Part 1 of a video contributed by Henry Allison, a participant in the Understanding Place research project. The video has the description "Henry Allison talks about his experiences at the brewery on St Asaph Street during the earthquakes, and about the architecture that was lost in the central city".
Photograph captioned by BeckerFraserPhotos, "The food caravans that used to operate in the Arts Centre, now travel to several places in the city. Here they are in the quad at Canterbury University with the lunchtime queues".
A red-stickered building on Canterbury Street in Lyttelton. The building's facade has been propped up with timber, steel and concrete block bracing, and one of its windows has been weather proofed with plywood. Wire fencing has been place around the building as a cordon.
Extensive damage caused by liquefaction in Bracken Street, Avonside. A pile of liquefaction can be seen in front of this house. After the earthquake, many people had to dig this silt out of their properties and place it on the road to be collected.
A collapsed brick wall on Halswell Junction Road. A stack of bricks have been saved by the tree which has grown in a curve and is resting on the wall, holding the bricks in place. A pile of bricks can be seen on the ground where they fell.
A photograph of emergency management personnel examining a building on New Regent Street. Pavers on either side of the tramline have risen and shifted out of place. Many tables and chairs from cafes and restaurants are still sitting outside.
Oxford Terrace Baptist Church on the corner of Madras St and Oxford Terrace, and alongside the Central City Fire Station on Kilmore St.
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Laura, Nicola, and Debra watch a sand volcano build in the Wyn Street gutter.
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The 7.1 magnitude earthquake struck at about 4:35 am. Thankfully, the day was warm and still (unlike the cold driving rain and hail of yesterday afternoon).
(I righted the bird bath after the initial earthquake. None of the after-shocks were sufficient to knock it over again.)
Bruce and his cage were sitting on top of the small wooden table on the right before the earthquake. He was understandably alarmed.
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Knox Church Rebuild/ repair on a walk around the neighbourhood May 17, 2014 Christchurch New Zealand.
This thesis revisits the topic of earthquake recovery in Christchurch City more than a decade after the Canterbury earthquakes. Despite promising visions of a community reconnected and a sustainable and liveable city, significant portions of the city’s core – the Red Zone – remain dilapidated and “eerily empty”. At the same time, new developments in other areas have proven to be alienated or underutilised. Currently, the Canterbury Earthquake Recovery Authority’s plans for the rebuilding highlight the delivery of more residential housing to re-populate the city centre. However, prevalent approaches to housing development in Christchurch are ineffective for building an inclusive and active community. Hence, the central inquiry of the thesis is how the development of housing complexes can revitalise the Red Zone within the Christchurch city centre. The inquiry has been carried out through a research-through-design methodology, recognising the importance of an in-depth investigation that is contextualised and combined with the intuition and embodied knowledge of the designer. The investigation focuses on a neglected site in the Red Zone in the heart of Christchurch city, with significant Victorian and Edwardian Baroque heritage buildings, including Odeon Theatre, Lawrie & Wilson Auctioneers, and Sol Square, owned by The Regional Council Environment Canterbury. The design inquiry argues, develops, and is carried through a place-assemblage lens to housing development for city recovery, which recognizes the significance of socially responsive architecture that explores urban renewal by forging connections within the social network. Therefore, place-assemblage criteria and methods for developing socially active and meaningful housing developments are identified. Firstly, this thesis argues that co-living housing models are more focused on people relations and collective identity than the dominant developer-driven housing rebuilds, as they prioritise conduits for interaction and shared social meaning and practices. Secondly, the adaptive reuse of derelict heritage structures is proposed to reinvigorate the urban fabric, as heritage is seen to be conceived as and from a social assemblage of people. The design is realised by the principles outlined in the ICOMOS charter, which involves incorporating the material histories of existing structures and preserving the intangible heritage of the site by ensuring the continuity of cultural practices. Lastly, design processes and methods are also vital for place-sensitive results, which pay attention to the site’s unique characteristics to engage with local stakeholders and communities. The research explores place-assemblage methods of photographic extraction, the drawing of story maps, precedent studies, assemblage maps, bricolages, and paper models, which show an assembly of layers that piece together the existing heritage, social conduits, urban commons and housing to conceptualise the social network within its place.
A photograph of emergency management personnel walking down New Regent Street towards the intersection of Armagh Street. Pavers along either side of the tramline have risen and shifted out of place. Many tables and chairs from cafes and restaurants are still sitting outside.
The University of Canterbury's E-Learning team's temporary office in the James Hight building. The photographer comments, "First looks at our new temporary (maybe) office space. Our group will stay here until April or May 2011, then will move to another floor in the Central Library. Getting sorted. Most gear in place, still making adjustments".
A photograph of rubble outside the Cranmer Centre on the corner of Armagh and Montreal Streets. The rubble is from the front walls of the building which have crumbled in places, spilling bricks onto the street. Cordon fencing has been placed around the building.
Badly damaged in both the September and February quakes and over 6000 aftershocks the Point Pleasant yacht club had started to sink into the Avon estuary before being demolished in July 2011 after the June 6.3 earthquake
Manchester Street looking south-ish, near the corner of Worcester Street. The is the Trinity Building, which housed a restaurant and live music venue called Octagon Live.
Cracks in the roads and foot paths were surprisingly hard to find given the strength of the earthquake.
One of the many sand volcanos erupting from the ground after the Christchurch earthquake.
Cleaning up the silt and sand from Hoon Hay properties. Here Laura, Robbie, and Ronny are part of the clean-up crew on Wyn Street.
And, yes, the newspaper always gets through! The Press newspapers were delivered in our area of Hoon Hay in the hours after the earthquake.
On a walk around the neighbourhood, December 3, 2013, Christchurch New Zealand. www.stuff.co.nz/the-press/christchurch-life/avenues/featu...
Knox Church earthquake repair/rebuild on a walk around Christchurch December 11, 2013 New Zealand. www.stuff.co.nz/the-press/news/christchurch-earthquake-20... All about our ear...
A photograph of the earthquake damage to the Country Theme store on the corner of Manchester and St Asaph Streets. The brick façade has crumbled in various places, the bricks spilling onto the footpath below. A red sticker on the door indicates that the building is no longer safe to enter.
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a stylised face, with the words, "Such a lovely place bro!". There is a wire cordon fence in front of the wall.