
One landscape colour digital photograph taken on 19 May 2011 showing the partial demolition of the old Lyttelton Harbour Board Offices on the corner of Oxford Street and Norwich Quay. The photograph shows the upper floor of the original part of the building being removed and a temporary roof being constructed over the ground floor. At the time o...
One landscape colour digital photograph taken on 11 June 2011 showing the demolition of the old Lyttelton Library, Council Chambers and Magistrates' Court on the corner of Oxford Street and Sumner Road. The photograph shows the upper floor of the building being demolished with a high reach digger and a jet of water being played on the building ...
One landscape colour digital photograph taken on 14 July 2011 showing the demolition of the former Canterbury Hotel on the corner of Norwich Quay and Oxford Street. At the time of demolition the ground floor was occupied by the Magma Gallery. Also visible in the photograph are 'Tin Palace' and a former office building which shows repairs made by...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the former Canterbury Hotel and adjoining row of shops on Oxford Street. This photograph was taken on Oxford Street and shows the collapsed façade of the row of shops behind safety fencing, the interior of the building is exposed. Shadbolt House is visib...
One landscape colour digital photograph taken on 30 June 2011 showing earthquake damage to the former Convent of Our Lady of Mercy and to the Catholic Church of St Joseph the Worker. Photograph taken from St. Davids Street The sense of loss felt when confronted with the collapse or demolition of an historic building is compounded when that bui...
One landscape colour digital photograph taken on 16 June 2011 showing the Lyttelton Bakery operating from a portable building on the Corner of Canterbury Street and Norwich Quay. This portable building has been placed on the site of the Royal Hotel. Also visible in the photograph are Shadbolt House and the rear of the buildings on the south side...
One landscape colour digital photograph taken on 16 June 2011 showing the partial demolition of the old Lyttelton Harbour Board Offices on the corner of Oxford Street and Norwich Quay. The photograph shows the temporary roof being constructed over the original ground floor of the building. At the time of the 22 February 2011 earthquake the build...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the Anglican Church of The Most Holy Trinity in Winchester Street, Lyttelton. Photograph shows collapsed roof of the nave and north transept. Photograph taken from the north side of the church. Architect The collapse of the Church of the Most Holy Trinity ...
One landscape colour digital photograph taken on 30 June 2011 showing earthquake damage to a section of retaining wall in Sumner Road. Plastic sheeting installed to stabilise previous damage and protect from water erosion is visible to the right of the photograph. Also visible in the photograph is a boarded up broken window and temporary safety ...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the Anglican Church of The Most Holy Trinity in Winchester Street, Lyttelton. Photograph shows collapsed roof of the nave and north transept. Photograph taken from the northwest corner of the church. Architect The collapse of the Church of the Most Holy Tr...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the former Canterbury Hotel and adjoining row of shops on Oxford Street. This photograph was taken on Oxford Street and shows the collapsed façade of the row of shops behind safety fencing, the interior of the building is exposed. The design of many older...
A photograph of a floating installation on the Avon River. The installation consists of two armchairs, a table and a floor lamp situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of a floor lamp, dresser and stool situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of four chairs and a table situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of two armchairs, a table and floor lamp situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecturefor Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
One landscape colour digital photograph taken on 9 March 2011 showing a handmade heart cut from a cream woollen blanket with the words "KIA KAHA LONDON STREET" stitched on in a variety of colours of wool. A smaller heart of red fabric with a white heart pattern is stitched to the base of the heart. The artwork is tied to the fence with three str...
One landscape colour digital photograph taken on 8 June 2011 showing the site of the Volcano Restaurant on the corner of London and Canterbury Streets. The site is fenced with temporary fencing. The concrete of the floor of the building is visible. On the fence are two artworks, both made from woollen blankets. One, made from a cream blanket is ...
One landscape colour digital photograph taken on 12 April 2011 showing earthquake damage to the former Convent of Our Lady of Mercy. St Mary's School, run by the Sisters of Mercy, was also housed in this building. At the time of the 4 September 2010 earthquake the building was a private residence. The sense of loss felt when confronted with the...
One landscape colour digital photograph taken on 14 July 2011 showing the temporary repairs made to the retaining wall in the middle of Ripon Street. The temporary wall replaces two sections of red stone wall which collapsed in the June 2011 Earthquake. It is made from stacked concrete cubes with coarse fill and the top is covered with black pla...
A year after the first earthquake on 4 September 2010, aftershocks continue to be felt in Canterbury, and they're not always seismic ones. When buildings collapse or are cordoned off, or even just closed for repairs - what happens to the lives and livelihoods of those who used to fill them with noise and energy? Kris Vavasour returns to Lyttelton to catch up with performers and friends, to hear about life in an altered landscape.
In the wake of a series of devastating earthquakes, Christchurch, New Zealand is faced with a long, complicated mourning and memorialisation process. The initial intention of this research was to comparatively examine memorial design theory with popular memorial sentiment as expressed in Christchurch City Council's 'Share an Idea' initiative. The outcome of such an investigation was hypothesized to reveal conflicting perspectives which may potentially be reconciled by the development of a series of schematic models for memorial design. As the research was carried out, it became clear that any attempt to develop such models is counter-intuitive. This position is reinforced by the literature reviewed and the data examined. Subsequently, a fundamentally different approach to memorialisation focused on an active participation process is suggested.
A city’s planted trees, the great majority of which are in private gardens, play a fundamental role in shaping a city’s wild ecology, ecosystem functioning, and ecosystem services. However, studying tree diversity across a city’s many thousands of separate private gardens is logistically challenging. After the disastrous 2010–2011 earthquakes in Christchurch, New Zealand, over 7,000 homes were abandoned and a botanical survey of these gardens was contracted by the Government’s Canterbury Earthquake Recovery Authority (CERA) prior to buildings being demolished. This unprecedented access to private gardens across the 443.9 hectares ‘Residential Red Zone’ area of eastern Christchurch is a unique opportunity to explore the composition of trees in private gardens across a large area of a New Zealand city. We analysed these survey data to describe the effects of housing age, socio-economics, human population density, and general soil quality, on tree abundance, species richness, and the proportion of indigenous and exotic species. We found that while most of the tree species were exotic, about half of the individual trees were local native species. There is an increasing realisation of the native tree species values among Christchurch citizens and gardens in more recent areas of housing had a higher proportion of smaller/younger native trees. However, the same sites had proportionately more exotic trees, by species and individuals, amongst their larger planted trees than older areas of housing. The majority of the species, and individuals, of the larger (≥10 cm DBH) trees planted in gardens still tend to be exotic species. In newer suburbs, gardens in wealthy areas had more native trees than gardens from poorer areas, while in older suburbs, poorer areas had more native big trees than wealthy areas. In combination, these describe, in detail unparalleled for at least in New Zealand, how the tree infrastructure of the city varies in space and time. This lays the groundwork for better understanding of how wildlife distribution and abundance, wild plant regeneration, and ecosystem services, are affected by the city’s trees.
An official at the 'Otago Port Co.' stares in bewilderment at the feet of his colleague at the Lyttelton Port Company who says 'Ah, that might do it for now' as he hangs upside down by his feet from his upturned desk in the aftermath of the 4th September Canterbury earthquake. Text above reads 'News, the Lyttelton Port Co. has halted merger talks with Otago since the 'quake, saying "the landscape has changed". Refers to the news that Lyttelton Port, the South Island's biggest port, abandoned two-years of merger talks with rival Port Otago because it is preoccupied with rebuilding after the Canterbury earthquake. Quantity: 1 digital cartoon(s).
A close-up photograph of a floating installation titled The River on the Avon River. The installation consists of four chairs and a table situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of one of several painted bird cut-outs hanging from a tree next to the Avon River on Oxford Terrace, near the Worcester Street bridge. The decorations were part of an installation titled The River, created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of two armchairs, a table and a floor lamp situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of two armchairs, a table and a floor lamp situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of two armchairs, a table and a floor lamp situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of two armchairs, a table and a floor lamp situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of a floor lamp, dresser and stool situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.