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Images for earthquakes; more images...

Articles, UC QuakeStudies

A PDF copy of a proposal prepared by Anglican Advocacy (formerly the Anglican Life Social Justice Unit) and Te Whare Roimata to MBIE and CERA in 2012. The report outlines how social housing could look in Christchurch's Inner City East following the Christchurch earthquakes.

Audio, Radio New Zealand

158 other buildings may share CTV construction flaw; US defence chief lifts ban on NZ vessels in US ports; first snapshot of national standards data published today; Korean fishing boat officers fined more than $400,000; and SFO starts investigation into Christchurch earthquake insurance fraud.

Videos, UC QuakeStudies

A video of an interview with Mayumi Asakawa, a Japanese student from Kanagawa prefecture who was in Christchurch during the 22 February 2011 earthquake. Asakawa returned to Christchurch to ring the Peace Bell in the Botanic Gardens during the Festival of Flowers commemorative ceremony.

Videos, UC QuakeStudies

A video of an interview with Robin Judkins, Canterbury personality and Coast to Coast founder, about his experiences during the 22 February 2011 earthquake, and the changes to Christchurch. This video is part of The Press's 'Christchurch, one year after February 22, 2011' series.

Images, UC QuakeStudies

A sticker produced by SPCA Canterbury for residents to stick on their doors, indicating that there is an animal inside the property. This was produced after the 2010 and 2011 Canterbury earthquakes to help emergency personnel determine whether an animal is inside the building.

Videos, UC QuakeStudies

A video of a press conference with Bishop Victoria Matthews in the Botanic Gardens about the plans for the earthquake-damaged ChristChurch Cathedral. Matthews announces that the cathedral will be deconstructed, allowing the safe retrieval of taonga and heritage items within the building.

Audio, Radio New Zealand

Eighteen-year-old Josh Anderson was part of the team removing an organ from a church in Christchurch when it collapsed during the 22 February earthquake, killing three of his colleagues. Now, 18 months later, he is about to perform his first ever solo organ concert in his hometown, Timaru.

Audio, Radio New Zealand

The Christchurch earthquake last February forced many circus performers to flee the city in search of work. Their base - the Circo Arts school - was damaged in the quake and is likely to be demolished. But they're now slowly returning, as a new base for circus performers is established in the city.

Images, UC QuakeStudies

Demolition site and street art on a wall on Colombo Street, Sydenham. The work on the left is a Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), a shadow-board mural which depicts things lost during the earthquake.

Images, UC QuakeStudies

HITLab NZ's Andreas Dunser and UC clinical psychologists Dr Janet Carter, Dr Eileen Britt and Associate Professor Martin Dorahy, who are creating an earthquake simulator at the University of Canterbury to investigate ways to help Cantabrians overcome post-traumatic stress disorders caused by ongoing seismic activity.

Images, UC QuakeStudies

HITLab NZ's Andreas Dunser and UC clinical psychologists Dr Janet Carter, Dr Eileen Britt and Associate Professor Martin Dorahy, who are creating an earthquake simulator at the University of Canterbury to investigate ways to help Cantabrians overcome post-traumatic stress disorders caused by ongoing seismic activity.

Articles, UC QuakeStudies

A photograph captioned, "I guess the only good thing that came out of the earthquake is that we know the residents better. It definitely bought people together, and the support was incredible. If you didn't know your neighbours before, you definitely knew them after the quake. We made friends out of this".

Audio, Radio New Zealand

Stonemason Mark Whyte puts sculpting commissions aside in order to respond to the Christchurch earthquakes and save classic street facades from the 1870s. Across the Red Zone and 3 generations of the Aires family- Bob, Rob and Suzie are at work on the Heritage Hotel which were the old government buildings.

Images, eqnz.chch.2010

www.youtube.com/watch?v=SPXqb7k4azU Details inside a half demolished theatre in central Christchurch. November, 2012. Christchurch, NZ. (c)Mike Brebner. All rights reserved.

Images, UC QuakeStudies

A worker in a high visibility vest and a hard hat repairing and strengthening the outside of a building at the University of Canterbury. The photograph has been captioned by BeckerFraserPhotos, "The repair work on the buildings at the University of Canterbury looks similar to the scenes in the CBD".

Research papers, University of Canterbury Library

This thesis is about many things, not least of all the September 4th 2010 and February 22nd 2011 earthquakes that shook Christchurch, New Zealand. A city was shaken, events which worked to lay open the normally invisible yet vital objects, processes and technologies which are the focus of inquiry: the sewers, pipes, pumps, the digital technologies, the land and politics which constitute the Christchurch wastewater networks. The thesis is an eclectic mix drawing together methods and concepts from Bruno Latour, John Law, Giles Deleuze and Felix Guattari, Nigel Thrift, Donna Haraway and Patrick Joyce. It is an exploration of how the technologies and objects of sanitation perform the city, and how such things which are normally hidden and obscured, are made visible. The question of visibility is also turned toward the research itself: how does one observe, and describe? How are sociological visibilities constructed? Through the research, the encountering of objects in the field, the processes of method, the pedagogy of concepts, and the construction of risk, the thesis comes to be understood as a particular kind of social scientific artefact which assembles four different accounts: the first regards the construction of visibility; the second explores Christchurch city from the control room where the urban sanitary infrastructures are monitored; the third chapter looks at the formatted and embodied practices which emerge with the correlation of the city and sanitation; the fourth looks at the changing politics of a city grappling with severely damaged essential services, land and structures. The final chapter considers how the differences between romantic and baroque sensibilities mean that these four accounts elicit knowing not through smoothness or uniformity, but in partiality and non-coherence. This thesis is about pipes, pump stations, and treatment plants; about the effluent of a city; about the messiness of social science when confronted by the equally messy world of wastewater.