A man and a woman wearily face one another wondering how they should celebrate two years of frustration. Context: relates to continuing frustration over lack of progress by many people whose houses have been damaged in the Christchurch earthquakes. Quantity: 1 digital cartoon(s).
The cartoon shows a man, a woman and a dog all yelling with fright. Refers to the series of severe aftershocks that again rocked Christchurch on January 2nd. The largest was a magnitude-5.5 shake shortly before 6am. All were centred at sea off New Brighton. Mayor Bob Parker said that fear that larger quakes could be triggered had been raised by residents, but the tsunami threat was "highly unlikely". Quantity: 1 digital cartoon(s).
One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The foreground of the photograph shows a blue temporary water supply pipe and markings spray painted on the footpath in preparation for repair work. The fence has a home made sign painted with the Fulton Hogan (FH) logo satirized to ...
One landscape colour digital photograph taken on 28 April 2012 showing a painting of a winged pig flying against a cloud. The painting was executed on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 2011 ...
One landscape colour digital photograph taken on 28 April 2012. Taken on the corner of Bridle Path and Cunningham Terrace, Lyttelton. Photograph shows a painting of a bottle in the style of a cleaning product. The bottle is labelled "Brain Wash". The retaining walls above and below Cunningham Terrace were severely damaged by the 22 February 201...
One landscape colour digital photograph taken on 28 April 2012 showing a painting representing Nero fiddling while Rome burnt. The painting was executed on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. Artist The retaining walls above and below Cunningham Terrace were severely damaged by the 22 Feb...
One landscape colour digital photograph taken on 28 April 2012 showing a painting of a steam train with seven visible carriages or wagons. A caption painted below the train reads "The Gravy Train" The painting was executed in blue on large curved concrete blocks of a temporary retaining wall in Cunningham Terrace, Lyttelton. The retaining walls...
One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade sign with the text "How Happy are Those Whose Walls Already Rise. Virgil" . The sign is attached to a temporary safety fence on top of a retaining wall awaiting repair. Quoted author The retaining wall...
One landscape colour digital photograph taken on 28 April 2012 showing a painting of a red circle on a blue background. Painted on the right side of circle is a yellow crescent shaped representation of "the man in the moon". Painted in black is a word puzzle of 6 lines starting with "SCIRT" and changing one letter each line to finish with "STAR...
One landscape colour digital photograph taken on 28 April 2012 showing a painting silhouette of a yacht. A caption painted associated with the image reads "Sailing away? Yea right... Falling Away" The painting was executed in blue and black on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. The res...
One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade figure of Humpty Dumpty with a bandaged head sitting on a fence on top of a retaining wall awaiting repair. Contractor involved in repair work The retaining walls above and below Cunningham Terrace wer...
Martin van Beynen is an award-winning journalist with the Christchurch newspaper The Press. His book, 'Trapped: Remarkable Stories of Survival from the 2011 Canterbury Earthquake' documents the experiences of 23 survivors.
An Ashburton couple who cooked barbecues for earthquake-weary Christchurch residents for nine months following the February quake have been named the joint winners of the Trustpower Community Awards.
Cartoon drawn in the style of a pen and ink drawing of the broken Christchurch Cathedral. One version has 'RIP' printed above the non-existant spire and the second has 'RIP' and the words 'Rest in Pieces'. A decision has been made to demolish the cathedral which was severely damaged by the earthquakes of 2010 and 2011. Two versions of this cartoon are available Title from file name Quantity: 2 digital cartoon(s).
Refers to the reopening of the Christchurch strip club 'Calendar Girls' after more than a year inside the central-city cordon. The building suffered minimal damage but was inaccessible because damage to neighbouring buildings meant the road (Hereford Street) were closed. Quantity: 1 digital cartoon(s).
Shows two visitors to Christchurch who can enjoy the excitement of the danger of earthquakes without car bombings. Context: refers to the Christchurch earthquakes and continuing aftershocks. Quantity: 1 digital cartoon(s).
Shows a fish wondering about the difference between an insurer delaying earthquake-damage settlements and a scavenging groper. Context: refers to the unacceptable and hugely damaging delays in the provision of earthquake damage settlements by insurance companies after the Christchurch earthquakes of 2010 and 2011. Quantity: 1 digital cartoon(s).
Shows Minister for Earthquake Recovery, Gerry Brownlee, telling a Christchurch couple that NZ on Air is funding a six part television drama about the Christchurch earthquakes. Context: the series will be directed by Gaylene Preston. Quantity: 1 digital cartoon(s).
The 2010 and 2011 earthquakes of Canterbury have had a serious and ongoing effect on Maori in the city (Lambert, Mark-Shadbolt, Ataria, & Black, 2012). Many people had to rely on themselves, their neighbours and their whanau for an extended period in 2011, and some are still required to organise and coordinate various activities such as schooling, health care, work and community activities such as church, sports and recreation in a city beset by ongoing disruption and distress. Throughout the phases of response and recovery, issues of leadership have been implicitly and explicitly woven through both formal and informal investigations and debates. This paper presents the results of a small sample of initial interviews of Maori undertaken in the response and early recovery period of the disaster and discusses some of the implications for Maori urban communities.
Refers to the Christchurch manufacturer of Sanitarium marmite that has been forced to close down because of earthquake damage. There is a national shortage which is causing much grief. Quantity: 1 digital cartoon(s).
Shows a helicopter spray painting Christchurch with the Canterbury colours of black and red. Someone in the helicopter yells that 'it's gotta be better than tint of TC3'. Context: Probably refers to the apology by Earthquake Recovery Minister Gerry Brownlee for offending Christchurch's TC3 residents after saying he was 'sick and tired' of their moaning. TC3 means 'technical category 3'. Land classified TC3 is the mostly badly quake-damaged considered economically repairable. Quantity: 1 digital cartoon(s).
Replica chimney comprising a chimney pot atop a lightweight brick chimney. The chimney is contextualised by a portion of slate roof, guttering and bricked house exterior below.
Plastic and wood model of three liquefaction volcanoes. The working model pumps water over the grey surface which is decorated with a basket of laundry, a bucket of pegs and a football. The model is surrounded by artificial green grass and rests atop a black wooden base.
A model of the ChristChurch Transitional Cathedral made predominantly out of laser cut and engraved coloured acrylic as well as timber dowels to represent the cardboard tubes.
The 4 September, 22 February, and 13 June earthquakes experienced in Canterbury, New Zealand would have been significant events individually. Together they present a complex and unprecedented challenge for Canterbury and New Zealand. The repetitive and protracted nature of these events has caused widespread building and infrastructure damage, strained organisations’ financial and human resources and challenged insurer and investor confidence. The impact of the earthquakes was even more damaging coming in the wake of the worst worldwide recession since the great depression of the 1930s. However, where there is disruption there is also opportunity. Businesses and other organisations will drive the physical, economic and social recovery of Canterbury, which will be a dynamic and long-term undertaking. Ongoing monitoring of the impacts, challenges and developments during the recovery is critical to maintaining momentum and making effective mid-course adjustments. This report provides a synthesis of research carried out by the Resilient Organisations (ResOrgs) Research Programme1 at the University of Canterbury and Recover Canterbury in collaboration with Opus Central Laboratories (part of Opus International Consultants). The report includes discussions on the general state of the economy as well as data from three surveys (two conducted by ResOrgs and one by Recover Canterbury) on business impacts of the earthquakes, population movements and related economic recovery issues. This research and report offers two primary benefits:
A PDF copy of The Star newspaper, published on Wednesday 5 December 2012.
The Darfield earthquake caused widespread damage in the Canterbury region of New Zealand, with the majority of damage resulting from liquefaction and lateral spreading. One of the worst hit locations was the small town of Kaiapoi north of Christchurch, an area that has experienced liquefaction during past events and has been identified as highly susceptible to liquefaction. The low lying town sits on the banks of the Kaiapoi River, once a branch of the Waimakariri, a large braided river transporting gravelly sediment. The Waimakariri has been extensively modified both by natural and human processes, consequently many areas in and around the town were once former river channels.
Shows a man exhausted after a weekend of watching the All Blacks playing Ireland on TV. His wife understands the frustration of Christchurch residents waiting too long for repairs to properties. Context: Refers to frustrating delays in getting earthquake-related repairs done in Christchurch, this in large part due to slowness of insurance claims and permissions. Quantity: 1 digital cartoon(s).
Three men chat in a pub. One of them reads a newspaper article about the Mayor of Christchurch, Bob Parker, who commented that he was scared of earthquakes when in Wellington. All three drinkers would rather be in Wellington than trapped beside Bob Parker at a dinner table. Context: Christchurch's Mayor has told the Emergency Management Conference he's scared to be in Wellington. He gave graphic descriptions of the Christchurch earthquakes, getting people to bang on the tables for 45 seconds so they could see what it felt like. Quantity: 1 digital cartoon(s).
Within four weeks of the September 4 2010 Canterbury Earthquake a new, loosely-knit community group appeared in Christchurch under the banner of “Greening the Rubble.” The general aim of those who attended the first few meetings was to do something to help plug the holes that had already appeared or were likely to appear over the coming weeks in the city fabric with some temporary landscaping and planting projects. This article charts the first eighteen months of Greening the Rubble and places the initiative in a broader context to argue that although seismic events in Christchurch acted as a “call to palms,” so to speak, the city was already in need of some remedial greening. It concludes with a reflection on lessons learned to date by GTR and commentary on the likely issues ahead for this new mini-social-environmental movement in the context of a quake-affected and still quake-prone major New Zealand city. One of the key lessons for GTR and all of those involved in Christchurch recovery activities to date is that the city is still very much in the middle of the event and is to some extent a laboratory for seismic and agency management studies alike.