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BeckerFraserPhotos February 2013 photograph 065
Images, UC QuakeStudies
The ground at this residential property on New Brighton Road is completely water-logged.
BeckerFraserPhotos September 2010 photograph 051
Images, UC QuakeStudies
Diggers on the corner of Worcester and Manchester Streets taking a rest from demolishing this building on Sunday.
BeckerFraserPhotos October 2011 photograph 246
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "Orari Street, Bexley. Changes to the water level have taken place in this property".
Construction Management Plan
Articles, UC QuakeStudies
A plan which describes how SCIRT is to carry out construction works. The first version of this plan was produced on 10 August 2011.
BeckerFraserPhotos October 2011 photograph 601
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "Fitzgerald Avenue runs up the middle of this picture".
BeckerFraserPhotos October 2011 photograph 287
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "392 Oxford Terrace, Avon Loop. This house has a direct association with the Locke family".
BeckerFraserPhotos December 2011 photograph 2327
Images, UC QuakeStudies
A photograph captioned by BeckerFraserPhotos, "This used to be someone's garden on Kirsten Place in New Brighton. Liquefaction creates interesting patterns".
BeckerFraserPhotos December 2011 photograph 2236
Images, UC QuakeStudies
A photograph captioned by BeckerFraserPhotos, "Moira Fraser checking out this more restrained Christmas cone at Beachville Road in Redcliffs".
BeckerFraserPhotos December 2011 photograph 2326
Images, UC QuakeStudies
A photograph captioned by BeckerFraserPhotos, "We counted eight trucks and one digger in this short street - Kirsten Place, New Brighton".
BeckerFraserPhotos February 2012 photograph 0064
Images, UC QuakeStudies
A photograph captioned by BeckerFraserPhotos, "This house has had its doors and windows removed prior to demolition".
Design Management Plan
Articles, UC QuakeStudies
A plan which describes how SCIRT will carry out design work. The first version of this plan was produced on 1 September 2011.
Human Resources Management Plan
Articles, UC QuakeStudies
A plan which outlines SCIRT's approach to Human Resource Management. The first version of this plan was produced on 30 August 2011.
Photograph of Gap Filler project 22 (57)
Images, UC QuakeStudies
The empty site of the Crowne Plaza Hotel, now demolished. This is where the Pallet Pavilion is to be built.
Photograph of Gap Filler project 22 (56)
Images, UC QuakeStudies
The empty site of the Crowne Plaza Hotel, now demolished. This is where the Pallet Pavilion is to be built.
Photograph of Gap Filler project 18 (9)
Images, UC QuakeStudies
A winner of the Gap Golf tournament at the prize giving ceremony. This was held at the Pallet Pavilion.
BeckerFraserPhotos April 2011 photograph 286
Images, UC QuakeStudies
A close-up view of damage to Cranmer Courts. The top of this facade has fallen away, exposing the beams behind.
Photograph by Jennifer Middendorf 412
Images, UC QuakeStudies
Mike Hewson's installation "Deconstruction" on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
BeckerFraserPhotos December 2011 photograph 2348
Images, UC QuakeStudies
A photograph captioned by BeckerFraserPhotos, "Waygreen Avenue in New Brighton. This street is red zoned".
GIS Abandoned Removed Tool
Articles, UC QuakeStudies
This document describes the tool developed for capturing the abandoned and removed assets using the SCIRT GIS viewer.
BeckerFraserPhotos March 2011 photograph 019
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "5 Norwich Quay, Lyttelton, Harbourmasters Building. This building is scheduled to 'partially demolish' - heritage building".
BeckerFraserPhotos March 2012 photograph 111
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "Earthquake damage at 7 Kinsey Terrace. This area is now white zoned".
BeckerFraserPhotos September 2010 photograph 107
Images, UC QuakeStudies
A machine pumps sewage into the river in Kaiapoi. This is a temporary solution while the sewage system is being repaired.
BeckerFraserPhotos March 2012 photograph 112
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "Earthquake damage at 7 Kinsey Terrace. This area is now white zoned".
BeckerFraserPhotos December 2011 photograph 0381
Images, UC QuakeStudies
An aerial photograph of Horseshoe Lake. All of this land is red-zoned.
BeckerFraserPhotos December 2011 photograph 0379
Images, UC QuakeStudies
An aerial photograph of Horseshoe Lake. All of this land is red-zoned.
BeckerFraserPhotos October 2011 photograph 665
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "Viewed from this angle from the air, the CBD seems full of tall buildings, with few gaps readily obvious".
BeckerFraserPhotos March 2012 photograph 113
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "Earthquake damage at 7 Kinsey Terrace. This area is now white zoned".
BeckerFraserPhotos April 2012 photograph 134
Images, UC QuakeStudies
The garden and seating area outside the Coffee Zone shack on Colombo Street. This was put together by the Greening the Rubble community project.
chimney versus roof
Images, eqnz.chch.2010
Roof lost. This was not that uncommon a site around the neighbourhood.
Rangi Ruru Walk: social and spatial connections through hybrid intermedial…
Research papers, The University of Auckland Library
In 2013 Becca Wood, Spatial Performance Practitioner, and Molly Mullen, Applied Theatre Practitioner, collaborated to create a short ambulatory performance with audio score for a group of drama educators attending a conference workshop on the possibilities of walking as performance. The performance was created remotely from the intended site: Rangi Ruru Girls’ School, in Christchurch, New Zealand. Following the destruction of the 2012 earthquake, this site was in a state of transformation and recovery. The performance walk attended to the histories, geographies and politics of this place, somatically, architecturally and socially. This paper engages with three critical questions: How might mediated listening and walking activate the coming together of bodies and place? What performative shifts occurred for the participants in the walk and workshop? How might we come to our senses? Through a performative practice of mediated site-based listening and walking, this paper is a reflection on the creative process and performance. We consider the potential for technologically mediated performance to offer new modes for learning and creative practice through interdisciplinary and evolving intermedial practices. http://www.tandfonline.com/toc/crde20/current AM - Accepted Manuscript