37 Christchurch people captured on film using a 37 second exposure. The aim: to reflect the length of time their city shook during February 2011's devastating earthquake. Katy Gosset hears some of the stories behind the exhibition and hits the streets to record her own take on the 37 second concept.

Images, UC QuakeStudies

A digitally manipulated image of damaged Music Centre. The photographer comments, "The destruction caused by the demolition of the heritage buildings damaged in the Christchurch earthquakes looks similar to the scenes in London during the second world war. The building was the Catholic Cathedral College, Christchurch. It was an integrated Catholic co-educational secondary school. It was founded in 1987, but its origins go back more than a 100 years earlier. The college was an amalgamation of two schools: Sacred Heart College for girls, and Xavier College for boys".

Research papers, Lincoln University

The September and February earthquakes were terrifying and devastating. In February, 185 people were killed (this number excludes post earthquake related deaths) and several thousand injured. Damage to infrastructure above and below ground in and around Christchurch was widespread and it will take many years and billions of dollars to rebuild. The ongoing effects of the big quakes and aftershocks are numerous, with the deepest impact being on those who lost family and friends, their livelihoods and homes. What did Cantabrians do during the days, weeks and months of uncertainty and how have we responded? Many grieved, some left, some stayed, some arrived, many shovelled (liquefaction left thousands of tons of silt to be removed from homes and streets), and some used their expertise or knowledge to help in the recovery. This book highlights just some of the projects staff and students from The Faculty of Environment, Society and Design have been involved in from September 2010 to October 2012. The work is ongoing and the plan is to publish another book to document progress and new projects.

Research papers, Victoria University of Wellington

<b>Ōtautahi-Christchurch faces the future in an enviable position. Compared to other New Zealand cities Christchurch has lower housing costs, less congestion, and a brand-new central city emerging from the rubble of the 2011 earthquakes. ‘Room to Breathe: designing a framework for medium density housing (MDH) in Ōtautahi-Christchurch’ seeks to answer the timely question how can medium density housing assist Ōtautahi-Christchurch to respond to growth in a way that supports a well-functioning urban environment? Using research by design, the argument is made that MDH can be used to support a safe, accessible, and connected urban environment that fosters community, while retaining a level of privacy. This is achieved through designing a neighbourhood concept addressing 3 morphological scales- macro- the city; meso- the neighbourhood; and micro- the home and street. The scales are used to inform a design framework for MDH specific to Ōtautahi-Christchurch, presenting a typological concept that takes full advantage of the benefits higher density living has to offer.</b> Room to Breathe proposes repurposing underutilised areas surrounding existing mass transit infrastructure to provide a concentrated populous who do not solely rely on private vehicles for transport. By considering all morphological scales Room to Breathe provides one suggestion on how MDH could become accepted as part of a well-functioning urban environment.

Images, UC QuakeStudies

A digitally manipulated image of light sculptures on Gloucester Street during the LuxCity event. The photographer comments, "This was part of the LuxCity event in Christchurch, New Zealand. It was a way of creating a city of lights on the sites of demolished buildings in the earthquake devastated red zone. 350 architecture and design students from all around New Zealand created and constructed 16 pop up spaces".

Images, UC QuakeStudies

A digitally manipulated image of a shop window. A vase is visible in the window, and the sillhouette of a mannequin in the background. The photographer comments, "The title came from the pot and the E on the window. This is a building that has been off limits since the Christchurch earthquake. The E was sprayed on the window by rescue teams after searching the building and finding it was empty. This is a very old wooden building that looks OK from the front, but terrible from the side as the previously adjoined building has been demolished.

Images, eqnz.chch.2010

20120321_2397_1D3-47 Beachcomber Dairy Corner of New Brighton Road and Rawson Street, New Brighton. This diary is inside the suburban red zone and will probably be demolished some time in the future. See how the earthquakes have moved the footpath - the post and phone box used to stand straight! This is one of the Teleccom Wi-Fi hotspot boo...

Images, UC QuakeStudies

A digitally manipulated image of the Gap Filler Monopoly board square on Manchester Street. The photographer comments, "On the site of a demolished earthquake damaged building in Christchurch, New Zealand is a Monopoly game square for giants. The Gap Filler Project makes the bare land where once a building once stood into something both interesting and unique and this time they created a massive Monopoly board square. In the game of Monopoly you move your player with a dog, shoe or maybe the hat, but as the most common thing in the City are diggers they have the placed one on the square. There are also two houses on Manchester Street, which is priced at $240".

Research papers, University of Canterbury Library

In recent work on commons and commoning, scholars have argued that we might delink the practice of commoning from property ownership, while paying attention to modes of governance that enable long-term commons to emerge and be sustained. Yet commoning can also occur as a temporary practice, in between and around other forms of use. In this article we reflect on the transitional commoning practices and projects enabled by the Christchurch post-earthquake organisation Life in Vacant Spaces, which emerged to connect and mediate between landowners of vacant inner city demolition sites and temporary creative or entrepreneurial users. While these commons are often framed as transitional or temporary, we argue they have ongoing reverberations changing how people and local government in Christchurch approach common use. Using the cases of the physical space of the Victoria Street site “The Commons” and the virtual space of the Life in Vacant Spaces website, we show how temporary commoning projects can create and sustain the conditions of possibility required for nurturing commoner subjectivities. Thus despite their impermanence, temporary commoning projects provide a useful counter to more dominant forms of urban development and planning premised on property ownership and “permanent” timeframes, in that just as the physical space of the city being opened to commoning possibilities, so too are the expectations and dispositions of the city’s inhabitants, planners, and developers.

Research papers, University of Canterbury Library

In recent work on commons and commoning, scholars have argued that we might delink the practice of commoning from property ownership, while paying attention to modes of governance that enable long-term commons to emerge and be sustained. Yet commoning can also occur as a temporary practice, in between and around other forms of use. In this article we reflect on the transitional commoning practices and projects enabled by the Christchurch post-earthquake organisation Life in Vacant Spaces, which emerged to connect and mediate between landowners of vacant inner city demolition sites and temporary creative or entrepreneurial users. While these commons are often framed as transitional or temporary, we argue they have ongoing reverberations changing how people and local government in Christchurch approach common use. Using the cases of the physical space of the Victoria Street site “The Commons” and the virtual space of the Life in Vacant Spaces website, we show how temporary commoning projects can create and sustain the conditions of possibility required for nurturing commoner subjectivities. Thus despite their impermanence, temporary commoning projects provide a useful counter to more dominant forms of urban development and planning premised on property ownership and “permanent” timeframes, in that just as the physical space of the city being opened to commoning possibilities, so too are the expectations and dispositions of the city’s inhabitants, planners, and developers.

Images, UC QuakeStudies

Bricks have fallen from the walls of the former Princess Cinema in New Brighton, exposing the interior. The photographer comments, "Back of the old Princess Cinema in New Brighton after the earthquake in Christchurch, New Zealand on 22 February. In this picture you can see inside the old cinema curtains. This building has now been knocked down as it was so dangerous".

Images, UC QuakeStudies

The sign for Perry's Cafe has had "Shaken but not deterred" added under the name of the cafe. One of the iconic figures of two workmen painted on the side of the building, which have regularly-changed speech bubbles commenting humorously on topical subjects, are saying "Is my crack showing?" The paint has peeled from the other speech bubble, obscuring the reply. The photographer comments, "After the numerous earthquakes in Christchurch a lot of buildings were damaged and made off limits. This affected a lot of cafes and take aways, so if you were open you needed to make it known. The words missing from the speech bubble are 'Don't be silly'".

Images, UC QuakeStudies

A poster advertising performers Maryrose Crook, Purple Pilgrims and Thje. The photographer comments, "Maryrose Crook, Purple Pilgrims, Thje. Saturday 26 Feb (2011). HSP 9PM $5. HSP stands for High Street Project. Here is the introduction for her concert 'Maryrose Crook's spectral voice and calenture tunes float through New Zealand giants, The Renderers' psychic country-punk and splatter rock, and emerge in her solo encounters with horripilated grace and filigree menace. Purple pilgrims' wraithish hymns evolve through a braided field of curled nautical drone and distant littoral roar, abstract thrums and change-rung celestial rustle'. She was supposed to perform on 26 February, but I am guessing the concert was cancelled due to the major earthquake in Christchurch on the 22nd. The horrendous quake made the venue at 84 Lichfield Street out of limits due to it being in the dangerous earthquake red zone. It looks like she next performed on the 17 May at the Loons in Lyttelton".

Research papers, Lincoln University

The aftermath of three earthquakes has forced Christchurch to re-plan and rebuild. New perspectives of a sustainable city have arisen granting Christchurch the chance of becoming an example to the world. This work is centred on bioclimatic landscape design as a base for greening strategies. It deals with strategic landscape design adapted to a specific climate, from a user’s perspective. The investigation will be applied to Christchurch’s urban centres, assessing cultural adaptability to the local climate and implications for landscape design. Climatic data shows that humidity is not a local problem. However, the wind is the determinant. In Christchurch the solar radiation and the prevailing winds are the most important microclimatic variables, the latter intensifying the loss of surface heat, decreasing the radiant temperature and affecting thermal sensation. The research objective is to explore design parameters at the street-scale and identify ways to maximise thermal comfort in outdoor spaces through design-based strategies. The investigation will apply methods of participant observation, depth interviews, climatic data collection and design experimentation based on thermal comfort models and computer simulation tools. Case study sites chosen for investigation are places with current levels of activity that may be anticipated in the rebuild of the central city. The research will have two main outcomes: improved understanding of local urban culture adaptation to microclimate, and a demonstration of how design can enhance adaption. These outcomes will inform designers and city managers about good design practices and strategies that can be used to ensure a long term liveable city.

Videos, UC QuakeStudies

Aerial footage of the Christchurch central city, taken in April 2011, several months after the 22 February 2011 earthquake. The video shows damage to the Cathedral of the Blessed Sacrament, Manchester Street, the Press building, the Octagon Live restaurant, St Elmo Courts, Cashel Mall, the Regent Theatre, the Arts Centre, Woolsack Lane, and the Farmers Building car park. It also shows USAR members meeting in Cathedral Square.

Images, UC QuakeStudies

The Cathedral of the Blessed Sacrament after the dome was removed. Large cracks are visible in the walls and in the dome's supporting structure, and the facade is supported by haybales and shipping containers. The photographer comments, "The main dome of the Cathedral of the Blessed Sacrament became unsafe after the February Christchurch earthquake - workmen have slowly been dismantling it. Now we are just left with the cracked and twisted walls that supported the beautiful dome".

Images, UC QuakeStudies

Damage to buildings along Norwich Quay in Lyttelton. To the left is the Lyttelton Hotel with a crumbled top. Bricks have fallen on the awning and all along the footpath. To the right is a cafe that was damaged severely in the earthquake. The front wall of the top storey has crumbled onto the street, crushing a car. Wire fencing and road cones have been used to create a cordon around the buildings.

Research papers, Lincoln University

The increase in urban population has required cities to rethink their strategies for minimising greenhouse gas impacts and adapting to climate change. While urban design and planning policy have been guided by principles such as walkability (to reduce the dependence on cars) and green infrastructure (to enhance the quality of open spaces to support conservation and human values), there have been conflicting views on what spatial strategies will best prepare cities for a challenging future. Researchers supporting compact cities based upon public Transit Oriented Development have claimed that walkability, higher density and mixed-uses make cities more sustainable (Owen, 2009) and that, while green spaces in cities are necessary, they are dull in comparison with shopfronts and street vendors (Speck, 2012, p 250). Other researchers claim that green infrastructure is fundamental to improving urban sustainability and attracting public space users with improved urban comfort, consequently encouraging walkability (Pitman and Ely, 2013). Landscape architects tend to assume that ‘the greener the better’; however, the efficiency of urban greenery in relation to urban comfort and urbanity depends on its density, distribution and the services provided. Green infrastructure can take many forms (from urban forests to street trees) and provide varied services (amended microclimate, aesthetics, ecology and so forth). In this paper, we evaluate the relevance of current policy in Christchurch regarding both best practice in green infrastructure and urban comfort (Tavares, 2015). We focus on the Christchurch Blueprint for rebuilding the central city, and critically examine the post-earthquake paths the city is following regarding its green and grey infrastructures and the resulting urban environment. We discuss the performance and appropriateness of the current Blueprint in post-earthquake Christchurch, particularly as it relates to the challenges that climate change is creating for cities worldwide.

Images, UC QuakeStudies

Detail of damage to the former Princess Cinema in New Brighton. Bricks have fallen from the wall, exposing the interior. The photographer comments, "This is the back of the old Princess Cinema in New Brighton after the earthquake in Christchurch, New Zealand on 22 February. The bricks seem to be just on the edge of falling. This building has now been knocked down as it was so dangerous".

Audio, Radio New Zealand

Our last guest is one half of the duo known in Christchurch as the Brilliant Bagshaws Dr Sue Bagshaw has worked in the youth health sector for 30 years. She's set up and been involved in so many organisations benefitting young people it would make your head spin. She chairs the Korowai Youth Well-Being Trust running the Youth One Stop Shop 298 Youth Health, where she runs teaching clinics and is in the process of setting up the Christchurch Youth Hub - Te Hurihanga o Rangatahi, a collaboration of health and social services and transitional housing for youth. Dr Bagshaw established the 198 youth one stop shop in 1995 and helped run it for 15 years. She's advised a network of similar organisations around the country, now known as the Network of Youth One Stop Shops. Following the Christchurch earthquakes, she brought together 16 youth organisations to form the first youth hub in Barbadoes Street in 2012. Colin: Dr Bagshaw is now Dame Susan Bagshaw. I asked her if she thinks she'll ever get used to being called Dame Susan

Images, UC QuakeStudies

The brick facade has fallen from the former Princess Cinema in New Brighton, exposing the rooms inside, and crushing a car parked below. The photographer comments, "The front of the old Princess Cinema in New Brighton after the earthquake in Christchurch, New Zealand on 22 February. Under the pile of bricks is a luckily unoccupied blue car. The word CLEAR on the broken facade is to show that there is no one in the car. This building has now been knocked down as it was so dangerous".

Images, UC QuakeStudies

Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.

Images, UC QuakeStudies

The brick facade has fallen from the former Princess Cinema in New Brighton, exposing the rooms inside, and crushing a car parked below. The photographer comments, "The front of the old Princess Cinema in New Brighton after the earthquake in Christchurch, New Zealand on 22 February. Under the pile of bricks is a luckily unoccupied blue car. The word CLEAR on the broken facade is to show that there is no one in the car. This building has now been knocked down as it was so dangerous".

Images, UC QuakeStudies

A photograph of a sign taped to a window. The sign includes a bullet pointed list of humorous observations about Christchurch following the February 2011 earthquake. The sign reads, "You know you're from Christchurch when: you use the term 'liquefaction' and 'seismic design' in casual conversation; digging a hole and shitting in your garden is no longer weird; your mayor describes the city as munted. If he means FUBARed, you agree; weaving through car size potholes on the street is no longer weird; a shower is heaven; you have a preference of which kind of silt you'd rather shovel, dry or wet; you see tanks...driving around town; you are always noting what you are under; due to frequent aftershocks during the night, you sleep like a baby - every 10 minutes you wake up and shit yourself".

Images, UC QuakeStudies

Detail of damage to the former Princess Cinema in New Brighton. Bricks have fallen from the wall, exposing the interior. The photographer comments, "This is the side view of the back of the old Princess Cinema in New Brighton after the earthquake in Christchurch, New Zealand on 22 February. The bricks seem to be just about to fall, but stayed in place after several big aftershocks. This building has now been knocked down as it was so dangerous".

Images, UC QuakeStudies

An earthquake-damaged bridge, the approach to which has slumped. The photographer comments, "Due to lateral spread and the land slumping the road leading to this bridge has moved down greatly. Just imagine making the street lamps upright and how much that section of road would rise up at the end. When you go over bridges in the east side of Christchurch it is quite a climb up and a big drop down on the other side. The bridges in most cases coped very well, but not so the land leading to them".

Images, eqnz.chch.2010

The two nice trees in the front of my old property (now owned by the government) have been cut down so the main section of the house behind could be trucked down the drive. The truck must have been up against the fence to get the height above the house to the left (15 Velsheda Street). Down this drive were numbers 17, 19 and 21 (still occupied b...

Research papers, The University of Auckland Library

This thesis presents the application of data science techniques, especially machine learning, for the development of seismic damage and loss prediction models for residential buildings. Current post-earthquake building damage evaluation forms are developed for a particular country in mind. The lack of consistency hinders the comparison of building damage between different regions. A new paper form has been developed to address the need for a global universal methodology for post-earthquake building damage assessment. The form was successfully trialled in the street ‘La Morena’ in Mexico City following the 2017 Puebla earthquake. Aside from developing a framework for better input data for performance based earthquake engineering, this project also extended current techniques to derive insights from post-earthquake observations. Machine learning (ML) was applied to seismic damage data of residential buildings in Mexico City following the 2017 Puebla earthquake and in Christchurch following the 2010-2011 Canterbury earthquake sequence (CES). The experience showcased that it is readily possible to develop empirical data only driven models that can successfully identify key damage drivers and hidden underlying correlations without prior engineering knowledge. With adequate maintenance, such models have the potential to be rapidly and easily updated to allow improved damage and loss prediction accuracy and greater ability for models to be generalised. For ML models developed for the key events of the CES, the model trained using data from the 22 February 2011 event generalised the best for loss prediction. This is thought to be because of the large number of instances available for this event and the relatively limited class imbalance between the categories of the target attribute. For the CES, ML highlighted the importance of peak ground acceleration (PGA), building age, building size, liquefaction occurrence, and soil conditions as main factors which affected the losses in residential buildings in Christchurch. ML also highlighted the influence of liquefaction on the buildings losses related to the 22 February 2011 event. Further to the ML model development, the application of post-hoc methodologies was shown to be an effective way to derive insights for ML algorithms that are not intrinsically interpretable. Overall, these provide a basis for the development of ‘greybox’ ML models.

Audio, Radio New Zealand

An experiment to see if the cast of a play can make friends with their audience in just an hour is the latest project by the country's only theatre company involving people who are - or have been - homeless. As part of the Auckland Fringe Festival, the Hobson Street Theatre Company is working with the Street Choir on That's What Friends Are For.: It's directed by Dr Peter O'Connor from the University of Auckland. He's worked with survivors of natural disasters like the Christchurch earthquakes to help people - especially children - work through the trauma. Lynn Freeman talks with Peter, and with one of the actors, Richard. That's What Friends Are For premieres on Tuesday at the Basement Theatre as part of the Auckland Fringe, before heading to the fringe festivals in Wellington and Dunedin.