Page 4 of Section A of the Christchurch Press, published on Wednesday 18 July 2012.
Page 2 of Section A of the Christchurch Press, published on Friday 3 August 2012.
Page 7 of Section A of the Christchurch Press, published on Wednesday 8 August 2012.
A photograph of equipment from the New Zealand Fire Service Urban Search and Rescue team on display in the Canterbury Quakes exhibition at the Canterbury Museum. The equipment was used during the emergency response to the 22 February 2011 earthquake.
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A dissertation submitted by Cameron McLeod in fulfilment of an Honours degree in Diplomacy, covering community response and recovery in Lyttelton following the Canterbury Earthquakes. Dissertation supervised by Dr Bronwyn Hayward, University of Canterbury School of Social and Political Sciences.
An aerial photograph captioned by BeckerFraserPhotos, "CTV site, IRD building and Latimer Square". Seats set up in Latimer Square in preparation for the commemoration of the anniversary of the 22 February 2011 earthquake can be seen on the left.
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A worker in a high visibility vest and a hard hat repairing and strengthening the outside of a building at the University of Canterbury. The photograph has been captioned by BeckerFraserPhotos, "The repair work on the buildings at the University of Canterbury looks similar to the scenes in the CBD".
The Master of Engineering Management Project was sponsored by the Canterbury Earthquake Recovery Authority (CERA) and consisted of two phases: The first was an analysis of existing information detailing the effects of hazardous natural events on Canterbury Lifeline Utilities in the past 15 years. The aim of this “Lessons Learned” project was to produce an analysis report that identified key themes from the research, gaps in the existing data and to provide recommendations from these “Lessons Learned.” The Second phase was the development of a practical “Disaster Mitigation Guideline” that outlined lessons in the field of Emergency Sanitation. This research would build upon the first stage and would draw from international reference to develop a guideline that has practical implementation possibilities throughout the world.
This thesis is about many things, not least of all the September 4th 2010 and February 22nd 2011 earthquakes that shook Christchurch, New Zealand. A city was shaken, events which worked to lay open the normally invisible yet vital objects, processes and technologies which are the focus of inquiry: the sewers, pipes, pumps, the digital technologies, the land and politics which constitute the Christchurch wastewater networks. The thesis is an eclectic mix drawing together methods and concepts from Bruno Latour, John Law, Giles Deleuze and Felix Guattari, Nigel Thrift, Donna Haraway and Patrick Joyce. It is an exploration of how the technologies and objects of sanitation perform the city, and how such things which are normally hidden and obscured, are made visible. The question of visibility is also turned toward the research itself: how does one observe, and describe? How are sociological visibilities constructed? Through the research, the encountering of objects in the field, the processes of method, the pedagogy of concepts, and the construction of risk, the thesis comes to be understood as a particular kind of social scientific artefact which assembles four different accounts: the first regards the construction of visibility; the second explores Christchurch city from the control room where the urban sanitary infrastructures are monitored; the third chapter looks at the formatted and embodied practices which emerge with the correlation of the city and sanitation; the fourth looks at the changing politics of a city grappling with severely damaged essential services, land and structures. The final chapter considers how the differences between romantic and baroque sensibilities mean that these four accounts elicit knowing not through smoothness or uniformity, but in partiality and non-coherence. This thesis is about pipes, pump stations, and treatment plants; about the effluent of a city; about the messiness of social science when confronted by the equally messy world of wastewater.
The cartoon shows a camping ground full of tents and caravans and people looking glum as the rain pours down. All except one family who laugh and enjoy themselves in spite of the weather - it is because they are from Christchurch and the weather is of no consequence when they can live for a few days without fear of earthquakes. Colour and black and white versions available Quantity: 2 digital cartoon(s).
Shows various sized boats for the 'tsunami-conscious' as show homes in Christchurch. Context: There is anxiety about the potential for a local source tsunami but the Christchurch City Council says on its website that there will be no time to issue an official warning for a local source tsunami. Quantity: 1 digital cartoon(s).
The University of Canterbury CEISMIC Canterbury Earthquake Digital Archive draws on the example of the Centre for History and New Media’s (CHNM) September 11 Archive, which was used to collect digital artefacts after the bombing of the World Trade Centre buildings in 2001, but has gone significantly further than this project in its development as a federated digital archive. The new University of Canterbury Digital Humanities Programme – initiated to build the archive – has gathered together a Consortium of major national organizations to contribute content to a federated archive based on principles of openness and collaboration derived directly from the international digital humanities community.
The Darfield earthquake caused widespread damage in the Canterbury region of New Zealand, with the majority of damage resulting from liquefaction and lateral spreading. One of the worst hit locations was the small town of Kaiapoi north of Christchurch, an area that has experienced liquefaction during past events and has been identified as highly susceptible to liquefaction. The low lying town sits on the banks of the Kaiapoi River, once a branch of the Waimakariri, a large braided river transporting gravelly sediment. The Waimakariri has been extensively modified both by natural and human processes, consequently many areas in and around the town were once former river channels.
Inside the Christchurch City Council building someone wonders what that noise is. Outside a gigantic wave of 'public discontent' rushes towards them. Context: Relates to anger and a protest of 4000 people at what they see as poor performance by the City Council in dealing with earthquake issues. The final straw was the Council's decision on the advice of its consultants to award the Council Chief Executive Tony Marryatt a $68,000 14% pay rise mid December 2011. Quantity: 1 digital cartoon(s).
Four cameos on events of the week. The struggle for the US Republican Party to find a suitable presidential candidate. A Croatian tourism official has been sacked over comments about "drunk and crazy" New Zealand and Australian tourists. 'Mother Nature' is an 'unfit mother' in Christchurch because of the earthquakes. Quantity: 1 digital cartoon(s).
Shows a happy crowd playing in the sea and sand in the Christchurch Square. Bishop Victoria Matthews is seen balancing on the Wizard of Christchurch who has turned himself into a surfboard. Context: refers to a proposal by Bishop of Christchurch Victoria Matthews that the earthquake-damaged Square could be made "welcoming and engaging" again by transforming it into an artificial beach with large movie screens. Quantity: 1 digital cartoon(s).
Photograph captioned by BeckerFraserPhotos, "The future of Calendar Girls is uncertain, because although it survived the earthquakes well, it is now within the zone called 'The Frame' and may not be deemed to be a suitable use for that zone".
Photograph captioned by BeckerFraserPhotos, "185 Chairs, an art installation by Peter Majendie, as a memorial to those who died as a result of the 22 February 2011 earthquake. The chairs were chosen to reflect the variety of people who died".
A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
A video of an interview with Joe Bennett, columnist and Lyttelton resident, about his experiences during the 22 February 2011 earthquake, and his hopes for post-quake Christchurch. This video was part of The Press's 'Christchurch, one year after February 22, 2011' series.
A fallen branch caught in weeds in the River Styx. The photographer comments, "This branch was broken off during one of the recent Christchurch earthquakes and fell into the River Styx. Now one side has sprouted roots and the other new buds".
A photograph of a sign protesting the red stickering of Avoca Valley houses. The sign reads, "459 days since being evicted from our Avoca Valley homes. Communities make a city. Decisions now! Let us go home. Facebook: Avoca Valley Earthquake Recovery Authority".
A photograph of a sign protesting the red stickering of Avoca Valley houses. The sign reads, "459 days since being evicted from our Avoca Valley homes. Communities make a city. Decisions now! Let us go home. Facebook: Avoca Valley Earthquake Recovery Authority".
A photograph captioned by BeckerFraserPhotos, "A poem at Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph of a sign protesting the red stickering of Avoca Valley houses. The sign reads, "459 days since being evicted from our Avoca Valley homes. Communities make a city. Decisions now! Let us go home. Facebook: Avoca Valley Earthquake Recovery Authority".