The crowd at the YMCA Carols by Candlelight event in Latimer Square.
Graffiti on the wall beside the site of a demolished building near the Casino reads "damaged".
A paper submitted by Andrew Moore in partial fulfilment of the degree of Bachelor of Music with Honours, covering the effects of the Canterbury earthquakes on the musical life of Christchurch. Dissertation supervised by Dr Elaine Dobson, University of Canterbury School of Music. All photographs from The Press are copyright Fairfax Media and are used with permission.
A busker in the Re:Start mall during the World Buskers Festival.
Mike Hewson's installation "Deconstruction" on the walkway between Ballantynes and The Crossing gives the illusion that the walkway has been removed.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Trinity Church 1874 (Octagon Restaurant)'.
A sign on the cordon fence around the Town Hall reads "Extreme Danger Keep Out".
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Warners Hotel, Cathedral Square (1920)'.
A photograph of Whole House Reuse item 493. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of two lecterns and other furniture being stored at the Canterbury Cultural Recovery Centre.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Woolston Community Library, Ferry Road'.
Children play on street furniture on Gloucester Street, part of one of the Christchurch City Council's Transitional City projects. In the background is the facade of the Isaac Theatre Royal, protected by shipping containers.
A piece of personal experience writing about the Canterbury earthquakes, written by Jonathan.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Saggio de Vino'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'McKenzie & Willis Store, Tuam Street'.
Cardboard inspiration boards hung on a fence at the LuxCity event, inviting the public to add their thoughts.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Devon Hotel'.
Children play on street furniture on Gloucester Street, part of one of the Christchurch City Council's Transitional City projects. In the background is the facade of the Isaac Theatre Royal, protected by shipping containers.
A colourful mural and patterns on the road brighten up an empty space on Oxford Terrace near the Re:Start mall.
'185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
A piece of personal experience writing about the Canterbury earthquakes, written by Jake.
A piece of personal experience writing about the Canterbury earthquakes, written by Sam.
'185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
A photograph of Julia Holden's painting 'Containers'.
A photograph of Julia Holden's painting 'Containers'.
A photograph of Mayor Lianne Dalziel holding a postcard depicting Julia Holden's painting 'Containers'.
A photograph of a postcard depicting Julia Holden's painting 'Containers'
An audio documentary created by Kris Vavasour about the multitude of challenge the musicians, performers and venue owners in Lyttelton face in the aftermath of the Canterbury earthquakes. All songs are from the 'Harbour Union' album (2011), in alphabetical order: 'Even Keel' (Lindon Puffin); 'Ghost of this Town' (Marlon Williams); 'How Lucky You Are' (Delaney Davidson & Marlon Williams); 'Human Enough' (Lindon Puffin); 'It's So Good' (Delaney Davidson); 'Little Mountain Town' (Marlon Williams); 'Rocking Bell' (Adam McGrath); 'The Waterside' (Adam McGrath).
A photograph of Julia Holden's painting 'Lichfield Street'.
A photograph of Julia Holden's painting 'Lichfield Street'.