A photograph of students setting up the Pavilions & Lighting Devices market for LUXCITY.
A digital copy of a painting by Julia Holden. The painting is of the badly-damaged Farmers car park building on Gloucester Street.
A video compilation of visitors to Julia Holden's Inconvenience Store exhibition on Saturday 12 April, talking about their favourite paintings.
Photograph captioned by BeckerFraserPhotos, "Corner High and Manchester Streets, viewed from Alice in Videoland".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of children's paintings attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
Transcript of Lorraine's earthquake story, captured by the UC QuakeBox project.
The "Lyttelton Review" newsletter for 21 May 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 20 August 2012, produced by the Lyttelton Harbour Information Centre.
An entry from Roz Johnson's blog for 3 June 2012 entitled, "Grubb Cottage Gets the Warm Fuzzies".
A copy of the CanCERN online newsletter published on 21 September 2012
An entry from Deb Robertson's blog for 23 April 2012 entitled, "Show and tell: Assembly Point Quilt".
This paper explores the responses by a group of children to an art project that was undertaken by a small school in New Zealand after the September 2010 and February 2011 Christchurch earthquakes. Undertaken over a period of two years, the project aimed to find a suitable form of memorialising this significant event in a way that was appropriate and meaningful to the community. Alongside images that related directly to the event of the earthquakes, the art form of a mosaic was chosen, and consisted of images and symbols that clearly drew on the hopes and dreams of a school community who were refusing to be defined by the disaster. The paper 'writes' the mosaic by placing fragments of speech spoken by the children involved in relation to ideas about memory, affect, and the 'sublime', through the work of Jean-Francois Lyotard. The paper explores the mosaic as constituted by the literal and metaphorical 'broken pieces' of the city of Christchurch in ways that confer pedagogic value inscribed through the creation of a public art space by children. AM - Accepted Manuscript
A digital copy of a painting by Julia Holden. The painting is of building rubble and an excavator. In the background is the Forsyth Barr building.
Photograph captioned by BeckerFraserPhotos, "Gap Filler project, a garden in the site of a demolished building on the corner of Oxford and Colombo Street, 822 Colombo Street".
A photograph of graffiti on a building on the corner of Colombo Street and Peterborough Street. Originally a recruitment advertisement for the police, the image has been altered and the words, "You can paint, but we can't!" added.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing beside their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A PDF copy of pages 326-327 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Sanctioned Graffiti Across the City'. Photos: Reuben Woods, Wongi FREAK Wilson (Deadpool Production, Graffalaphabet, BDS Full Production).
A photograph of graffiti on a building on the corner of Colombo Street and Peterborough Street. Originally a recruitment advertisement for the police, the image has been altered and the words, "You can paint, but we can't!" added.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
The Christchurch Art Gallery is on track to reopen late next year, almost five years after the most devastating of the city's earthquakes put it out of commission. One of the key players in this important next step is Dr Lara Strongman who is the gallery's new senior curator.
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street. Invercargill mayor Tim Shadbolt has been working on the phones for the last two days. Shadbolt and Christchurch mayor Bob Parker speak to the media".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street. Invercargill mayor Tim Shadbolt has been working on the phones for the last two days. Shadbolt and Christchurch mayor Bob Parker talk to the media".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street. Invercargill mayor Tim Shadbolt has been working on the phones for the last two days. Shadbolt and Christchurch mayor Bob Parker talk to the media".
A digital copy of a painting by Julia Holden. The painting is of the badly-damaged Catholic Basilica, partially supported by shipping containers.
A digital copy of a painting by Julia Holden. The painting is of shipping containers along the right side of the ChristChurch Cathedral.
A photograph of a large-scale sculpture titled Altitude being set up for LUXCITY.