A photograph of banners hung from a rotary washing line, advertising the opening night of Gap Filler's Dance-O-Mat.
A photograph of a turbaned man sitting on top of a pillar at the Songs For Christchurch launch.
A photograph of Mike Hewson's installation 'View from the Studio' in Re:Start Mall.
A photograph of the exterior of the Village Grape, a wine shop constructed in a shipping container in Sumner.
A photograph of the interior of the Village Grape. The wine bar area has been set up in a marquee.
A photograph of a temporary house in Rawhiti Domain.
A photograph of volunteers working at the Fitzgerald Avenue Community Garden.
A photograph of a line of shipping containers protecting Main Road from rockfall. Several of the containers have covers printed with artworks.
A photograph of a section of Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "Beautiful."
A photograph of Marie Hudson setting up refreshments for the launch of the Green Room on Colombo Street.
A photograph of Jennie Cooper serving lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork.
A photograph of Mike Hewson's artwork, 'Government Life Suspension', on the side of the former Chancery Arcade.
A photograph of a man and a child laying concrete at the site of the Gap Filler Community Chess project.
A photograph of people watching a musician perform at the Lyttelton Petanque Club.
A photograph of a woman reading poetry to an audience. She is standing in front of the Poetica Urban Poetry wall.
A photograph of a sign for Rawhiti Village Grove.
A photograph of Mike Hewson's installation 'View from the Studio' in Re:Start Mall.
A video of interviews with four enterprising young Christchurch residents recorded two years after the 22 February 2011 earthquake. The video includes interviews with Gap Filler Director Coralie Winn, Arts Centre Director Andrew Lovatt, artist Mike Hewson, and Student Volunteer Army leader Jason Pembleton. The interviewees are asked four questions: 'What do you think Christchurch city centre will look like in 10 years?', 'What do you most want to see in the new city?', 'What do you miss most about the old city?', and 'What keeps you in Christchurch?'.
INTRODUCTION: There is little research on the role of creative arts and craft in disaster recovery. This article reports findings about the emergent role of crafting from research conducted after the 2010–2011 series of earthquakes in Christchurch and surrounding districts in Aotearoa New Zealand. In particular, the article focuses on the significance and differing interpretations of the notion of place expressed by participants through their craftwork, in this case led by women and mediated by the post-earthquake geographic and temporal context. METHOD: This qualitative research included nine individual interviews and five focus group interviews with crafters from Christchurch and surrounding districts. There were 35 participants in total, 33 were women. Applied thematic analysis was used to code the data and identify themes. These themes included connection to place, the symbolism of craft, the healing experience of craft groups and places for women. The notion of place was evident across all three themes. FINDINGS: The findings from the research demonstrate differing ways in which the significance of place was reflected in the craftwork. Participants interpreted the concept of place in descriptive, symbolic, and therapeutic ways. IMPLICATIONS: More understanding about the way creative endeavours like crafting can be used to help ameliorate the impact of natural disasters is needed. Social work practitioners are encouraged to explore place-based wellbeing during their work with service users and to include aspects of artistry, craft and creativity.
A photograph of people dancing on the Gap Filler Dance-O-Mat during Super WOW Disco. The event was part of FESTA 2014.
A photograph of the empty site where the Outdoor Music Room is to be created.
A photograph of a banner advertising the Gap Filler Fun Fair. The banner is hung on the entrance to Church Square.
A photograph of people dancing on the Gap Filler Dance-O-Mat during Dance-O-Rama. This event was part of FESTA 2014.
A digital copy of a concept drawing of Crack'd for Christchurch's armchair artwork. The drawing is of an armchair from two different angles.
A photograph of a turn table at the Gap Filler Dance-O-Mat during Super WOW Disco. The event was part of FESTA 2014.
A photograph of the interior of the Samo Lyttelton cafe. Shelves hold childrens' books and toys, a tray of condiments, and other items.
A photograph of wooden planks used in the construction of Gap Filler's temporary outdoor cinema. The boards have a crown logo painted on them.
A photograph of a man and a child preparing the ground for one of the holes of Gap Filler's Gap Golf course.
Photograph captioned by BeckerFraserPhotos, "Looking from north-east to south-west across the CBD".
A photograph of a seating area in the temporary Bus Exchange on Lichfield Street.Crack'd for Christchurch comments, "Home for the pavers."