A PDF copy of pages 146-147 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Dux Live'.
A PDF copy of pages 270-271 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch Stadium'. Photo: Pam Johnson
A photograph of a line of shipping containers protecting Main Road from rockfall. Two of the containers have covers printed with artworks. The remains of a house are suspended above the collapsed cliff.
A PDF copy of pages 278-279 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Porthole'. Photos: Tessa Peach
A photograph of the partially-completed mosaic on Crack'd for Christchurch's ottoman.Crack'd for Christchurch comments, "A mosaicking day over summer...lots of laughter and good food too."
A PDF copy of pages 180-181 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Gap Golf'. Photos: Gap Filler
A photograph of members of Crack'd for Christchurch polishing the flower mosaics on their armchair artwork.Crack'd for Christchurch comments, "From left: Jennie Cooper, Helen Campbell, and Jenny Cooper."
A photograph of students wearing high visibility vests and hard hats, taking a break on the CityUps installation site. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of Helen Campbell preparing to attach one of the flower mosaics to Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower. From left: Marie Hudson, Helen Campell, and Jennie Cooper."
A photograph of people in high visibility gear and hard hats constructing an installation for CityUps. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014. It was created by architecture students in collaboration with local businesses, artists, performers and innovators.
A photograph of students from the University of Auckland working on a temporary installation titled CHCH2016. The installation was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of students from the University of Auckland working on a temporary installation titled CHCH2061. The installation was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of a container of short poems printed on paper tags, for the event Emerge Poetica #5. This event was part of FESTA 2014 and included a calligraphic line of poetry floating in the Avon River, water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of students wearing high visibility vests and hard hats. The students are working on a temporary installation for CityUps, titled Antigravity. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River by the historic mill wheel. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Helen Campbell and Jonathan Hall preparing to move Crack'd for Christchurch's ottoman artwork. The ottoman has been wrapped up in bubble wrap and secured to a pallet.Crack'd for Christchurch comments, "Helen Campbell and Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."
A photograph of Jenny Cooper taking a break in front of the Crack'd for Christchurch armchair artwork. The Crack'd for Christchurch team have been working on the artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter."
A photograph of members of Crack'd for Christchurch preparing to attach one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."
A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."
A photograph of members of Crack'd for Christchurch, Greening the Rubble, and Phresh Deliveries standing in front of a truck. Crack'd for Christchurch's armchair artwork has been wrapped in a tarpaulin and placed on the back of the truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces. From left: Marie Hudson, Jenny Cooper, Jonathan Hall, and Nick Johnston from Phresh Deliveries."
A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."
A PDF copy of pages 262-263 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Flying Cup and Just a Couple of Strangers'. Photos: Jess de Boer
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."
A photograph of students wearing high visibility vests and hard hats. The students are working on a temporary installation for CityUps, titled Antigravity. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of chalk writing on a footpath next to the Avon River, as part of Emerge Poetica #5. The text reads 'Poetica in association with FESTA, follow the stones to our floating poem..' The project was part of FESTA 2014 and included water calligraphy workshops and poetry readings.