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Images for Earthquakes; more images...

Audio, Radio New Zealand

Stonemason Mark Whyte puts sculpting commissions aside in order to respond to the Christchurch earthquakes and save classic street facades from the 1870s. Across the Red Zone and 3 generations of the Aires family- Bob, Rob and Suzie are at work on the Heritage Hotel which were the old government buildings.

Images, eqnz.chch.2010

www.youtube.com/watch?v=SPXqb7k4azU Details inside a half demolished theatre in central Christchurch. November, 2012. Christchurch, NZ. (c)Mike Brebner. All rights reserved.

Research Papers, Lincoln University

The scale of damage from a series of earthquakes across Christchurch Otautahi in 2010 and 2011 challenged all networks in the city at a time when many individuals and communities were under severe economic pressure. Historically, Maori have drawn on traditional institutions such as whanau, marae, hapu and iwi in their endurance of past crises. This paper presents research in progress to describe how these Maori-centric networks supported both Maori and non-Maori through massive urban dislocation. Resilience to any disaster can be explained by configurations of economic, social and cultural factors. Knowing what has contributed to Maori resilience is fundamental to the strategic enhancement of future urban communities - Maori and non-Maori.

Images, UC QuakeStudies

A worker in a high visibility vest and a hard hat repairing and strengthening the outside of a building at the University of Canterbury. The photograph has been captioned by BeckerFraserPhotos, "The repair work on the buildings at the University of Canterbury looks similar to the scenes in the CBD".

Research papers, University of Canterbury Library

This thesis is about many things, not least of all the September 4th 2010 and February 22nd 2011 earthquakes that shook Christchurch, New Zealand. A city was shaken, events which worked to lay open the normally invisible yet vital objects, processes and technologies which are the focus of inquiry: the sewers, pipes, pumps, the digital technologies, the land and politics which constitute the Christchurch wastewater networks. The thesis is an eclectic mix drawing together methods and concepts from Bruno Latour, John Law, Giles Deleuze and Felix Guattari, Nigel Thrift, Donna Haraway and Patrick Joyce. It is an exploration of how the technologies and objects of sanitation perform the city, and how such things which are normally hidden and obscured, are made visible. The question of visibility is also turned toward the research itself: how does one observe, and describe? How are sociological visibilities constructed? Through the research, the encountering of objects in the field, the processes of method, the pedagogy of concepts, and the construction of risk, the thesis comes to be understood as a particular kind of social scientific artefact which assembles four different accounts: the first regards the construction of visibility; the second explores Christchurch city from the control room where the urban sanitary infrastructures are monitored; the third chapter looks at the formatted and embodied practices which emerge with the correlation of the city and sanitation; the fourth looks at the changing politics of a city grappling with severely damaged essential services, land and structures. The final chapter considers how the differences between romantic and baroque sensibilities mean that these four accounts elicit knowing not through smoothness or uniformity, but in partiality and non-coherence. This thesis is about pipes, pump stations, and treatment plants; about the effluent of a city; about the messiness of social science when confronted by the equally messy world of wastewater.

Images, UC QuakeStudies

A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.

Videos, UC QuakeStudies

A video of an interview with Joe Bennett, columnist and Lyttelton resident, about his experiences during the 22 February 2011 earthquake, and his hopes for post-quake Christchurch. This video was part of The Press's 'Christchurch, one year after February 22, 2011' series.

Images, UC QuakeStudies

A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.

Images, UC QuakeStudies

A photograph of a sign in the Canterbury Quakes exhibition at the Canterbury Museum. The sign displays the number of aftershocks in Canterbury since the 4 September 2010 earthquake as of 9.00 am on the morning the photograph was taken. The tally was 9,787.

Audio, Radio New Zealand

After a damning report into the CTV building, how many other Christchurch buildings had faults when the earthquake struck? Police investigate the tragic death of a five year old and when so many businesses are struggling, how did the country's big banks increase profits by a quarter?

Audio, Radio New Zealand

Topic 1: The Minister for Earthquake Recovery, Gerry Brownlee, was quick to apologise to the Christchurch Mayor Bob Parker for calling him a clown. Topic 2: The Electoral Commission says John Key's hour-long pre-election radio show gave him the chance to raise his personal profile unchallenged.

Audio, Radio New Zealand

A new report says the financial cost of a major earthquake in Wellington would be much bigger than the Canterbury quakes. Opposition parties attack the asset sales plan after Bill English's "it's just a guess" comment and cuts to jobs, services, and profits, hard times at Qantas.

Images, UC QuakeStudies

The word 'faith' has been formed by flowers on the cordon fence beside St John the Baptist Church on Latimer Square. The photographer comments, "If I remember correctly this has been on the fence surrounding the Christchurch earthquake red zone for quite a while and looks remarkably pristine".

Images, UC QuakeStudies

A sticker produced by SPCA Canterbury for residents to stick on their doors, indicating that there is an animal inside the property. This was produced after the 2010 and 2011 Canterbury earthquakes to help emergency personnel determine whether an animal is inside the building.

Images, UC QuakeStudies

Jess Hollis, a member of the University of Canterbury's E-Learning team in their temporary office in the James Hight building. The photographer comments, "Yet another change of workplace for our E-Learning group, as the University juggles people and buildings to carry out earthquake repairs. My desk with Jess behind".

Images, UC QuakeStudies

Members of the public view the damaged tower of Christ Church Cathedral. Bracing has been placed on the front wall to the right to limit further damage. In the centre of the crowd stands a wire cage filled with stones. After the earthquake, love notes to Christchurch were written on the stones.

Images, UC QuakeStudies

Jess Hollis, a member of the University of Canterbury's E-Learning team in their temporary office in the James Hight building. The photographer comments, "Yet another change of workplace for our E-Learning group, as the University juggles people and buildings to carry out earthquake repairs. Jess, with my desk behind".