A photograph of the paved path in the Green Room garden on Colombo Street. The path was designed to travel around the garden, leading up to the platform holding Crack'd for Christchurch's armchair and ottoman artworks.Crack'd for Christchurch comments, "The Green Room was built by Jonathan Hall and planted by Gina Payne."
A photograph of a mural depicting ChristChurch Cathedral. The mural is attached to the fence on the site of Christchurch: A Board Game.
A poster advertising the launch of Greening the Rubble's Green Room on Colombo Street. The poster also advertises the unveiling of Crack'd for Christchurch's armchair and ottoman artworks.
An artist's impression of the installation 'Etch-a-Sketch', created as part of the LUXCITY event. Tutors: Anna Tong, Chris Holmes
A montage of photographs of the installation 'Tonic', created as part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of University of Canterbury Vice-Chancellor Rod Carr writing a message on a brick pathway in Churchill Park.
A photograph of a sign on the exterior of the Lions Transitional Facility. The sign reads, "St Albans Community Centre. A Lions Community Partnership".
A photograph of an installation on the corner of Manchester Street and Worcester Street. The installation is titled "Archrobatics", and is part of the LUXCITY event.
A photograph of volunteers who contributed to building a BMX track on an empty site on Colombo Street.
A photograph of a street football arena built by Student Volunteer Army volunteers. The walls of the arena are built from recycled timber.
A photograph of the fence surrounding the western end of the UCSA Events Centre. The events centre was built in the UCSA car park on Ilam Road.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of people examining the artworks at the opening of the As Far As Eye Can See exhibition.
A photograph of people examining the artworks at the opening of the As Far As Eye Can See exhibition.
A photograph of the Fulton Hogan BMX Pump Track. A mural on the wall reads, 'Pump it!'.
A PDF copy of pages 364-365 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Deconstruction'.
An artist's impression of the installation 'Etch-a-Sketch', created as part of the LUXCITY event. Tutors: Anna Tong, Chris Holmes
A photograph of a workstation in Crack'd for Christchurch's workshop. The workstation includes pieces of broken china, a pair of cutters for breaking up china, a plastic container to hold china pieces, and two mosaic plans. One of the plans has a piece of mesh laid over the top. The other is being used to lay out the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."
A photograph of Marie Hudson working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of Helen Campbell working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of Helen Campbell and Marie Hudson working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of a half-finished flower mosaic. The mosaic has been made out of pieces of broken china which have been laid over a paper design. Mesh has also been placed over the design so that it can be transferred easily to Crack's for Christchurch's concrete chair. Other pieces of china are scattered around the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."
A photograph of Crack'd for Christchurch's partially-completed mosaic on their armchair.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of Helen Campbell working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of Crack'd for Christchurch's partially-completed mosaic on their armchair.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."