A story submitted by Joanna Orwin to the QuakeStories website.
Photograph captioned by BeckerFraserPhotos, "St John the Baptist".
Photograph captioned by BeckerFraserPhotos, "St John the Baptist".
Photograph captioned by BeckerFraserPhotos, "St John the Baptist".
Photograph captioned by BeckerFraserPhotos, "St John the Baptist".
An aerial photograph captioned by BeckerFraserPhotos, "The central city looking east, with Latimer Square at the top".
Transcript of Steve's earthquake story, captured by the UC QuakeBox project.
Transcript of Adam Cawley's earthquake story, captured by the UC QuakeBox project.
Transcript of Owen Macintyre's earthquake story, captured by the UC QuakeBox project.
An entry from Deb Robertson's blog for 8 August 2015 entitled, "Sociology of the City {part 1(4) Sociology 355}".The entry was downloaded on 2 November 2016.
An entry from Deb Robertson's blog for 20 February 2012 entitled, "Looking back...".
A story submitted by Liza Rossie to the QuakeStories website.
An aerial photograph of the Christ Church Cathedral in Cathedral Square.
A pile of rubble from a demolished building on Worcester Street. In the background, the partially demolished Warners Hotel can be seen as well as the Novotel and the PricewaterhouseCoopers Building in the distance. A digger and long-reach excavator can also be seen.
Photograph captioned by BeckerFraserPhotos, "St John the Baptist, Latimer Square".
Transcript of Matthew Hayman's earthquake story, captured by the UC QuakeBox project.
Summary of oral history interview with Tinks about her experiences of the Canterbury earthquakes.
The sequence of earthquakes that has greatly affected Christchurch and Canterbury since September 2010 has again demonstrated the need for seismic retrofit of heritage unreinforced masonry buildings. Commencing in April 2011, the damage to unreinforced stone masonry buildings in Christchurch was assessed and recorded with the primary objective being to document the seismic performance of these structures, recognising that they constitute an important component of New Zealand’s heritage architecture. A damage statistics database was compiled by combining the results of safety evaluation placarding and post-earthquake inspections, and it was determined that the damage observed was consistent with observations previously made on the seismic performance of stone masonry structures in large earthquakes. Details are also given on typical building characteristics and on failure modes observed. Suggestions on appropriate seismic retrofit and remediation techniques are presented, in relation also to strengthening interventions that are typical for similar unreinforced stone masonry structures in Europe.
The concept of geoparks was first introduced in the first international conference on geoparks held in China in 2004. Here in New Zealand, Kiwis are accustomed to national parks, land reserves, marine reserves, and urban cities and regional parks. The concept of these protected areas has been long-standing in the country, whereas the UNESCO concept of geoparks is still novel and yet to be established in New Zealand. In this dissertation, I explored the geopark concept for better understanding of its merits and examined the benefits of geotourism attractions as a sustainable economic development strategy to retrieve a declining rural economy. This research is focused on Kaikoura as a case study with geological significance, and emphasizes pre-earthquake existing geological heritages and new existing geological heritages post-earthquake to determine whether the geopark concept is appropriate and what planning framework is available to process this concept proposal should Kaikoura be interested in future.
This thesis revisits the topic of earthquake recovery in Christchurch City more than a decade after the Canterbury earthquakes. Despite promising visions of a community reconnected and a sustainable and liveable city, significant portions of the city’s core – the Red Zone – remain dilapidated and “eerily empty”. At the same time, new developments in other areas have proven to be alienated or underutilised. Currently, the Canterbury Earthquake Recovery Authority’s plans for the rebuilding highlight the delivery of more residential housing to re-populate the city centre. However, prevalent approaches to housing development in Christchurch are ineffective for building an inclusive and active community. Hence, the central inquiry of the thesis is how the development of housing complexes can revitalise the Red Zone within the Christchurch city centre. The inquiry has been carried out through a research-through-design methodology, recognising the importance of an in-depth investigation that is contextualised and combined with the intuition and embodied knowledge of the designer. The investigation focuses on a neglected site in the Red Zone in the heart of Christchurch city, with significant Victorian and Edwardian Baroque heritage buildings, including Odeon Theatre, Lawrie & Wilson Auctioneers, and Sol Square, owned by The Regional Council Environment Canterbury. The design inquiry argues, develops, and is carried through a place-assemblage lens to housing development for city recovery, which recognizes the significance of socially responsive architecture that explores urban renewal by forging connections within the social network. Therefore, place-assemblage criteria and methods for developing socially active and meaningful housing developments are identified. Firstly, this thesis argues that co-living housing models are more focused on people relations and collective identity than the dominant developer-driven housing rebuilds, as they prioritise conduits for interaction and shared social meaning and practices. Secondly, the adaptive reuse of derelict heritage structures is proposed to reinvigorate the urban fabric, as heritage is seen to be conceived as and from a social assemblage of people. The design is realised by the principles outlined in the ICOMOS charter, which involves incorporating the material histories of existing structures and preserving the intangible heritage of the site by ensuring the continuity of cultural practices. Lastly, design processes and methods are also vital for place-sensitive results, which pay attention to the site’s unique characteristics to engage with local stakeholders and communities. The research explores place-assemblage methods of photographic extraction, the drawing of story maps, precedent studies, assemblage maps, bricolages, and paper models, which show an assembly of layers that piece together the existing heritage, social conduits, urban commons and housing to conceptualise the social network within its place.
A story submitted by Sarah Dreyer to the QuakeStories website.
A story submitted by Stephen Mateer to the QuakeStories website.
A story submitted by David to the QuakeStories website.
Transcript of Sharon Heads's earthquake story, captured by the UC QuakeBox project.
Transcript of participant number LY193's earthquake story, captured by the UC QuakeBox project.
Transcript of Michelle Parkes's earthquake story, captured by the UC QuakeBox project.
Transcript of Stephen Estall's earthquake story, captured by the UC QuakeBox project.
A copy of the CanCERN online newsletter published on 3 May 2013
A pdf transcript of Part 2 of Laura's second earthquake story, captured by the UC QuakeBox Take 2 project. Parts of this transcript have been redacted at the participant's request. Interviewer: Natalie Looyer. Transcriber: Natalie Looyer.
A story submitted by Louise to the QuakeStories website.