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Images for lyttelton; more images...

Images, UC QuakeStudies

An image from a Navy Today April 2011 article titled, "Project Protector Makes a Difference". The image shows the HMNZS Pukaki, Otago and Canterbury alongside each other at the Lyttelton Port. The earthquake response was the first time one ship of each Project Protector class had been in a New Zealand port together (outside of the naval base).

Images, UC QuakeStudies

A panoramic photograph looking south out of a window of the PricewaterhouseCoopers Building. Notable landmarks include: New Regent Street and the Rendezvous Hotel on the left side of the photograph; the Novotel in the centre; the Lyttelton Times building and the Forsyth Barr building to the right; and the Hotel Grand Chancellor in the distance.

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The foreground of the photograph shows a blue temporary water supply pipe and markings spray painted on the footpath in preparation for repair work. The fence has a home made sign painted with the Fulton Hogan (FH) logo satirized to ...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting of a winged pig flying against a cloud. The painting was executed on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 2011 ...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012. Taken on the corner of Bridle Path and Cunningham Terrace, Lyttelton. Photograph shows a painting of a bottle in the style of a cleaning product. The bottle is labelled "Brain Wash". The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 201...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting of a steam train with seven visible carriages or wagons. A caption painted below the train reads "The Gravy Train" The painting was executed in blue on large curved concrete blocks of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade sign with the text "How Happy are Those Whose Walls Already Rise. Virgil" . The sign is attached to a temporary safety fence on top of a retaining wall awaiting repair. Quoted author The retaining wall...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting silhouette of a yacht. A caption painted associated with the image reads "Sailing away? Yea right... Falling Away" The painting was executed in blue and black on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The res...

Images, Canterbury Museum

One portrait colour digital photograph taken on 19 November 2011 showing a poster advertising the planned 2011 Census which was scheduled for Tuesday 8 March 2011. The census was abandoned because of the 22 February 2011 Earthquake. The poster was located in the window of the Lyttelton Information Centre on Oxford Street. The building was closed...

Images, Canterbury Museum

One landscape colour digital photograph taken on 26 May 2013 showing the Godley Head Lighthouse and cliffs. Taken from the entrance to Lyttelton Harbour looking north. The Godley Head Lighthouse (K4286) was discontinued on 6 July 2012. Volcanic banding is visible in the face of the cliffs. There were several major rock falls along the coastal ...

Images, Canterbury Museum

One landscape colour digital photograph taken on 26 May 2013 showing the southern cliffs of Godley Head, taken from the middle of the shipping channel. Some earthquake damage to the cliffs is visible. There were several major rock falls along the coastal cliffs near Christchurch and Lyttelton Harbour. At Godley Head these caused damage to the ...

Images, Canterbury Museum

One landscape colour digital photograph taken on 26 May 2013 off Godley Head looking north towards Sumner Head. There were several major rock falls along the coastal cliffs near Christchurch and Lyttelton Harbour. In and around the suburb of Sumner some of these falls necessitated the abandonment of houses in areas where cliffs had given way or...

Images, UC QuakeStudies

Damaged buildings along London Street. Wire fencing has been used to keep people away. To the left is the Volcano Cafe, centre the Lava Bar and on the right is a fish and chip shop. A pile of rubble lies on the street from the damaged buildings.

Images, UC QuakeStudies

St John's Church on Winchester Street in Lyttelton. The tower has broken and crumbled, and its roof is visible on the ground to the right. Bricks and broken wood are lying in a pile on the footpath. A red sticker has been placed on the front door as well as a sign reading "No Entry". Fencing has been placed along the footpath to warn people off.

Images, UC QuakeStudies

Allison, one of the heart stitchers outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.

Images, UC QuakeStudies

Maria, one of the heart stitchers outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.

Images, UC QuakeStudies

Felt hearts in a basket to be handed out. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.

Images, UC QuakeStudies

A photograph of Amanda from Halswell taking part in #FiveYearsOn. Evans holds a sign which reads, "Amanda Evans, Halswell Lyttelton areas// Five years on, I feel... Waiting to hear and wats our city had to Rebuild and feel Better to see our New City because No more Sad City either. Wants to feels happy and sleeping Much Better [sic]".

Images, UC QuakeStudies

A digitally manipulated photograph of broken windows on Shadbolt House. The photographer comments, "This was close to the start of the demolition of the earthquake damaged Shadbolt House building in the Port of Lyttelton, New Zealand. In the bright sun the glass reflected the blue sky, but the broken windows only reflected the blackness of the interior of the empty broken building".

Images, Canterbury Museum

One landscape colour digital photograph taken on 26 May 2013 on Winchester Street, Lyttelton. The photograph shows part of the rear windscreen of a blue car with a sticker which reads 'I don't need sex EQC is screwing me'. The right side of the sticker is torn leaving a jagged edge. The process of negotiation with EQC and insurance companies to...

Images, UC QuakeStudies

A view down London Street in Lyttelton. The road has been closed to traffic because of the unstable and damaged buildings in the area. On the left is the Empire Hotel where bracing has been placed on the front of the building. On the right is a shipping container in front of the damaged Wunderbar. The word 'coffee' has been spray painted on the side.

Images, UC QuakeStudies

Lyttelton band, Runaround Sue, performing at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads. The fence has been decorated with fairy lights. Other decorations to the project sight includes the brightly coloured bunting above the audience, which is attached to the wall of Beckenham's Mitre 10.