A photograph of a man playing mini-golf on Gap Filler's Gap Golf course.
A photograph of a child playing mini-golf on Gap Filler's Gap Golf course.
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Hope sign at Hereford and Manchester Streets".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Hope sign at Hereford and Manchester Streets".
In the bringing together of art and mental health, Kim Morton is a champion. Following the Christchurch earthquakes, Kim founded Otautahi Creative Spaces, a busy creative community in inner city suburb Philipstown.
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Hope sign at Hereford and Manchester Streets".
The front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the front wall to limit further damage.
The front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the front wall to limit further damage.
The front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the front wall to limit further damage.
A photograph of stencilled street art on a fence beside the St Martins Road roundabout. The stencil, created by Kerry Parnell, depicts daleks and space invaders, and reads, "Now panic and freak out".
A photograph of a man and a child preparing the ground for one of the holes of Gap Filler's Gap Golf course.
A photograph of the first hole of Gap Filler's Gap Golf course. Written on the wooden framing around the hole is, "Gap golf! Hole 1: Skinny Limits par 2, 6.1 m".
Created to generate support for and develop the idea of the Christchurch CBD being rebuilt as the world's first elevated garden city, with rooftop gardens and open spaces connected by walkways and cycle paths.
A couple of the most intriguing public art installations on in Christchurch. Dr Jessica Halliday discusses COCA gallery's window space project and Riki Manuel describes his art installations made from the ruins of earthquake hit buildings.
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
A close up of the front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Bracing has been placed against the front wall to limit further damage.
A close up of the front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the wall to limit further damage.
Research in the governance of urban tourist spaces is characterized by a lack of argumentative inquiry and scant use of critical theory. This is evident, particularly, in the study of tourism and post-disaster urban recovery, with very few contributions assessing the phenomenon from a social theory perspective. This thesis examines the complex phenomenon of planning and governance for urban tourism spaces in contexts facing physical recovery from natural disasters. It does so by looking at the governance dynamics and the mechanism of decision- making put in place before and after triggering events like earthquakes and tsunamis. This thesis provides evidence from Christchurch, New Zealand, by focusing on the policies and strategies for the regeneration of the city centre put in place before and after the disruptive earthquakes of 2010 and 2011. The thesis looks at power relations, structures and ideologies through a Lukesian appraisal of pre-and-post disaster governance from two relevant urban tourist spaces located in the Christchurch central city area: the Arts Centre of Christchurch and the Town Hall and Performing Arts Precinct. The research strategy adopted for the study combined archival research, interviews with key stakeholders and fieldwork notes over a period of two years. The research deployed a comparative case study methodology that focuses on projects taking place within a spatially defined area of the city centre where special legislation was enacted as result of the earthquakes. The findings from the interviews and their triangulation with documents retrieved from national and local authorities suggest that the earthquakes affected the engagement among stakeholders and the mechanisms of decision-making. Also, the findings show patterns of disaster capitalism in post-earthquake governance for urban tourist spaces in the Christchurch CBD, with episodes of exclusion, lobbying and amendment of rules and legislation that directly benefited the interests of a narrow group of privileged stakeholders. Overall, the study shows that the earthquakes of 2010 and 2011 accelerated neoliberal practices of site development in Christchurch, with the seismic events used as a pretext to implement market-oriented site projects in the CBD area.
A close up of the damaged stonework of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the wall to limit further damage.
A close up of the front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the front wall to limit further damage.
A close up of the damaged stonework of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the wall to limit further damage.
Lane Perry and students make a chess board in a demolition space in Sydenham, Colombo St, 30.11.11 01- left to right Elliot Faulkner UC, Lane Perry UC, Oleg Sheremetor UC and Coralie Winn, Gap Filler.
A photoshopped image of the front of the cathedral with its broken tower. The upper part of the front wall has crumbled completely, exposing the inside space. Security fences have been placed around the building to restrict access.
A photograph of an installation titled 'Halo', which is part of the LUXCITY event.
This week we are treating you to a photographic tale of the life of a Cantabrian abode. Come with us now on a journey through time and space, to the wonderful world of dilapidated Victorian villas… Despite its grandiose design, Mr. … Continue reading →
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls