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Images, UC QuakeStudies

Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.

Images, UC QuakeStudies

A digitally manipulated image of a high-reach excavator demolishing a building. The photographer comments, "After the earthquakes in Christchurch, New Zealand the demolition of most of the City Centre began. After two years the government thought that the progress was far too slow, so began the start of the automatic demolition. Luckily when the solar powered demolition machines started to cause indiscriminate death and destruction they were isolated to the South Island and unable to cross the seas".

Images, UC QuakeStudies

Grass growing through liquefaction silt in Avondale. The photographer comments, "Although this grass seems to be growing on the liquefaction created by the earthquakes in Christchurch, New Zealand, they are actually only growing through it. Nothing seems to grow even though seeds will sprout almost anywhere else. The seeds are growing in the soil which got covered up by the liquefaction. If liquefaction gets mixed with even a little soil then nature can get a foothold".

Images, Alexander Turnbull Library

The cartoon shows a man, a woman and a dog all yelling with fright. Refers to the series of severe aftershocks that again rocked Christchurch on January 2nd. The largest was a magnitude-5.5 shake shortly before 6am. All were centred at sea off New Brighton. Mayor Bob Parker said that fear that larger quakes could be triggered had been raised by residents, but the tsunami threat was "highly unlikely". Quantity: 1 digital cartoon(s).

Images, Canterbury Museum

One pair of size 3-8 women's red and black striped merino wool socks with a black seismograph marking above the ankle; now separated from their red, white and black branded card packaging. Produced following the 22 February 2011 earthquake. The Aftersocks fundraising campaign was an initiative to support the Canterbury region following the 22 F...

Images, Canterbury Museum

Semi-circular quilt made from cotton, silk and bandage material to commemorate the 22 February 2011 earthquake. The quilt references Christchurch landscape features, buildings and soil profiles and displays 185 sewn crosses, eight facial profiles and a Harakeke (flax).

Images, Canterbury Museum

Two pairs of size 11-13 red and black striped merino wool socks with a black seismograph marking above the ankle; held together by black, red and white branded card packaging. Produced following the 22 February 2011 earthquake. The Aftersocks fundraising campaign was an initiative to support the Canterbury region following the 22 February 2011 ...

Images, Canterbury Museum

One pair of size 8-12 men's black merino wool Executive Aftersocks socks with a red seismograph marking above the ankle; now separated from their red, white and black branded card packaging. Produced following the 22 February 2011 earthquake. The Aftersocks fundraising campaign was an initiative to support the Canterbury region following the 22...

Audio, Radio New Zealand

Martin van Beynen is an award-winning journalist with the Christchurch newspaper The Press. His book, 'Trapped: Remarkable Stories of Survival from the 2011 Canterbury Earthquake' documents the experiences of 23 survivors.

Audio, Radio New Zealand

An Ashburton couple who cooked barbecues for earthquake-weary Christchurch residents for nine months following the February quake have been named the joint winners of the Trustpower Community Awards.

Images, UC QuakeStudies

A demon mask hangs from a brick chimney in New Brighton. Some of the bricks at the base of the chimney appear to have moved. The photographer comments, "Since the September earthquake brick chimneys have been tumbling down. I do not know if this was put up to ward off shaking of the chimney during earthquakes, but it seems to be working. This chimney has now been taken down at the end of March 2012 and replaced with a simple metal flue".

Research Papers, Lincoln University

Though there is a broad consensus that communities play a key role in disaster response and recovery, most of the existing work in this area focuses on the activities of donor agencies, formal civil defence authorities, and local/central government. Consequently, there is a paucity of research addressing the on-going actions and activities undertaken by communities and ‘emergent groups’ , particularly as they develop after the immediate civil defence or ‘response’ phase is over. In an attempt to address this gap, this inventory of community-led recovery initiatives was undertaken approximately one year after the most devastating February 2011 earthquake. It is part of on-going project at Lincoln University documenting – and seeking a better understanding of - various emergent communities’ roles in recovery, their challenges, and strategies for overcoming them. This larger project also seeks to better understand how collaborative work between informal and formal recovery efforts might be facilitated at different stages of the process. This inventory was conducted over the December 2011 – February 2012 period and builds on Landcare Research’s Christchurch Earthquake Activity Inventory which was a similar snapshot taken in April 2011. The intention behind conducting this updated inventory is to gain a longitudinal perspective of how community-led recovery activities evolve over time. Each entry is ordered alphabetically and contact details have been provided where possible. A series of keywords have also been assigned that describe the main attributes of each activity to assist searches within this document.This inventory was supported by the Lincoln University Research Fund and the Royal Society Marsden Fund.

Images, Alexander Turnbull Library

Ruamoko, the Earthquake God, stirs in his bed, and with a sudden yawn, wonders if it is time to awake again. Above him Christchurch City trembles. On 15 May 2012, after several months of comparatively small quakes, a 4.5 Richter Scale earthquake was registered only 10 km East of Christchurch. Quake-weary Christchurch citizens feared that another large earthquake was on its way. Quantity: 1 digital cartoon(s).

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The foreground of the photograph shows a blue temporary water supply pipe and markings spray painted on the footpath in preparation for repair work. The fence has a home made sign painted with the Fulton Hogan (FH) logo satirized to ...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting of a winged pig flying against a cloud. The painting was executed on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 2011 ...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012. Taken on the corner of Bridle Path and Cunningham Terrace, Lyttelton. Photograph shows a painting of a bottle in the style of a cleaning product. The bottle is labelled "Brain Wash". The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 201...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting representing Nero fiddling while Rome burnt. The painting was executed on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. Artist The retaining walls above and below Cunningham Terrace were severely damaged by the 22 Feb...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting of a steam train with seven visible carriages or wagons. A caption painted below the train reads "The Gravy Train" The painting was executed in blue on large curved concrete blocks of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade sign with the text "How Happy are Those Whose Walls Already Rise. Virgil" . The sign is attached to a temporary safety fence on top of a retaining wall awaiting repair. Quoted author The retaining wall...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting of a red circle on a blue background. Painted on the right side of circle is a yellow crescent shaped representation of "the man in the moon". Painted in black is a word puzzle of 6 lines starting with "SCIRT" and changing one letter each line to finish with "STAR...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting silhouette of a yacht. A caption painted associated with the image reads "Sailing away? Yea right... Falling Away" The painting was executed in blue and black on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The res...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade figure of Humpty Dumpty with a bandaged head sitting on a fence on top of a retaining wall awaiting repair. Contractor involved in repair work The retaining walls above and below Cunningham Terrace wer...