A photograph of Kirkwood Village, a cluster of temporary classrooms and offices constructed at the University of Canterbury campus following the 22 February 2011 earthquake.
A PDF copy of pages 174-175 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Gap Filler Office'. Photos: Gap Filler
A photograph of children's play equipment on the site of the Gap Filler office. In the background, a mural reads, "The things which I have seen I now can see no more".
A photograph of the installation, 'Cardencity', on the corner of Manchester and Welles Streets. The installation is a sign post with all signs pointing to parking spaces.
A photograph of the installation, 'Cardencity', on the corner of Manchester and Welles Streets. The installation is a sign post with all signs pointing to parking spaces.
A PDF copy of pages 250-251 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Cardencity'. Photos: Trent Hiles
A PDF copy of pages 24-25 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Rekindle Furniture'. Photos: Laura Forest Photography
A PDF copy of pages 54-55 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'River of Flowers - Te Waitohi Maumahara'. Page 54 photographs: Healthy Chch. Page 55 photograph: Mike Moss.
A PDF copy of pages 198-199 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Smash Palace'. Photos: Irene Boles
A PDF copy of pages 242-243 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Ministry of Justice Gate Keepers'. Photos: Douglas Horrell
A PDF copy of pages 288-289 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Greenzone'. Photo: Reuben Woods
A PDF copy of pages 84-85 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'I Am...'. Photo: Harry Tranter
A PDF copy of pages 224-225 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Viva Project'. Photos provided by Lin Roberts. With permission from The Viva Project.
A PDF copy of pages 306-307 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Salisbury St Garden'. Photos with permission from Greening the Rubble
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A black and white photograph of performers at the Songs For Christchurch launch. In the foreground, an audience member gives the thumbs up to the camera.
A photograph of Kathryn Innes working on Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "Finishing edges and fine details before grouting."
A photograph of Katherine O'Connor and Helen Campbell adding grout to Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "The very first grout goes on and suddenly the chair comes alive."
A photograph of Jayne White removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of members of Crack'd for Christchurch taking a break. The team have been working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter. From left: Jayne White, Marie Hudson, Jennie Cooper, and Helen Campbell."
A photograph of Sharon Wilson removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of Jayne White preparing lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into winter."
A photograph of Sharon Wilson removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of Marie Hudson attaching a flower mosaic to Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Marie makes it look easy."
A photograph of Helen Campbell adding grout to Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "The very first grout goes on and suddenly the chair comes alive."
A photograph of Katherine O'Connor and Helen Campbell adding grout to Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "The very first grout goes on and suddenly the chair comes alive."
A photograph of Helen Campbell and Katherine O'Connor adding grout to Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "September 2014. Spring is here. Grouting."