On 22 February 2011, Ōtautahi Christchurch was struck by a devastating earthquake. The city was changed forever: lives were lost, buildings destroyed and much of the city’s infrastructure needed to be repaired or replaced. One of the unexpected outcomes of the process of recovery was the volume of archaeological work that was carried out in the city, including the substantial amount of buildings archaeology that was undertaken (that is, recording standing buildings prior to and during their demolition, using archaeological techniques). Amongst the numerous buildings recorded in this way were 101 houses from across the city (but concentrated in those areas hit hardest by the earthquakes), built between 1850 and 1900. This work yielded a wealth of data about what houses in the city looked like in the nineteenth century. It is this data that forms the core of my thesis, providing an opportunity to examine the question of what life was like in nineteenth century Christchurch through these houses and the people who built them. Christchurch was founded in 1850 by European settlers, most of whom were English. These people came to New Zealand to build a better life for themselves and their families. For many of them, this ‘better life’ included the possibility of owning their own home and, in some instances, building that house (or at least, commissioning its construction). The buildings archaeology data collected following the Canterbury earthquakes enabled a detailed analysis of what houses in the city looked like in the nineteenth century – their form, and both their external and internal appearance – and how this changed as the century progressed. A detailed examination of the lives of those who built 21 of the houses enabled me to understand why each house looked the way it did, and how the interplay of class, budget and family size and expectations (amongst other factors) shaped each house. It is through these life stories that more about life in Christchurch in the nineteenth century was revealed. These are stories of men and women, of success and failure, of businesses and bankruptcies. There are themes that run through the stories: class, appearances, death, religion, gender, improvement. Just as importantly, though, they reveal the everyday experiences of people as they set about building a new city. Thus, through the archaeology of the houses and the history of the people who built them, an earthquake has revealed more about life in nineteenth century Christchurch, as well as providing the means for a deeper understanding of the city’s domestic architecture.
Background: We are in a period of history where natural disasters are increasing in both frequency and severity. They are having widespread impacts on communities, especially on vulnerable communities, those most affected who have the least ability to prepare or respond to a disaster. The ability to assemble and effectively manage Interagency Emergency Response Teams (IERTs) is critical to navigating the complexity and chaos found immediately following disasters. These teams play a crucial role in the multi-sectoral, multi-agency, multi-disciplinary, and inter-organisational response and are vital to ensuring the safety and well-being of vulnerable populations such as the young, aged, and socially and medically disadvantaged in disasters. Communication is key to the smooth operation of these teams. Most studies of the communication in IERTs during a disaster have been focussed at a macro-level of examining larger scale patterns and trends within organisations. Rarely found are micro-level analyses of interpersonal communication at the critical interfaces between collaborating agencies. This study set out to understand the experiences of those working at the interagency interfaces in an IERT set up by the Canterbury District Health Board to respond to the needs of the vulnerable people in the aftermath of the destructive earthquakes that hit Canterbury, New Zealand, in 2010-11. The aim of the study was to gain insights about the complexities of interpersonal communication (micro-level) involved in interagency response coordination and to generate an improved understanding into what stabilises the interagency communication interfaces between those agencies responding to a major disaster. Methods: A qualitative case study research design was employed to investigate how interagency communication interfaces were stabilised at the micro-level (“the case”) in the aftermath of the destructive earthquakes that hit Canterbury in 2010-11 (“the context”). Participant recruitment was undertaken by mapping which agencies were involved within the IERT and approaching representatives from each of these agencies. Data was collected via individual interviews using a semi-structured interview guide and was based on the “Critical Incident Technique”. Subsequently, data was transcribed verbatim and subjected to inductive analysis. This was underpinned theoretically by Weick’s “Interpretive Approach” and supported by Nvivo qualitative data analysis software. Results: 19 participants were interviewed in this study. Out of the inductive analysis emerged two primary themes, each with several sub-factors. The first major theme was destabilising/disruptive factors of interagency communication with five sub-factors, a) conflicting role mandates, b) rigid command structures, c) disruption of established communication structures, d) lack of shared language and understanding, and e) situational awareness disruption. The second major theme stabilising/steadying factors in interagency communication had four sub-factors, a) the establishment of the IERT, b) emergent novel communication strategies, c) establishment of a liaison role and d) pre-existing networks and relationships. Finally, there was a third sub-level identified during inductive analysis, where sub-factors from both primary themes were noted to be uniquely interconnected by emergent “consequences” arising out of the disaster context. Finally, findings were synthesised into a conceptual “Model of Interagency Communication at the Micro-level” based on this case study of the Canterbury earthquake disaster response. Discussion: The three key dimensions of The People, The Connections and The Improvisations served as a framework for the discussion of what stabilises interagency communication interfaces in a major disaster. The People were key to stabilising the interagency interfaces through functioning as a flexible conduit, guiding and navigating communication at the interagency interfaces and improving situational awareness. The Connections provided the collective competence, shared decision-making and prior established relationships that stabilised the micro-level communication at interagency interfaces. And finally, The Improvisations i.e., novel ideas and inventiveness that emerge out of rapidly changing post-disaster environments, also contributed to stabilisation of micro-level communication flows across interagency interfaces in the disaster response. “Command and control” hierarchical structures do provide clear processes and structures for teams working in disasters to follow. However, improvisations and novel solutions are also needed and often emerge from first responders (who are best placed to assess the evolving needs in a disaster where there is a high degree of uncertainty). Conclusion: This study highlights the value of incorporating an interface perspective into any study that seeks to understand the processes of IERTs during disaster responses. It also strengthens the requirement for disaster management frameworks to formally plan for and to allow for the adaptive responsiveness of local teams on the ground, and legitimise and recognise the improvisations of those in the role of emergent boundary spanners in a disaster response. This needs to be in addition to existing formal disaster response mechanisms. This study provides a new conceptual model that can be used to guide future case studies exploring stability at the interfaces of other IERTs and highlights the centrality of communication in the experiences of members of teams in the aftermath of a disaster. Utilising these new perspectives on stabilising communication at the interagency interfaces in disaster responses will have practical implications in the future to better serve the needs of vulnerable people who are at greatest risk of adverse outcomes in a disaster.
Since Standing Room Only started some of the biggest changes we've seen in attitudes towards art and artists has happened in Otautahi Christchurch. How much artists contributed to the city's emotional recovery from the earthquakes through projects like Gap Filler, but also how many individual people created and shared their work. Before the quakes, Neil Dawson's monumental sculpture The Challice in the Square was initially criticised, but within days of its unveiling it became an impromptu shrine for the New York victims of 9/11. Back in 1998, the SCAPE Public Art started commissioning large outdoor works by international and Kiwi sculptors and artists. Some stayed but most of them were temporary. Some attracted criticism but they certainly got people talking. As SCAPE reaches its quarter century, its founder and Executive Director Deborah McCormick is standing down in March next year. Deborah's last SCAPE will see her tick off one of her long held ambitions - to secure a permanent sculpture for Christchurch by Auckland-based artist Dr Brett Graham. Lynn Freeman talks with Deborah and Brett, first asking Deborah to take us back to the lightbulb moment that led to SCAPE public art event.
A plane flies into the distance. Attached to it by a rope is a large package containing Christchurch Mayor Bob Parker and CEO of the City Council Tony Marryatt. The package is addressed 'Deepest Siberia c/- isolated hellhole Russia'. The mayor looks on the bright side considering this to be a junket the people will approve of. Context: Public disapproval of the Mayor's two-week tour of Asian countries with a Christchurch International Airport-led delegation. The airport is paying for the mayoral couple to take part in the trip. There is public criticism that the trip take place at this time because of ongoing problems with the council and earthquake recovery. There is also criticism of Tony Marryatt's $68,000 pay increase considered poor form when so many people are struggling with earthquake related problems. Quantity: 1 digital cartoon(s).
A video of the Rally for the Cathedral in Cranmer Square. The video includes footage of Jim Anderton, Mark Belton, Helen Broughton, and former Mayor Garry Moore speaking to the crowd. It also includes footage of people marching down Worcester Street. The Rally for the Cathedral was held on 26 May 2012 to protest the demolition of the ChristChurch Cathedral.
A man sits at a table reading a C.C.C. (Christchurch City Council) report with the title 'Where your rates go!' He says 'Rubbish collection sewer roads squanderings bail outs' Context - After the Christchurch earthquake of 4 September 2010 rates have been of particular concern to residents which means people are sensitive to any possibility of squandering. Quantity: 1 digital cartoon(s).
The cartoon shows the joined hands of two people. Context - Those who have suffered from the earthquakes of 4 September 2010 and 22 February 2011 in Christchurch and those who have suffered from the earthquake, tsunami and nuclear catastrophe in Japan that struck on 11 March 2011. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).
The title is 'The next stage in earthquake prediction?... Six images show 'aromatherapists', auctioneers', chiropractors', fortune tellers', a 'sixth sense' and 'psychics'. Context - reference to all the unscientific ways of trying to predict earthquakes particularly dear to the hearts of Christchurch people who are enduring numerous aftershocks following the earthquake of 4th September 2010. Quantity: 1 digital cartoon(s).
A man representing 'Christchurch' kneels on the floor and tips out the pieces of the 'broken heart jigsaw'. He wonders where to start. Context - on 22 February 2011 a 6.3 magnitude earthquake struck in Christchurch which has probably killed more than 200 people (at this point the number is still not known) and caused very severe damage. Quantity: 1 digital cartoon(s).
The cartoon shows the mayor of Christchurch, Bob Parker being targeted by someone with a gun. He is told that this lesson one of relationship counselling. Context: The Christchurch City Council has been having severe relationship problems which has resulted in a demonstration of 4000 people demanding that the council step aside and that new elections be called. Quantity: 1 digital cartoon(s).
Shows a carcass that represents the Christchurch Cathedral with many people rushing to try to save it from demolition. Context: the extremely controversial debate about whether the Christchurch Cathedral which was severely damaged in the earthquakes, should be demolished, rebuilt on the same site in the same style or partially demolished and made into a memorial. Quantity: 1 digital cartoon(s).
A month after the 1st anniversary of the deadly Christchurch earthquake (22/02/11) a road cone lies on New Brighton Road, alongside the Avon River. Part of the earthquake 1st anniversary remembrance was for people to place flowers in road cones (and there are hundreds of thousands in the city). Many had flowers in them, as this one did. Photo ...
The Forsyth Barr building has stood silent and empty (except the occasional intruder and pigeons) since the February 2011 earthquake. It was sold "as is" and I understand that it is now going to be fitted out as a hotel. This is the building that had severe stairwell damage during the quake necessitating people being lowered via ropes etc on t...
When an “I thought I was going to die quake” occurs amidst four additional major earthquakes and 15,000 aftershocks during a sixteen-month period, it challenges people’s ability to cope and recover. Residents of Canterbury, New Zealand endured this extended, chaotic state in 2010/11; and continue to deal with lingering effects on their devastated central city, Christchurch. Stress and coping theory suggests that finding meaning in such situations can help people recover, and that religion and spirituality often play a role in post-disaster resilience. Despite this, there is very little research literature examining this phenomenon and even less that considers spirituality separate from religion. This research focuses on this underrepresented area by considering the personal spiritual or meaningful experiences of people in post-earthquake Canterbury. Data from sixteen in-depth, minimally directed interviews were thematically analyzed to understand each individual’s meaning construction and coping/recovery process and identify connective themes and patterns amongst their experiences. Four core elements of acceptance, clarity and choice, connection, and transcendence emerged from the thematic analysis to conceptualize a model of transcendent coping. Transcendent coping represents an additional type of coping in the transactional model of stress and coping, which serves to support the previous denoted problem-, emotion-, and meaning-focused coping approaches. Transcendent coping offers openness, empowerment, comfort and expansion not necessarily reliant upon theistic or religious beliefs and practices. Rather, this secular spiritual coping is inherent in everyday, mundane practices such as being in the moment, aligning to and acting from personal values, connecting to that and those who bring comfort, and experiencing transcendence in moments of awe and expansion. This research contributes to the growing interest in spirituality as an important facet of human nature that can support wellbeing in the face of stress.
On 22 February 2011, Christchurch police sargeant Dave Harvey was outside the earthquake-damaged Hotel Grand Chancellor on Cashel Street, unsure if anyone was trapped inside. In case they were, he grabbed a can of spray paint and painted 'Help is on the way' in one-metre high letters on the road. Harvey's quick thinking really helped the people trapped in the hotel, says Clare Mackey, producer of the new documentary Help is on the Way.
A photograph of a smiling child with Captain America's shield at Christchurch Hospital childrens' ward. Captain America was there as part of 'Outrageous Burst of All Right: Superhero Surprise', which involved people dressed as superheroes surprising children at Christchurch Hospital with gifts and entertainment. All Right? posted the photograph to their Facebook Timeline on 2 July 2014 at 12:43pm with the caption, "The smiles that made it all worthwhile...".
A photograph of two 'All Righties' waving in one of the Christchurch Hospital childrens' wards during All Right?'s 'Outrageous Burst of All Right: Superhero Surprise'. This event involved people dressed as superheroes surprising children at Christchurch Hospital with gifts and entertainment. All Right? posted the photograph to their Facebook Timeline on 2 July 2014 at 12:43pm with the caption, "The All Righties preparing to sneak in...".
Damage to Wave House on Gloucester Street (Winnie Bagoes Pizza Bar). The roof and left side of the building have collapsed and crumbled into the street, crushing several cars. Emergency personnel have spray painted two of the cars with the word "Clear" to indicate they have been checked for trapped or injured people. The scene has been cordoned off by New Zealand Fire Service tape.
Topics - Eight days on from the 6.3 magnitude earthquake that killed at least 161 people in Christchurch, officials have announced that the rescue effort will now transition to a recovery operation. Dunedin shares the nation's sorrow for Christchurch - but the ODT reports today that it could also benefit from an influx of workers and businesses relocating from the Garden City. Some Christchurch landlords have been labelled opportunistic vultures for ramping up rents for homeless businesses trying to find temporary office space.
A review of the week's news including: Prosecutions against thirteen of the seventeen people arrested in police raids in the Ureweras and elsewhere are dropped, the Christchurch earthquake one year on, health officials take expert advice on containing a deadly meningitis outbreak in Northland, a group of Dunedin volunteers are making a photographic record of thousands of the city's old gravestones, more Kiwis will have their calls monitored by researchers at Victoria University and DOC and an enthusiastic Rugby World Cup welcome Tongan style.
In the years that have followed the devastating Christchurch earthquake, there have been many stories of the struggles people have faced. Tonight we bring you the tale of the little school in Christchurch's east that took on Wellington's big decision makers and won. Redcliffs School finally reopened last year, after spending the best part of a decade battling for its survival. Our reporter Nick Truebridge and cameraman Nate McKinnon caught up with Redcliffs' principal Rose McInerney to reflect on a tumultuous last 10 years.
Motoko Kakubayashi joins us from Toyko where they are also about to mark a significant anniversary. A few weeks after the 2011 Christchurch earthquake, a magnitude 9.0 earthquake hit the east coast of Japan, triggering a tsunami that destroyed large parts of the coast, including damage to the Fukushima Dai-ichi Nuclear Power Plant. More than 15,000 lives were lost, more than 2000 still remain missing. In one afternoon, half a million people became homeless, and the search for family and friends at evacuation shelters began.
A photograph of Terisa Tagicakibau (Community and Public Health; left) and Losana Korovulavula (Healthy Families New Zealand; right) at the second annual Out of the Heart Pacific Women's Leadership Conference, held at Riccarton Racecourse on 21 May 2016. The conference was sponsored by All Right? and featured posters from the All Right? I am ... Identity project.
A digitally manipulated image of a statue of the Virgin Mary in a broken window of the Cathedral of the Blessed Sacrament. The photographer comments, "Before the February 2011 earthquake the statue above was facing into the Cathedral looking down a corridor, but after it had turned 180 degrees to point towards the window. The statue of Mary turning like this gave a sign of hope for the people of Christchurch. It was amongst one of the most photographed things after the earthquake until it was removed".
After being trapped for hours on the 22nd floor of a hotel following the 2011 Christchurch earthquake, Andy Cleverley decided life had to change. Chucking in his corporate life, he bought an old school bus, converted it into an off-grid motorhome and set off travelling the country with his young family. Documenting everything along the way he created Bus Life NZ - followed by over 46,000 people and viewed by millions. Now he's done it all again with a second bus and a second YouTube season.
A video about C1 Espresso's pneumatic tube food delivery system. The video includes an interview with café owner Sam Crofskey about his decision to install the pneumatic tubes. It also includes an interview with chef Richie Ward, who demonstrates how the tubes work. Mini burgers will be stacked inside tubes and then placed in the pneumatic system. The tube will then be sent through the café at 140 km/h to appear at people's tables.
A video created in celebration of New Zealand Sign Language Week. The video was part of a series that taught simple sentences in Sign Language and invited people to win a prize by guessing the words being signed. The videos were posted by All Right? to their Facebook Timeline on 16 May 2014 at 10:55am, and to their YouTube account on 15 May 2014.
A video created in celebration of New Zealand Sign Language Week. The video was part of a series that taught simple sentences in Sign Language and invited people to win a prize by guessing the words being signed. The videos were posted by All Right? to their Facebook Timeline on 18 May 2014 at 6:00am, and to their YouTube account on 15 May 2014.
A video created in celebration of New Zealand Sign Language Week. The video was part of a series that taught simple sentences in Sign Language and invited people to win a prize by guessing the words being signed. The videos were posted by All Right? to their Facebook Timeline on 16 May 2014 at 4:00pm, and to their YouTube account on 15 May 2014.
A photograph of Marita Naoupu presenting at the second annual Out of the Heart Pacific Women's Leadership Conference, held at Riccarton Racecourse on 21 May 2016. The presentation slide is titled "Out of Heart II", and features an image from the I am ... Identity project. The conference was sponsored by All Right? and featured posters from the All Right? I am ... Identity project.