A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
The public at the Memorial Service in Hagley Park to commemorate the one year anniversary of the 22nd February earthquake. The big screen showing the lighting of candles, part of the memorial activites.
The public at the Memorial Service in Hagley Park to commemorate the one year anniversary of the 22nd February earthquake. The public was invited to cast flowers into the river following the service.
The public at the Memorial Service in Hagley Park to commemorate the one year anniversary of the 22nd February earthquake. The public was invited to cast flowers into the river following the service.
A video of an interview with Michael Ardagh, Professor of Emergency Medicine at Christchurch Hospital. Ardagh talks about the challenges the emergency department at the Christchurch Hospital faced following the 22 February 2011 earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
Cunningham House at the Christchurch Botanic Gardens is still closed due to earthquake damage. I wonder if it will ever re-open or suffer the demolition fate many other iconic structures in Christchurch have.
The 4 September, 22 February, and 13 June earthquakes experienced in Canterbury, New Zealand would have been significant events individually. Together they present a complex and unprecedented challenge for Canterbury and New Zealand. The repetitive and protracted nature of these events has caused widespread building and infrastructure damage, strained organisations’ financial and human resources and challenged insurer and investor confidence. The impact of the earthquakes was even more damaging coming in the wake of the worst worldwide recession since the great depression of the 1930s. However, where there is disruption there is also opportunity. Businesses and other organisations will drive the physical, economic and social recovery of Canterbury, which will be a dynamic and long-term undertaking. Ongoing monitoring of the impacts, challenges and developments during the recovery is critical to maintaining momentum and making effective mid-course adjustments. This report provides a synthesis of research carried out by the Resilient Organisations (ResOrgs) Research Programme1 at the University of Canterbury and Recover Canterbury in collaboration with Opus Central Laboratories (part of Opus International Consultants). The report includes discussions on the general state of the economy as well as data from three surveys (two conducted by ResOrgs and one by Recover Canterbury) on business impacts of the earthquakes, population movements and related economic recovery issues. This research and report offers two primary benefits:
Amy Huang wrote this as a Year 12 student at Rangiruru Girls' School in Christchurch as a response to the earthquake and it was a finalist in a short story competition. For ages 8-18.
Santarium is cutting 36 jobs in Christchurch as it pulls out of manufacturing Weetbix in the city. The final engineering report on the site says the factory's tower block is an earthquake risk, and demolition starts tomorrow.
Since the Christchurch earthquakes first struck the city back in September 2010, Coralie Winn has looked for ways to keep up the spirits of those who've stayed, and give artists outlets in the arts deprived city.
The Minister for Earthquake Recovery, Gerry Brownlee, has been accused in the High Court in Christchurch of abusing his powers and doing deals which allowed councils and Christchurch Airport to get their own way over zoning decisions.
A lecturer at Canterbury University's School of Forestry, Justin Morgenroth on new research into the lifesaving role played by trees in the Christchurch earthquakes - and the importance of urban forests for the future of the city.
An entry from Jennifer Middendorf's blog for 2 January 2012 entitled, "Yeah, we get it, it's not over yet".
A story submitted by Sue Freeman to the QuakeStories website.
A story submitted by Julie Lee to the QuakeStories website.
A story submitted by Trent Hiles to the QuakeStories website.
A story submitted by Catherine to the QuakeStories website.
A photograph captioned by BeckerFraserPhotos, "The stretch of Colombo Street between St Asaph and Tuam Streets where 13 people died on 22 February 2011".
University of Canterbury law student Sean Scully and his dog Guiness, who were recognised at the 2012 Kiwibank New Zealander of the Year Awards for helping people in the aftermath of the 22 February earthquake.
The "Lyttelton Review" newsletter for 28 May 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 11 June 2012, produced by the Lyttelton Harbour Information Centre.
An entry from Deb Robertson's blog for 20 February 2012 entitled, "Looking back...".
Replica chimney comprising a chimney pot atop a lightweight brick chimney. The chimney is contextualised by a portion of slate roof, guttering and bricked house exterior below.
Two pink and two purple artificial fabric roses with plastic stems and fabric leaves tied together with pink metallic string. The pink flowers have additional plastic leaves with white bead like additions.