(I righted the bird bath after the initial earthquake. None of the after-shocks were sufficient to knock it over again.)
Photograph captioned by Fairfax, "Christchurch Earthquake. Christchurch was rocked by a large aftershock shortly after 8am this morning. Linemen cutting power to a damaged line outside an old historic building on the corner of Montreal Street and Moorhouse Avenue which will have work done to it to try and save as much as they can".
Photograph captioned by Fairfax, "Christchurch Earthquake. Christchurch was rocked by a large aftershock shortly before 8am this morning. Linemen cutting power to a damaged line outside an old historic building on the corner of Montreal Street and Moorhouse Avenue which will have work done to it to try and save as much as they can".
Photograph captioned by Fairfax, "Christchurch Earthquake. Christchurch was rocked by a large aftershock shortly after 8am this morning. Linemen cutting power to a damaged line outside an old historic building on the corner of Montreal Street and Moorhouse Avenue which will have work done to it to try and save as much as they can".
Photograph captioned by Fairfax, "Christchurch Earthquake. Christchurch was rocked by a large aftershock shortly after 8am this morning. Linemen cutting power to a damaged line outside an old historic building on the corner of Montreal Street and Moorhouse Avenue which will have work done to it to try and save as much as they can".
20131231_8503_EOS M-22 From Cashel Street Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while. #4504
Photograph captioned by Fairfax, "A chandelier is recovered by a Southern Demolition excavator operator from a damaged shop, Shrimpton Radcliffe Design on Victoria Street, following the Canterbury earthquakes".
One landscape colour digital photograph taken on 6 September 2011 showing the temporary theatre erected on the site of the Volcano Café on London Street for a production of Macbeth by The Loons Circus Theatre Company. The green canopy supported on shipping containers was used to shelter the audience. The stage area was the demolition site partia...
Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the cleanup has begun. Many of the residents of Seabreeze Close and neighbouring streets are packing up because of severe damage. Kris Urquhart helps move her mother, Annette Preen, from her Seabreeze Close house".
The earthquake re-pair work has started on the Knox Church on Bealey Avenue, August 14, 2013 Christchurch New Zealand. While building after building is torn down in Christchurch, plans are in place to ensure as much of a 131-year-old church is retained as possible. Knox Church on Bealey Avenue suffered major damage in the February 22 earthquak...
Moira Fraser standing in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
Moira Fraser in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
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Rhys Taylor from Living Streets Aotearoa and Coralie Winn of Gap Filler are helping to redefine the derelict and abandoned spaces produced by the destructive of the Christchurch's earthquakes.
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One landscape colour digital photograph taken on 25 February 2011 showing damage to the Lyttelton Historical Museum on the corner of Gladstone Quay and Donald Street. The photograph shows bracing and safety fencing installed after the September 2010 earthquakes. Architect Closed after the September 2010 earthquakes, the Lyttelton Museum buildin...
Photograph captioned by Fairfax, "Graeme Marshall, owner of Asko Design, and Sarah Aspinwall of Canterbury Cheesemongers, on the site in Victoria Street where their businesses stood before the earthquake".
20131228_6787_1D3-82 Twelve Days of Christmas (part 2) The NG building on Madras Street was given the go ahead to repair earthquake damage, which the owners did at some expense, Now, the government want this land to build a central city stadium, so there is a protest on the windows set to the Christmas song the Twelve Days of Christmas. 12 mi...
Photograph captioned by Fairfax, "Finance Minister Bill English (L) speaks to Caravan, Camping & Marine owners Julie Webb (C) and Nick Hopper. Their shop on Manchester Street was destroyed and then demolished after the earthquake".
Photograph captioned by Fairfax, "Vandals broke into and damaged the 1885 historic Church of the Good Shepherd in Phillips Street after the September earthquake. Constable Geoff McLean (crime scene officer) dusts for prints".
Photograph captioned by Fairfax, "Amanda Hackett with a chandelier recovered by a Southern Demolition excavator operator from her damaged shop, Shrimpton Radcliffe Design on Victoria Street, following the Canterbury earthquakes
Photograph captioned by Fairfax, "Major earthquake hits Christchurch. Maling Street in Avonside. From left:Charlie Tarawa, Tamatea Briggs (12), Ngarita Briggs (8) and Walton Briggs sit under a make shift shelter while they wait for a wood fire to boil water".
The urban environment influences the way people live and shape their everyday lives, and microclimate sensitive design can enhance the use of urban streets and public spaces. Innovative approaches to urban microclimate design will become more important as the world’s population becomes ever more urban, and climate change generates more variability and extremes in urban microclimatic conditions. However, established methods of investigation based upon conventions drawn from building services research and framed by physiological concepts of thermal comfort may fail to capture the social dynamics of urban activity and their interrelationship with microclimate. This research investigates the relationship between microclimate and urban culture in Christchurch, New Zealand, based upon the concept of urban comfort. Urban comfort is defined as the socio-cultural (therefore collective) adaptation to microclimate due to satisfaction with the urban environment. It involves consideration of a combination of human thermal comfort requirements and adaptive comfort circumstances, preferences and strategies. A main methodological challenge was to investigate urban comfort in a city undergoing rapid physical change following a series of major earthquakes (2010-2011), and that also has a strongly seasonal climate which accentuates microclimatic variability. The field investigation had to be suitable for rapidly changing settings as buildings were demolished and rebuilt, and be able to capture data relevant to a cycle of seasons. These local circumstances meant that Christchurch was valuable as an example of a city facing rapid and unpredictable change. An interpretive, integrative, and adaptive research strategy that combined qualitative social science methods with biophysical measures was adopted. The results are based upon participant observation, 86 in-depth interviews with Christchurch residents, and microclimate data measurements. The interviews were carried out in a variety of urban settings including established urban settings (places sustaining relatively little damage) and emerging urban settings (those requiring rebuilding) during 2011-2013. Results of this research show that urban comfort depends on adaptive strategies which in turn depend on culture. Adaptive strategies identified through the data analysis show a strong connection between natural and built landscapes, combined with the regional outdoor culture, the Garden City identity and the connections between rural and urban landscapes. The results also highlight that thermal comfort is an important but insufficient indicator of good microclimate design, as social and cultural values are important influences on climate experience and adaptation. Interpretive research is needed to fully understand urban comfort and to provide urban microclimate design solutions to enhance the use of public open spaces in cities undergoing change.
Photograph captioned by Fairfax, "Prime Minister John Key, centre, visited Christchurch after its 7.1 magnitude earthquake at 04:35 Saturday morning. Mayor Bob Parker, took him on a tour of the city which was punctuated by a fire breaking out in a building on Worcester Street".
Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the cleanup has begun. Many of the residents of Seabreeze Close and neighbouring streets are packing up because of severe damage. Shelly Sutherland, left, helps Kerry Donald clear his belongings from his house in Seabreeze Close".
Photograph captioned by Fairfax, "Owner of Real Groovy Records Paul Huggins outside their new premises in the old Penny Cycles building on the corner of Manchester and Tuam Streets after the earthquake damaged their old building".
Photograph captioned by Fairfax, "Owner of Real Groovy Records Paul Huggins outside their new premises in the old Penny Cycles building on the corner of Manchester and Tuam Streets after the earthquake damaged their old building".
Photograph captioned by Fairfax, "Owner of Real Groovy Records Paul Huggins outside their new premises in the old Penny Cycles building on the corner of Manchester and Tuam Streets after the earthquake damaged their old building".