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Images for Christchurch city; more images...

Images, UC QuakeStudies

Damage to Englefield Lodge on Fitzgerald Avenue. A pile of bricks lies in front of the house, windows are boarded up, and wooden bracing is propping up the walls. A spray-painted message on a wall reads "We will try to save this house." The photographer comments, "A bike ride around the CBD. Englefield, Christchurch's oldest house, in Fitzgerald Ave".

Images, UC QuakeStudies

A damaged footpath along Worcester Boulevard outside the Christchurch Art Gallery. In several places along the footpath, the tiles have lifted, leaving an uneven surface. In the distance are crowds of people leaving the central city.

Images, UC QuakeStudies

A photograph of All Right? flags in road cones on Deans Avenue. The flags include simple messages beginning with, "It's All Right if..." or "It's All Right to...", which sought to normalise Cantabrians' various emotional responses to the earthquakes. The flags were distributed at various locations around the city, enabling a 'flag hunt' for Cantabrians.

Images, eqnz.chch.2010

Working at getting things out of the Victoria Square before it is demolished. www.stuff.co.nz/the-press/news/christchurch-earthquake-20... What I found on my walk around the city January 15, 2014 Ch...

Images, eqnz.chch.2010

After my visit at the hospital for physiotherapy on my hand I took a walk around the city on my way home. Demolition of the Victoria Square apartments February 12, 2014 Christchurch New Zealand. www.s...

Research Papers, Lincoln University

Imagined landscapes find their form in utopian dreaming. As ideal places, utopias are set up according to the ideals of their designers. Inevitably, utopias become compromised when they move from the imaginary into the actual. Opportunities to create utopias rely largely on a blank slate, a landscape unimpeded by the inconveniences of existing occupation – or even topography. Christchurch has seen two utopian moments. The first was at the time of European settlement in the mid-nineteenth century, when imported ideals provided a model for a new city. The earthquakes of 2010 and 2011 provided a second point at which utopian dreaming spurred visions for the city. Christchurch’s earthquakes have provided a unique opportunity for a city to re-imagine itself. Yet, as is the fate for all imaginary places, reality got in the way.

Images, UC QuakeStudies

A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? We believe that, as regards residential recovery, monitoring should extend to code compliance certificates. According to figures published in 2014, only factions of repairs/rebuilds are completed with the issue of a code compliance certificate. To conclude the work to the required standard, someone must pay for the code compliance. Leaving things as they are could have serious negative consequences for the recovery and for the city as a whole. We suggest an investigation of number of outstanding code compliance certificates and that responsible parties are made to address this outstanding work. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents."

Images, UC QuakeStudies

A photograph of the spire of ChristChurch Cathedral sitting on the ground in Cathedral Square. The photograph is captioned by BeckerFraserPhotos, "The dry summer grass shows the passing of the seasons while the top of the spire of the ChristChurch Cathedral stays still".

Images, UC QuakeStudies

A photograph of a young girl at the Pallet Pavilion during Supernova City, a drawing workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.