
Two cowboys representing the CCC (Christchurch City Council) and 'protesters' are about to have a gun battle in a deserted street. Context: Relates to anger and a protest of 4000 people at what they see as poor performance by the City Council in dealing with earthquake issues. Quantity: 1 digital cartoon(s).
The cartoon shows the mayor of Christchurch, Bob Parker being targeted by someone with a gun. He is told that this lesson one of relationship counselling. Context: The Christchurch City Council has been having severe relationship problems which has resulted in a demonstration of 4000 people demanding that the council step aside and that new elections be called. Quantity: 1 digital cartoon(s).
Shows two frames. First frame shows man with moustache. The second frame shows an unshaven bald man with a black eye and bandaged head wearing a daffodil. Text reads 'The changing face of Christchurch', 'Then' and 'Now'. Context: Sport Canterbury called for Hagley Park land to be used for an aquatic facility or indoor stadium (Stuff 9 May 2012) Quantity: 1 digital cartoon(s).
A man and a woman wearily face one another wondering how they should celebrate two years of frustration. Context: relates to continuing frustration over lack of progress by many people whose houses have been damaged in the Christchurch earthquakes. Quantity: 1 digital cartoon(s).
The cartoon shows a man, a woman and a dog all yelling with fright. Refers to the series of severe aftershocks that again rocked Christchurch on January 2nd. The largest was a magnitude-5.5 shake shortly before 6am. All were centred at sea off New Brighton. Mayor Bob Parker said that fear that larger quakes could be triggered had been raised by residents, but the tsunami threat was "highly unlikely". Quantity: 1 digital cartoon(s).
One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The foreground of the photograph shows a blue temporary water supply pipe and markings spray painted on the footpath in preparation for repair work. The fence has a home made sign painted with the Fulton Hogan (FH) logo satirized to ...
One landscape colour digital photograph taken on 28 April 2012 showing a painting of a winged pig flying against a cloud. The painting was executed on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 2011 ...
One landscape colour digital photograph taken on 28 April 2012. Taken on the corner of Bridle Path and Cunningham Terrace, Lyttelton. Photograph shows a painting of a bottle in the style of a cleaning product. The bottle is labelled "Brain Wash". The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 201...
One landscape colour digital photograph taken on 28 April 2012 showing a painting representing Nero fiddling while Rome burnt. The painting was executed on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. Artist The retaining walls above and below Cunningham Terrace were severely damaged by the 22 Feb...
One landscape colour digital photograph taken on 28 April 2012 showing a painting of a steam train with seven visible carriages or wagons. A caption painted below the train reads "The Gravy Train" The painting was executed in blue on large curved concrete blocks of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls...
One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade sign with the text "How Happy are Those Whose Walls Already Rise. Virgil" . The sign is attached to a temporary safety fence on top of a retaining wall awaiting repair. Quoted author The retaining wall...
One landscape colour digital photograph taken on 28 April 2012 showing a painting of a red circle on a blue background. Painted on the right side of circle is a yellow crescent shaped representation of "the man in the moon". Painted in black is a word puzzle of 6 lines starting with "SCIRT" and changing one letter each line to finish with "STAR...
One landscape colour digital photograph taken on 28 April 2012 showing a painting silhouette of a yacht. A caption painted associated with the image reads "Sailing away? Yea right... Falling Away" The painting was executed in blue and black on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The res...
One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade figure of Humpty Dumpty with a bandaged head sitting on a fence on top of a retaining wall awaiting repair. Contractor involved in repair work The retaining walls above and below Cunningham Terrace wer...
The Darfield earthquake caused widespread damage in the Canterbury region of New Zealand, with the majority of damage resulting from liquefaction and lateral spreading. One of the worst hit locations was the small town of Kaiapoi north of Christchurch, an area that has experienced liquefaction during past events and has been identified as highly susceptible to liquefaction. The low lying town sits on the banks of the Kaiapoi River, once a branch of the Waimakariri, a large braided river transporting gravelly sediment. The Waimakariri has been extensively modified both by natural and human processes, consequently many areas in and around the town were once former river channels.
The 2010 and 2011 earthquakes of Canterbury have had a serious and ongoing effect on Maori in the city (Lambert, Mark-Shadbolt, Ataria, & Black, 2012). Many people had to rely on themselves, their neighbours and their whanau for an extended period in 2011, and some are still required to organise and coordinate various activities such as schooling, health care, work and community activities such as church, sports and recreation in a city beset by ongoing disruption and distress. Throughout the phases of response and recovery, issues of leadership have been implicitly and explicitly woven through both formal and informal investigations and debates. This paper presents the results of a small sample of initial interviews of Maori undertaken in the response and early recovery period of the disaster and discusses some of the implications for Maori urban communities.
Cartoon drawn in the style of a pen and ink drawing of the broken Christchurch Cathedral. One version has 'RIP' printed above the non-existant spire and the second has 'RIP' and the words 'Rest in Pieces'. A decision has been made to demolish the cathedral which was severely damaged by the earthquakes of 2010 and 2011. Two versions of this cartoon are available Title from file name Quantity: 2 digital cartoon(s).
Refers to the reopening of the Christchurch strip club 'Calendar Girls' after more than a year inside the central-city cordon. The building suffered minimal damage but was inaccessible because damage to neighbouring buildings meant the road (Hereford Street) were closed. Quantity: 1 digital cartoon(s).
Shows two visitors to Christchurch who can enjoy the excitement of the danger of earthquakes without car bombings. Context: refers to the Christchurch earthquakes and continuing aftershocks. Quantity: 1 digital cartoon(s).
Shows a fish wondering about the difference between an insurer delaying earthquake-damage settlements and a scavenging groper. Context: refers to the unacceptable and hugely damaging delays in the provision of earthquake damage settlements by insurance companies after the Christchurch earthquakes of 2010 and 2011. Quantity: 1 digital cartoon(s).
Shows Minister for Earthquake Recovery, Gerry Brownlee, telling a Christchurch couple that NZ on Air is funding a six part television drama about the Christchurch earthquakes. Context: the series will be directed by Gaylene Preston. Quantity: 1 digital cartoon(s).
Following the 22 February 2011 Christchurch earthquake a comprehensive damage survey of the unreinforced masonry (URM) building stock of Christchurch city, New Zealand was undertaken. Because of the large number of aftershocks associated with both the 2011 Christchurch earthquake and the earlier 4 September 2010 Darfield earthquake, and the close proximity of their epicentres to Christchurch city, this earthquake sequence presented a unique opportunity to assess the performance of URM buildings and the various strengthening methods used in New Zealand to increase the performance of these buildings in earthquakes. Because of the extent of data that was collected, a decision was made to initially focus exclusively on the earthquake performance of URM buildings located in the central business district (CBD) of Christchurch city. The main objectives of the data collection exercise were to document building characteristics and any seismic strengthening methods encountered, and correlate these attributes with observed earthquake damage. In total 370 URM buildings in the CBD were surveyed. Of the surveyed buildings, 62% of all URM buildings had received some form of earthquake strengthening and there was clear evidence that installed earthquake strengthening techniques in general had led to reduced damage levels. The procedure used to collect and process information associated with earthquake damage, general analysis and interpretation of the available survey data for the 370 URM buildings, the performance of earthquake strengthening techniques, and the influence of earthquake strengthening levels on observed damage are reported within. http://15ibmac.com/home/
This participant-observation study explores the process of gathering and evaluating both financial and non-financial information and communication and transfer of that information within a medium-size Electrical Company in Christchurch, New Zealand. The previous literature has established the importance and the main characteristics of small and medium enterprises (SMEs), mainly studying manufacturing companies. However, there has been little research done in New Zealand on the overall communication process and the financial and non-financial information usage in a small-medium enterprise. Face-to-face interviews were carried out with all the office employees and two partners, along with a ten month participant-observation in the Electrical Company in order to understand how financial and non-financial information is communicated and processed in an SME. Also, research in an SME that has overcome the 2008 economic depression and several major earthquakes allows a deep understanding of lessons learned and what is valued by the Electrical Company. The research has found characteristics of this SME similar to those that have been mentioned in previous literature. However, the partners of the Electrical Company understand the importance of financial management and use financial information extensively to ensure the business expenses are under control. Moreover, the partners use more than just financial information to manage the company. They gather non-financial information through talking to their accountant, their customers and people in the same industry and they keenly follow the news on the rebuilding of Christchurch.
A digitally manipulated image of the Gap Filler Monopoly board square on Manchester Street. The photographer comments, "On the site of a demolished earthquake damaged building in Christchurch, New Zealand is a Monopoly game square for giants. The Gap Filler Project makes the bare land where once a building once stood into something both interesting and unique and this time they created a massive Monopoly board square. In the game of Monopoly you move your player with a dog, shoe or maybe the hat, but as the most common thing in the City are diggers they have the placed one on the square. There are also two houses on Manchester Street, which is priced at $240".
The recent earthquakes in Canterbury have left thousands of Christchurch residents’ homeless or facing the possibility of homelessness. The New Zealand Government, so far, have announced that 5,100 homes in Christchurch will have to be abandoned as a result of earthquake damaged land (Christchurch City Council, 2011). They have been zoned red on the Canterbury Earthquake Recovery Authority (CERA) map and there are another 10,000 that have been zoned orange, awaiting a decision (Christchurch City Council, 2011). This situation has placed pressures on land developers and local authorities to speed up the process associated with the development of proposed subdivisions in Christchurch to accommodate residents in this situation (Tarrant, 2011).
Refers to the Christchurch manufacturer of Sanitarium marmite that has been forced to close down because of earthquake damage. There is a national shortage which is causing much grief. Quantity: 1 digital cartoon(s).
Shows a helicopter spray painting Christchurch with the Canterbury colours of black and red. Someone in the helicopter yells that 'it's gotta be better than tint of TC3'. Context: Probably refers to the apology by Earthquake Recovery Minister Gerry Brownlee for offending Christchurch's TC3 residents after saying he was 'sick and tired' of their moaning. TC3 means 'technical category 3'. Land classified TC3 is the mostly badly quake-damaged considered economically repairable. Quantity: 1 digital cartoon(s).
Replica chimney comprising a chimney pot atop a lightweight brick chimney. The chimney is contextualised by a portion of slate roof, guttering and bricked house exterior below.
Plastic and wood model of three liquefaction volcanoes. The working model pumps water over the grey surface which is decorated with a basket of laundry, a bucket of pegs and a football. The model is surrounded by artificial green grass and rests atop a black wooden base.
A model of the ChristChurch Transitional Cathedral made predominantly out of laser cut and engraved coloured acrylic as well as timber dowels to represent the cardboard tubes.