An aerial photograph captioned by BeckerFraserPhotos, "Victoria Square is at the centre of this picture with its green lawns and trees. The bare patch of earth in front s the demolition sites of the Allan McLean building, the Oxford on Avon, and Plunket House. The contract to demolish the Crowne Plaza Hotel has been let, while the fate of the Town Hall is still undecided. The Convention Centre is coming down. On the very bottom, slightly to the right is the Medlab building which is also to be demolished. In the bottom left corner is the PWC building which is also to be demolished".
A technical drawing of Crack'd for Christchurch's armchair artwork. The drawing includes height and width measurements for the back of the chair.
Photograph captioned by BeckerFraserPhotos, "One of the saddest blocks. in Hereford Street The Occidental Hotel (208), 210, Arrow International (255 Madras Street) and St John's Church and hall. In Madras Street the CTV building and the Bedford Pub. In Cashel Street Ford motors, St Paul's Church".
Damage to the church hall of St John the Baptist Church in Latimer Square. The roof has been weather proofed with plywood and there are cracks in the buildings masonry. The remains of fallen bricks can be seen on the footpath. A safety fence has been erected around the building.
Damage to the church hall of St John the Baptist Church in Latimer Square. The roof has been weather proofed with plywood and there are cracks in the buildings masonry. The remains of fallen bricks can be seen on the footpath. A safety fence has been erected around the building.
Photograph captioned by BeckerFraserPhotos, "Looking south across Bealey Avenue and between Colombo and Durham Streets towards the CBD".
A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."
A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."
Memorial design in the West has been explored in depth (Stevens and Franck, 2016; Williams, 2007), and for landscape architects it presents opportunities and challenges. However, there is little in the English language literature about memorial design in China. How have Chinese designers responded to the commemorative settings of war and disaster? This study will adopt the method of case study to analyse two of the most representative memorials in China: Nanjing Massacre Memorial Hall (war) and Tangshan Earthquake Memorial Hall (disaster). Both landscapes have undergone three or four renovations and extensions in the last four decades, demonstrating the practical effects of the Chinese landscape theory. These examples of responses to trauma through memorial landscape interventions are testimonies to the witnesses, victims, abusers, ordinary people, youth and the place where the tragedy took place. This study will explore the reconstruction and expansion of the two memorials under the background of China's policies on memorial landscapes in different periods, as well as their functions of each stage. The research will examine how existing Chinese memorial theories exhibit unique responses at different times in response to the sadness and needs experienced by different users. Key Words:memorial landscape; memorial language; victims; descriptive; architecture; experence; disaster; memorial hall; landscape development; Chinese memorial; war.
An aerial photograph of Cambridge Terrace with the cleared PGC site in the upper centre. The photograph was captioned by BeckerFraserPhotos, "The area inside the cordon that is north of the river which encompasses the PGC site and Kilmore Street. The expectation is that this area will soon be outside the cordon".
An aerial photograph captioned by BeckerFraserPhotos, "Central city blocks bounded by Colombo Street, Hereford Street, Cashel Street, and High Street".
An entry from Jennifer Middendorf's blog for 23 December 2012 entitled, "Pallets and pop-up tearooms".
A pile of bricks, mortar, concrete and rusty metal constituting the remains of Beckenham Baptist Church on Colombo Street. A white sign has been erected outside the church reading, "Our church is still meeting. Please join us on Sunday. We gather in the youth hall, access is from #7 Percival St. (Turn left on Tennyson then left again on Percival)".
A photograph of Jonathan Hall transferring Crack'd for Christchurch's ottoman artwork onto a wooden base in Helen Campbell's garage. The ottoman has been made out of polystyrene, wood, mesh, and concrete, laid over a steel frame.Crack'd for Christchurch comments, "December 2013. Jonathan delivers the footstool to Helen's garage where it will be mosaicked.."
An aerial photograph captioned by BeckerFraserPhotos, "Central city blocks bounded by Colombo Street, Hereford Street, Cashel Street, and High Street".
A photograph of the paved path in the Green Room garden on Colombo Street. The path was designed to travel around the garden, leading up to the platform holding Crack'd for Christchurch's armchair and ottoman artworks.Crack'd for Christchurch comments, "The Green Room was built by Jonathan Hall and planted by Gina Payne."
In the last two decades, the retail sector has experienced unprecedented upheaval, having severe implications for economic development and sustenance of traditional inner-city retail districts. In the city of Christchurch, New Zealand, this effect has been exacerbated by a series of earthquakes in 2010/2011 which destroyed much of the traditional retail precinct of the city. After extensive rebuild activity of the city’s infrastructure, the momentum of retailers returning to the inner city was initially sluggish but eventually gathered speed supported by increased international visitation. In early 2020, the return to retail normality came to an abrupt halt after the emergence of the COVID-19 pandemic. This study uses spending and transaction data to analyze the compounding impact of the earthquake’s aftermath, shift to online shopping, and the retail disruption in the Christchurch central retail precinct because of COVID-19. The findings illustrate how consumers through their spending respond to different types of external shocks, altering their consumption patterns and retail mode (offline and online) to cope with an ever-changing retail landscape. Each event triggers different spending patterns that have some similarities but also stark differences, having implications for a sustainable and resilient retail industry in Christchurch. Implications for urban retail precinct development are also discussed.
Damage to the church hall of St John the Baptist Church in Latimer Square. Masonry has fallen from one of the building's gables and has been piled against its base. The site has been enclosed in a safety fence. A spray-painted sign can be seen at the base of the building reading, "Danger! Wall unstable, stay clear". A piece of plywood is also visible weather proofing the building's roof.
An aerial photograph of the Christchurch Central City. The photograph has been captioned by BeckerFraserPhotos, "Central city blocks bounded by Colombo Street, Hereford Street, Cashel Street and High Streets".
A photograph of Henrietta Hall standing next to an All Right? advertisement in a Adshel bus stop with her quote on it. The poster reads "What makes us feel all right? Gazing at the bright autumn leaves against the deep blue sky". All Right? posted the photograph on their Facebook page on 4 June 2013 at 5:08pm.
A digital copy of a plan for the Greening the Rubble Green Room garden on Colombo Street. The plan shows a sketch of the garden including a raised floor, flower beds, a paved path, and a picket fence. It also contains measurements and notes on what will be planted in the beds.
A photograph of the location of the Green Room garden on Colombo Street. White picket fences have been placed around the edges of the site and a platform has been partially constructed in the back-right corner. Wire fences have been placed around the entire section as a cordon.Crack'd for Christchurch comments, "The Green Room was built by Jonathan Hall and planted by Gina Payne."
A photograph of members of Crack'd for Christchurch, Greening the Rubble, and Phresh Deliveries standing in front of a truck. Crack'd for Christchurch's armchair artwork has been wrapped in a tarpaulin and placed on the back of the truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces. From left: Marie Hudson, Jenny Cooper, Jonathan Hall, and Nick Johnston from Phresh Deliveries."
A photograph of Celia Wade-Brown, Mayor of Wellington, speaking at a graduation ceremony for more than 40 new civil defence volunteers in the Wellington Town Hall. Members of the Wellington Emergency Management Office team were presented certificates of appreciation during this event. The certificates were presented to the members to honour their involvement in the emergency response to the 22 February 2011 earthquakes in Christchurch.
A photograph of an All Right? corflute sign decorating a cordon fence in Kaiapoi. The All Right? corflute sign is from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. The Kaiapoi Gray Raven Scout Group hall is in the background.All Right? posted the photograph on their Facebook page on 23 October 2013 at 12.50pm.
Alan Hoskin, a member of the University of Canterbury's E-Learning team, in their temporary office in the James Hight building. The photographer comments, "First looks at our new temporary (maybe) office space. Our group will stay here until April or May 2011, then will move to another floor in the Central Library. 700 hall with Alan. The corridor has a small seminar room at the end, and our offices on the right. To the left is the open sitting and reception area; we're trying to think of ways to make use of this".
The city of Christchurch, New Zealand, incurred significant damage due to a series of earthquakes in 2010 and 2011. The city had, by the late 2010s, regained economic and social normalcy after a sustained period of rebuilding and economic recovery. Through the concerted rebuilding effort, a modern central business district (CBD) with redesigned infrastructure and amenities was developed. The Christchurch rebuild was underpinned by a commitment of urban planners to an open and connected city, including the use of innovative technologies to gather, use and share data. As was the case elsewhere, the COVID-19 pandemic brought about significant disruptions to social and economic life in Christchurch. Border closures, lockdowns, trading limitations and other restrictions on movement led to changes in traditional consumer behaviors and affected the retail sector’s resilience. In this study, we used CBD pedestrian traffic data gathered from various locations to predict changes in retail spending and identify recovery implications through the lens of retail resilience. We found that the COVID-19 pandemic and its related lockdowns have driven a substantive change in the behavioral patterns of city users. The implications for resilient retail, sustainable policy and further research are explored.
A photograph of the location of the Green Room garden on Colombo Street. White picket fences have been placed around the edges of the site and a platform has been constructed in the back-right corner. Two garden plots have been sectioned off using bricks to the right and front of the site. The front plot has been planted with shrubs and grass. A path leading between the gardens up to the platform has been filled with gravel. Wire fences have been placed around the entire section as a cordon.Crack'd for Christchurch comments, "The Green Room was built by Jonathan Hall and planted by Gina Payne."
This dissertation explores the advocacy for the Christchurch Town Hall that occurred in 2012-2015 after the Canterbury Earthquakes. It frames this advocacy as an instance of collective-action community participation in a heritage decision, and explores the types of heritage values it expressed, particularly social values. The analysis contextualises the advocacy in post-quake Christchurch, and considers its relationship with other developments in local politics, heritage advocacy, and urban activism. In doing so, this dissertation considers how collective action operates as a form of public participation, and the practical implications for understanding and recognising social value. This research draws on studies of practices that underpin social value recognition in formal heritage management. Social value is held by communities outside institutions. Engaging with communities enables institutions to explore the values of specific places, and to realise the potential of activating local connections with heritage places. Such projects can be seen as participatory practices. However, these processes require skills and resources, and may not be appropriate for all places, communities and institutions. However, literature has understudied collective action as a form of community participation in heritage management. All participation processes have nuances of communities, processes, and context, and this dissertation analyses these in one case. The research specifically asked what heritage values (especially social values) were expressed through collective action, what the relationship was with the participation processes, communities, and wider situation that produced them, and the impact on institutional rhetoric and decisions. The research analysed values expressed in representations made to council in support of the Town Hall. It also used documentary sources and interviews with key informants to analyse the advocacy and decision-making processes and their relationships with the wider context and other grassroots activities. The analysis concluded that the values expressed intertwined social and professional values. They were related to the communities and circumstance that produced them, as an advocacy campaign for a civic heritage building from a Western architectural tradition. The advocacy value arguments were one of several factors that impacted the decision. They have had a lasting impact on rhetoric around the Town Hall, as was a heritage-making practice in its own right. This dissertation makes a number of contributions to the discussion of social value and community in heritage. It suggests connections between advocacy and participation perspectives in heritage. It recommends consideration of nuances of communities, context, and place meanings when using heritage advocacy campaigns as evidence of social value. It adds to the literature on heritage advocacy, and offers a focused analysis of one of many heritage debates that occurred in post-quake Christchurch. Ultimately, it encourages practice to actively integrate social and community values and to develop self-reflexive engagement and valuation processes. Despite inherent challenges, participatory processes offer opportunities to diversify understandings of value, co-produce heritage meanings with communities, and empower citizens in democratic processes around the places they live with and love.
An aerial photograph of the Christchurch central city. The photograph has been captioned by BeckerFraserPhotos, "This photograph shows nearly all of the CBD. The two streets which are prominent in this photograph are Manchester Street on the left and Colombo Street on the right of the photograph. This photograph is from the north, looking towards the southern part of the city. Cathedral Square is about half way up, towards the right. It shows the extent of demolition that has happened already close to the river and near the Manchester/Gloucester Street intersection where there is a lot of bare land surrounding Radio Network House".