A PDF copy of pages 70-71 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bandaid Artwork'. Photographs: Heather Hayward (top left), Reuben Woods (top right), Jenna Lynn Brown (bottom left and right)
An abandoned residential property at 12 Waygreen Avenue in New Brighton. The section is covered with weeds and silt from liquefaction. A section of the driveway is partly flooded. Splinters of wood from the broken fence lie on the driveway.
Photograph captioned by Fairfax, "Major earthquake hits Christchurch. Maling Street in Avonside. From left:Charlie Tarawa, Tamatea Briggs (12), Ngarita Briggs (8) and Walton Briggs sit under a make shift shelter while they wait for a wood fire to boil water".
A pigeon perches in the beams of a damaged building. The photographer comments, "The building next door was demolished after the Christchurch earthquake, which exposed the side of this building with it's very old corrugated iron walls. Some of the sheeting was damaged and exposed parts of the interior. The pigeon was sitting on a bit of wood with the beam above it had a very serious crack. I think you would be nervous as well".
Christchurch Regeneration Minister Megan Woods says it could take 18 months to decide who is liable for the repairs for 660 home-owners caught in legal limbo. They've bought homes where they thought all the earthquake damage had been repaired - and now find more problems have emerged. Ms Woods told us it's not clear who is liable for these repairs - and it could take as long as 18 months to resolve that basic liability issue. EQC's chief executive Sid Miller has already apologised. He tells Susie Ferguson it's an issue he's been aware of in the year he has been with EQC.
The PricewaterhouseCoopers building photographed from Cambridge Terrace, across the Avon River. A skip can be seen on the road as well as wire fencing and a road cone. Some of the windows above are broken and have been boarded up with wood.
The PricewaterhouseCoopers building photographed from Cambridge Terrace, across the Avon River. A skip can be seen on the road as well as wire fencing and a road cone. Some of the windows above are broken and have been boarded up with wood.
A photograph of street art on Dyers Pass Road at the Bromley Silvan Salvage wood and demolition yard. The artwork shows a tree in front of blue waves. In the upper left corner are the words: "P.E.E.E.P Trust".
A photograph of cracks running through the driveway of a residential property on Glenarm Terrace in Dallington. The cracks have been filled in with stones and planks of wood have been placed over them to allow the residents to continue using the driveway.
A photograph of the Arts Centre taken from Worcester Street. Three workers in hard hats and high-visibility jackets can be seen in front as well as planks of wood and other equipment. The gable of the tower above has been reinforced with wooden bracing.
Page 9 of Section B of the Christchurch Press, published on Wednesday 2 March 2011.
A photograph of a piece of plywood sitting on top of a pile of bricks from the Carlton Hotel. USAR codes have been spray-painted on the wood. In the foreground, metal fencing, cordon tape and a road cone have been used to cordon off the building.
A photograph of a badly-damaged building on the corner of Manchester Street and Gloucester Street. The front walls of the building have crumbled, and the bricks and wood have fallen onto the footpath in front. Wire fencing has been placed around the building as a cordon.
Plastic and wood model of three liquefaction volcanoes. The working model pumps water over the grey surface which is decorated with a basket of laundry, a bucket of pegs and a football. The model is surrounded by artificial green grass and rests atop a black wooden base.
A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".
A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".
Damage to the wall around a circular window inside the Durham Street Methodist Church. The plaster around the window is badly cracked and has chipped away in some sections, revealing the brickwork underneath it. The window has been weather proofed with plywood and braced with planks of wood.
Photograph captioned by Fairfax, "Major earthquake hits Christchurch. Maling Street in Avonside. From left: Tamatea Briggs (12) and Charlie Tarawa under a makeshift shelter while they wait for a wood fire to boil water. They are too scared to go in the house so are sleeping on the lawn".
In 2013 Becca Wood, Spatial Performance Practitioner, and Molly Mullen, Applied Theatre Practitioner, collaborated to create a short ambulatory performance with audio score for a group of drama educators attending a conference workshop on the possibilities of walking as performance. The performance was created remotely from the intended site: Rangi Ruru Girls’ School, in Christchurch, New Zealand. Following the destruction of the 2012 earthquake, this site was in a state of transformation and recovery. The performance walk attended to the histories, geographies and politics of this place, somatically, architecturally and socially. This paper engages with three critical questions: How might mediated listening and walking activate the coming together of bodies and place? What performative shifts occurred for the participants in the walk and workshop? How might we come to our senses? Through a performative practice of mediated site-based listening and walking, this paper is a reflection on the creative process and performance. We consider the potential for technologically mediated performance to offer new modes for learning and creative practice through interdisciplinary and evolving intermedial practices. http://www.tandfonline.com/toc/crde20/current AM - Accepted Manuscript
Photograph captioned by Fairfax, "Major earthquake hits Christchurch. Maling Street in Avonside. From left: Charlie Tarawa, Tamatea Briggs (12) sit under a make shift shelter while they wait for a wood fire to boil water. They are too scared to go in the house so are sleeping on the lawn".
Photograph captioned by Fairfax, "Major earthquake hits Christchurch. Maling Street in Avonside. From left: Charlie Tarawa, and Ngarita Briggs (8) sit under a make-shift shelter while they wait for a wood fire to boil water. They are too scared to go in the house so are sleeping on the lawn".
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have attached to the front legs.
Photograph captioned by Fairfax, "Major earthquake hits Christchurch. Maling Street in Avonside. From left: Charlie Tarawa, and Ngarita Briggs (8) sit under a make shift shelter while they wait for a wood fire to boil water. They are too scared to go in the house so are sleeping on the lawn".
Photograph captioned by Fairfax, "Major earthquake hits Christchurch. Maling Street in Avonside. From left: Charlie Tarawa, and Ngarita Briggs (8) sit under a make shift shelter while they wait for a wood fire to boil water. They are too scared to go in the house so are sleeping on the lawn".
One white over-painted hand-made electric guitar made primarily from ash and maple timbers, also incorporating wood from a variety of historic buildings in Canterbury damaged or destroyed in the 2010 - 2011 earthquakes including the Arts Centre, Kutwell’s Warehouse, Lyttleton main street pub, Timeball Station, Carlton Hotel, Merivale shops, bui...
Page 15 of Section C of the Christchurch Press, published on Saturday 19 March 2011.
Thousands of people are making insurance claims after heavy rain and flooding in the north of New Zealand, especially in Auckland. Insurance lawyer Peter Woods has worked on property claims for earthquake damage in Canterbury and Marlborough.. He has also been an Independent Specialist Adviser to the government. Peter talks to Lisa Owen.