A photograph of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'. The photograph is captioned by Paul Corliss, "Colombo Street Gap Filler".
A photograph of the site of the LUXCITY project Etch-A-Sketch on the corner of Gloucester Street and Colombo Street.
A photograph of a vacant site on Gloucester Street. This is to be the location of Illusions, a large-scale installation which is part of LUXCITY.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph of the site of the LUXCITY project Etch-A-Sketch on the corner of Gloucester Street and Colombo Street.
A photograph of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'. The photograph is captioned by Paul Corliss, "Colombo Street Gap Filler".
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
An entry from Deb Robertson's blog for 17 August 2014 entitled, "The 'Sure to Rise' quilt".The entry was downloaded on 3 November 2016.
A mural on the exposed wall of a building on Peterborough Street. This was a joint project between Gap Filler and the Flying Cup Cafe. The mural is a beach scene with a quote from Anne Frank, reading, "Isn't it wonderful that nobody need waste a single moment to improve the world", and incorporates pre-existing street art and posters.
A digital copy of a painting by Julia Holden. The painting is of an excavator and a large mound of building rubble. In the background is the badly-damaged Farmers car park building on Gloucester Street.
A digital copy of a painting by Julia Holden. The painting is of Manchester Street. Shipping containers have been stacked against the Excelsior Hotel on the right, and the kinetic sculpture, 'Nucleus', is depicted on the left.
A digital copy of a painting by Julia Holden. The painting is of Manchester Street. Shipping containers have been stacked against the Excelsior Hotel on the right, and the kinetic sculpture, 'Nucleus', is depicted on the left.
A photograph of three drawings stuck to a bus timetable in the Christchurch central city. The drawings depict Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Gerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes.
A photograph of Julia Holden's Whittaker's Big Egg Hunt artwork on display at the Auckland Museum. The artwork was on display during a black tie auction where it was auctioned to raise money for the Starship Foundation.
A photograph of the corner of Manchester Street and Cashel Street. The site has been fenced off and there is building rubble on the ground. There is a coloured tape installation on the fence, and an image of Homer Simpson on the exposed wall of the second storey of the building.
A photograph of painted artworks from the Whittaker's Big Egg Hunt on display at the Auckland Museum. The eggs were on display during a black tie auction where they were sold to raise money for the Starship Foundation.
A photograph of Jeni Reveley at Gap Filler's Inconvenience Store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of the corner of Manchester Street and Cashel Street. The site has been fenced off and there is building rubble on the ground. There is a coloured tape installation on the fence, and an image of Homer Simpson on the exposed wall of the second storey of the building.
A photograph of Julia Holden and Tracey Porteous sitting beneath two paintings at Gap Filler's Inconvenience Store. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of painted artworks from the Whittaker's Big Egg Hunt on display at the Auckland Museum. The eggs were on display during a black tie auction where they were sold to raise money for the Starship Foundation.
A photograph of people watching a model posing in a large inflatable ball as part of the In Your Face installation at LUXCITY.
A photograph of the installation titled In Your Face on the corner of Gloucester Street and Colombo Street. The installation is part of LUXCITY.
A photograph of the installation titled In Your Face on the corner of Gloucester Street and Colombo Street. The installation is part of LUXCITY.
A photograph of the installation titled In Your Face on the corner of Gloucester Street and Colombo Street. The installation is part of LUXCITY.
A photograph of a vacant site on the corner of Manchester Street and Worcester Street. This is to be the location of the Archrobatics project, which is part of LUXCITY.
A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar is part of LUXCITY.
A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar was part of LUXCITY.
A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar is part of LUXCITY.
A photograph looking across a car park on Manchester Street to crowds at LUXCITY. Part of a large-scale hanging sculpture titled Altitude can be seen on the left.
A photograph of a vacant site between Manchester Street and Latimer Square. The site is to be the location of Kloud, a large-scale installation which is part of LUXCITY.