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Images for Earthquakes; more images...

Images, UC QuakeStudies

A digitally manipulated image of a sign reading "A bit of dirt never hurt". The photographer comments, "This was a sign put up on a section of land in the Port of Lyttelton where an earthquake damaged building had been removed. The cliff at the back had collapsed down probably during the demolition process".

Images, UC QuakeStudies

A photograph of three drawings stuck to a bus timetable in the Christchurch central city. The drawings depict Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Gerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes.

Audio, Radio New Zealand

For many years the Heathcote-Avon estuary was the dumping ground for Christchurch's sewage. Then, in 2010, the wastewater was diverted well out to sea, via a long pipe. David Schiel from the University of Canterbury and John Zeldis from NIWA were investigating the effects of this diversion on the health of estuary when the 2011 Christchurch earthquakes happened, re-engineering both the estuary and their experiments.

Audio, Radio New Zealand

The country's biggest Maori performance event is coming to Christchurch in 2015; A Burnside woman who's been helping tangata whenua has received a Christchurch Earthquake Award; The Ministry of Education will help fund up to 40 Te Pumaomao nation-building courses this year; and One of New Zealand's most influential Maori academics is one of six recipients of Auckland University's 2012 Distinguished Alumni Awards.

Audio, Radio New Zealand

A new council report into Wellington's resilience has found the city's economy would take a $37 billion hit if it experienced an event like the Christchurch earthquake. Old people stand accused of displacing more than 40,000 teenagers from jobs over the past five years, as more of them choose to stay in the workforce and employers choose experience over youth.

Videos, UC QuakeStudies

A video of an interview with Alexandra Harteveld-Turnball, a Year 13 student from Marian College, about her school project making jewellery from earthquake rubble. Harteveld-Turnball and six friends were given access to the PricewaterhouseCooper site to gather rubble for their project. The jewellery will be sold at markets, with all proceeds going to St John.

Videos, UC QuakeStudies

A video about the reopening of C1 Espresso in the former post office on the corner of Tuam and High Streets. The café had to close after the 22 February 2011 earthquake, which severely damaged their building on High Street. The video includes footage of the staff setting up the cafe and an interview with owner Sam Crofskey.

Videos, UC QuakeStudies

A video about the reopening of Calendar Girls on Hereford Street. The video includes a tour of the strip club and an interview with Director Jacqui Le Prou. Le Prou talks about her frustration at not being able to access the building for more than a year after the 22 February 2011 earthquake, despite it receiving very little damage.

Images, UC QuakeStudies

Close up of an oven element which has blown and partly melted. The photographer comments, "After the Christchurch earthquake on the 22 February we had no power for about 4 days. We finally got electricity again from the electricity companies' mobile generator the size of a big van. We turned on the oven and there was a loud vibrating hum and this was the result".

Images, UC QuakeStudies

A digitally manipulated image of the Lawrie and Wilson Auctioneers building on Tuam Street. The photographer comments, "This building at 210 Tuam Street is still off limits after the Christchurch earthquake. It has Lawrie and Wilson Auctioneers at the top and Christchurch City Council below. In the past it had a City Photography and at a different time a Parking Unit sign".

Images, UC QuakeStudies

A digitally manipulated image of an excavator. The photographer comments, "This is a huge excavator in the Christchurch CBD. It is being used to clear away the enormous amount of rubble from the buildings being demolished. It seems that nearly all the big machinery from all other the world has been needed in the clean up of the earthquake damaged buildings and utilities".

Images, UC QuakeStudies

Workers repairing the James Hight building at the University of Canterbury, seen from inside the library. The photographer comments, "Yet another change of workplace for our E-Learning group, as the University juggles people and buildings to carry out earthquake repairs. Our area looks over a central roof space that has seating areas. It may be a while before we're allowed out there though".

Images, UC QuakeStudies

A digitally manipulated photograph of the foyer of the Christchurch Art Gallery. The photographer comments, "The Christchurch art gallery has been closed to the public since the February 2011 earthquake and its reopening seems to be in the distant future. I want to convey the feeling that if art is not looked at darkness starts to overcome it and the paint starts to peel off".

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting of a winged pig flying against a cloud. The painting was executed on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 2011 ...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012. Taken on the corner of Bridle Path and Cunningham Terrace, Lyttelton. Photograph shows a painting of a bottle in the style of a cleaning product. The bottle is labelled "Brain Wash". The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 201...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting of a steam train with seven visible carriages or wagons. A caption painted below the train reads "The Gravy Train" The painting was executed in blue on large curved concrete blocks of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade sign with the text "How Happy are Those Whose Walls Already Rise. Virgil" . The sign is attached to a temporary safety fence on top of a retaining wall awaiting repair. Quoted author The retaining wall...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting silhouette of a yacht. A caption painted associated with the image reads "Sailing away? Yea right... Falling Away" The painting was executed in blue and black on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The res...

Research papers, University of Canterbury Library

Depending on their nature and severity, disasters can create large volumes of debris and waste. Waste volumes from a single event can be the equivalent of many times the annual waste generation rate of the affected community. These volumes can overwhelm existing solid waste management facilities and personnel. Mismanagement of disaster waste can affect both the response and long term recovery of a disaster affected area. Previous research into disaster waste management has been either context specific or event specific, making it difficult to transfer lessons from one disaster event to another. The aim of this research is to develop a systems understanding of disaster waste management and in turn develop context- and disaster-transferrable decision-making guidance for emergency and waste managers. To research this complex and multi-disciplinary problem, a multi-hazard, multi-context, multi-case study approach was adopted. The research focussed on five major disaster events: 2011 Christchurch earthquake, 2009 Victorian Bushfires, 2009 Samoan tsunami, 2009 L’Aquila earthquake and 2005 Hurricane Katrina. The first stage of the analysis involved the development of a set of ‘disaster & disaster waste’ impact indicators. The indicators demonstrate a method by which disaster managers, planners and researchers can simplify the very large spectra of possible disaster impacts, into some key decision-drivers which will likely influence post-disaster management requirements. The second stage of the research was to develop a set of criteria to represent the desirable environmental, economic, social and recovery effects of a successful disaster waste management system. These criteria were used to assess the effectiveness of the disaster waste management approaches for the case studies. The third stage of the research was the cross-case analysis. Six main elements of disaster waste management systems were identified and analysed. These were: strategic management, funding mechanisms, operational management, environmental and human health risk management, and legislation and regulation. Within each of these system elements, key decision-making guidance (linked to the ‘disaster & disaster waste’ indicators) and management principles were developed. The ‘disaster & disaster waste’ impact indicators, the effects assessment criteria and management principles have all been developed so that they can be practically applied to disaster waste management planning and response in the future.

Images, UC QuakeStudies

Broken windows on the Orion building on Manchester Street. The photographer comments, "Bob Brown's Hi-Fi was damaged, as you can see, in the Christchurch earthquake on the 22 February 2011. At lot of buildings in the area have been demolished, but this art deco style structure might have not have been put on the demolition list yet".

Images, UC QuakeStudies

A digitally manipulated image of furniture and machinery. The photographer comments, "This furniture restoration company got caught in the middle of the Christchurch earthquake and lost a whole wall. After constant exposure to the elements everything now needs a bit of restoration. They are now working in a different part of Christchurch, but their past can still be seen".

Images, UC QuakeStudies

A poster advertising performers Maryrose Crook, Purple Pilgrims and Thje. The photographer comments, "Maryrose Crook, Purple Pilgrims, Thje. Saturday 26 Feb (2011). HSP 9PM $5. HSP stands for High Street Project. Here is the introduction for her concert 'Maryrose Crook's spectral voice and calenture tunes float through New Zealand giants, The Renderers' psychic country-punk and splatter rock, and emerge in her solo encounters with horripilated grace and filigree menace. Purple pilgrims' wraithish hymns evolve through a braided field of curled nautical drone and distant littoral roar, abstract thrums and change-rung celestial rustle'. She was supposed to perform on 26 February, but I am guessing the concert was cancelled due to the major earthquake in Christchurch on the 22nd. The horrendous quake made the venue at 84 Lichfield Street out of limits due to it being in the dangerous earthquake red zone. It looks like she next performed on the 17 May at the Loons in Lyttelton".

Research papers, The University of Auckland Library

Test results are presented for wall-diaphragm plate anchor connections that were axially loaded to rupture. These connection samples were extracted post-earthquake by sorting through the demolition debris from unreinforced masonry (URM) buildings damaged in the Christchurch earthquakes. Unfortunately the number of samples available for testing was small due to the difficulties associated with sample collection in an environment of continuing aftershocks and extensive demolition activity, when personal safety combined with commercial activity involving large demolition machinery were imperatives that inhibited more extensive sample collection for research purposes. Nevertheless, the presented data is expected to be of assistance to structural engineers undertaking seismic assessment of URM buildings that have existing wall-diaphragm anchor plate connections installed, where it may be necessary to estimate the capacity of the existing connection as an important parameter linked with determining the current seismic capacity of the building and therefore influencing the decision regarding whether supplementary connections should be installed.

Research papers, University of Canterbury Library

A linear and non-linear model are developed to analyze the structural impact and response of two single degree of freedom structures, representing adjacent buildings or bridge sections. Different impact coefficients of restitution, normalized distances between structures and a range of different structural periods are considered. The probability of impact and the displacement changes that can result from these collisions are computed. The likelihood of an increase in displacement is quantified in a probabilistic sense. A full matrix of response simulations are performed to individually investigate and delineate the effects of inter-structure gap-ratio, period ratios, structural non-linearity and impact elasticity. Column inelasticity is incorporated through the use of a Ramberg-Osgood type hysteresis rule. The minimum normalized distance, or gap-ratio, required between two structures to ensure that the likelihood of increased displacement of more than 10% for either structure for 90% of the given earthquake ground motions is assessed as one of many possible design risk bounds. Increased gap ratio, defined as a percentage of spectral displacement, is shown to reduce the likelihood of impact, as well as close structural periods. Larger differences in the relative periods of the two structures were seen to significantly increase the likelihood of impact. Inclusion of column inelasticity and higher plasticity of impact reduce displacement increases from impact and thus possible further damage to the structures. Such information can be used as a guideline to manage undesirable effects of impact in design - a factor that has been observed to be very important during the recent Canterbury, New Zealand Earthquakes.

Images, Alexander Turnbull Library

The cartoon shows the mayor of Christchurch, Bob Parker being targeted by someone with a gun. He is told that this lesson one of relationship counselling. Context: The Christchurch City Council has been having severe relationship problems which has resulted in a demonstration of 4000 people demanding that the council step aside and that new elections be called. Quantity: 1 digital cartoon(s).

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting of a red circle on a blue background. Painted on the right side of circle is a yellow crescent shaped representation of "the man in the moon". Painted in black is a word puzzle of 6 lines starting with "SCIRT" and changing one letter each line to finish with "STAR...

Audio, Radio New Zealand

Sam Harvey says that holding on to grace is one of the things that keeps him striving towards his calling to help others. He's a young pastor of the Beach Campus of Grace Vineyard Church in Christchurch, and moved to the city on the eve of the first earthquake. Sonia Sly finds out what it takes to adhere to the faith during difficult times, and candidly asks about God's voice, New Zealand's attitude to Christianity, and the process of healing through exorcism.