Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Hope sign at Hereford and Manchester Streets".
In the bringing together of art and mental health, Kim Morton is a champion. Following the Christchurch earthquakes, Kim founded Otautahi Creative Spaces, a busy creative community in inner city suburb Philipstown.
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Hope sign at Hereford and Manchester Streets".
Creative temporary or transitional use of vacant urban open spaces is seldom foreseen in traditional urban planning and has historically been linked to economic or political disturbances. Christchurch, like most cities, has had a relatively small stock of vacant spaces throughout much of its history. This changed dramatically after an earthquake and several damaging aftershocks hit the city in 2010 and 2011; temporary uses emerged on post-earthquake sites that ran parallel to the “official” rebuild discourse and programmes of action. The paper examines a post-earthquake transitional community-initiated open space (CIOS) in central Christchurch. CIOS have been established by local community groups as bottom-up initiatives relying on financial sponsorship, agreements with local landowners who leave their land for temporary projects until they are ready to redevelop, and volunteers who build and maintain the spaces. The paper discusses bottom-up governance approaches in depth in a single temporary post-earthquake community garden project using the concepts of community resilience and social capital. The study analyses and highlights the evolution and actions of the facilitating community organisation (Greening the Rubble) and the impact of this on the project. It discusses key actors’ motivations and values, perceived benefits and challenges, and their current involvement with the garden. The paper concludes with observations and recommendations about the initiation of such projects and the challenges for those wishing to study ephemeral social recovery phenomena.
The front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the front wall to limit further damage.
The front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the front wall to limit further damage.
The front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the front wall to limit further damage.
A photograph of stencilled street art on a fence beside the St Martins Road roundabout. The stencil, created by Kerry Parnell, depicts daleks and space invaders, and reads, "Now panic and freak out".
A photograph of a man playing mini-golf on Gap Filler's Gap Golf course.
A photograph of a child playing mini-golf on Gap Filler's Gap Golf course.
Created to generate support for and develop the idea of the Christchurch CBD being rebuilt as the world's first elevated garden city, with rooftop gardens and open spaces connected by walkways and cycle paths.
A couple of the most intriguing public art installations on in Christchurch. Dr Jessica Halliday discusses COCA gallery's window space project and Riki Manuel describes his art installations made from the ruins of earthquake hit buildings.
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
A close up of the front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Bracing has been placed against the front wall to limit further damage.
A close up of the front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the wall to limit further damage.
A photograph of a man and a child preparing the ground for one of the holes of Gap Filler's Gap Golf course.
A photograph of the first hole of Gap Filler's Gap Golf course. Written on the wooden framing around the hole is, "Gap golf! Hole 1: Skinny Limits par 2, 6.1 m".
A close up of the damaged stonework of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the wall to limit further damage.
A close up of the front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the front wall to limit further damage.
A close up of the damaged stonework of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the wall to limit further damage.
Lane Perry and students make a chess board in a demolition space in Sydenham, Colombo St, 30.11.11 01- left to right Elliot Faulkner UC, Lane Perry UC, Oleg Sheremetor UC and Coralie Winn, Gap Filler.
A photoshopped image of the front of the cathedral with its broken tower. The upper part of the front wall has crumbled completely, exposing the inside space. Security fences have been placed around the building to restrict access.
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Bench in the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls