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Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."

Images, UC QuakeStudies

A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."

Images, UC QuakeStudies

A photograph of people standing in a pile of soil that has been placed on a white sheet, during a shed-building workshop at Agropolis. Agropolis is an urban farm on the corner of High Street and Tuam Street. Agropolis was the venue for several events throughout FESTA 2013.

Images, UC QuakeStudies

A photograph of chalk writing on a footpath next to the Avon River, as part of Emerge Poetica #5. The text reads 'Poetica in association with FESTA, follow the stones to our floating poem..' The project was part of FESTA 2014 and included water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River by the historic mill wheel. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "July 2014. Freezing cold in the workshop. We saw a remarkable assortment of clothes against the cold, including blankets and hats. From left: Kathryn Innes, Helen Campbell, and Marie Hudson."

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's armchair artwork being loaded on to the back of a truck. The armchair has been wrapped in a tarpaulin. Straps wound under the armchair are being lifted by a mechanical arm.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last!"

Images, UC QuakeStudies

A photograph of the steel frame of Crack'd for Christchurch's armchair artwork. The frame is on a pallet in the Greening the Rubble workshop. Two cast-iron bath feet have been attached to the front legs.Crack'd for Christchurch comments, "Mid September 2013. The chair frame was made by Bob Hamilton from Total Fabrications."

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's armchair artwork being loaded on to the back of a truck. The armchair has been wrapped in a tarpaulin and sits on a pallet. Straps wound under the armchair are being lifted by a mechanical arm.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last!"

Images, UC QuakeStudies

A photograph of Struan Ashby from Tape Art NZ assisting tape artists from Skillwise during a workshop held at St Mary's School. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of a tape art horse created during a drawing and mural workshop for Skillwise held at St Mary's School. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

Damaged workshops in the Red Bus depot on Fitzgerald Avenue. The brick walls have partially crumbled. In the background is the Cathedral of the Blessed Sacrament, with its dome partly deconstructed. The photographer comments, "This photo was taken recently on Fitzgerald Avenue. Again, it's amazing how close you can get to buildings that look like they are about to collapse. In the background, you can see that work has begun to remove the dome on top of the damaged Cathedral of he Blessed Sacrament".

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch, Greening the Rubble, and Phresh Deliveries standing in front of a truck. Crack'd for Christchurch's armchair artwork has been wrapped in a tarpaulin and placed on the back of the truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces. From left: Marie Hudson, Jenny Cooper, Jonathan Hall, and Nick Johnston from Phresh Deliveries."

Images, UC QuakeStudies

Damaged workshops in the Red Bus depot on Fitzgerald Avenue. The brick walls have partially crumbled. In the background is the Cathedral of the Blessed Sacrament, with its dome partly deconstructed. The photographer comments, "This photo was taken recently on Fitzgerald Avenue. Again, it's amazing how close you can get to buildings that look like they are about to collapse. In the background, you can see that work has begun to remove the dome on top of the damaged Cathedral of he Blessed Sacrament".

Audio, Radio New Zealand

The beloved Christchurch Arts Centre - built in the 1870s - has slowly been reopening after repairs and restoration. An open day last weekend saw the public getting their first look into the complex's school of art building since the earthquakes. One beneficiary has been singer-songwriter Bic Runga, who has kick-started the Arts Centre Te Matatiki Toi Ora's revived Creative Residencies programme. She tells Mark Amery she's been trying out all sorts of new things. Applications for Bic's song-writing workshop in Christchurch in early July close on Friday 31 May.

Images, UC QuakeStudies

A photograph of Erica Duthie and Struan Ashby from Tape Art NZ leading a workshop for Skillwise at St Mary's School. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of Erica Duthie and Struan Ashby from Tape Art NZ leading a workshop for Skillwise at St Mary's School. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A close-up photograph of Erica Duthie from Tape Art NZ creating a mural during a workshop for Skillwise held at St Mary's School. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of Struan Ashby from Tape Art NZ assisting tape artists from Skillwise during a workshop held at St Mary's School. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Research papers, The University of Auckland Library

In 2013 Becca Wood, Spatial Performance Practitioner, and Molly Mullen, Applied Theatre Practitioner, collaborated to create a short ambulatory performance with audio score for a group of drama educators attending a conference workshop on the possibilities of walking as performance. The performance was created remotely from the intended site: Rangi Ruru Girls’ School, in Christchurch, New Zealand. Following the destruction of the 2012 earthquake, this site was in a state of transformation and recovery. The performance walk attended to the histories, geographies and politics of this place, somatically, architecturally and socially. This paper engages with three critical questions: How might mediated listening and walking activate the coming together of bodies and place? What performative shifts occurred for the participants in the walk and workshop? How might we come to our senses? Through a performative practice of mediated site-based listening and walking, this paper is a reflection on the creative process and performance. We consider the potential for technologically mediated performance to offer new modes for learning and creative practice through interdisciplinary and evolving intermedial practices. http://www.tandfonline.com/toc/crde20/current AM - Accepted Manuscript

Audio, Radio New Zealand

A review of the week's headline news including: 123 jobs at KiwiRail's engineering workshops in Dunedin hang in the balance; SkyCity's Chief Executive is defending gaming options at its Auckland casino; orthopaedic surgeons say they're working hard to determine exactly how many New Zealanders have a hip replacement system that's been recalled; tobacco companies are vowing to fight a government plan to remove branding from cigarette packets; the rebuild of central Christchurch has been taken out of the control of the City Council and will now be managed by a newly formed unit within the Government's Earthquake Recovery Authority (CERA); Trade Me's decision to open up the site to overseas retailers is ruffling a few feathers and; Hamilton singer Kimbra's hit number one in the US.

Research Papers, Lincoln University

The University of Canterbury held its inaugural Earthquake Forum on the 2nd September 2011. It was an opportunity to hear the diversity of earthquake-related research currently being undertaken in Canterbury and a chance for researchers and those working on the recovery to identify further areas where the research can support the recovery effort.The morning consisted of presentations showcasing the breadth of research currently underway and the afternoon will create the opportunity for people to connect in a series of concurrent workshops on the land, buildings and people. Neil Challenger's presentation covers landscape architecture, temporary landscapes, exploration of design ideas and specific student research related to urban design and earthquake recovery.

Research papers, The University of Auckland Library

Soil Liquefaction during Recent Large-Scale Earthquakes contains selected papers presented at the New Zealand – Japan Workshop on Soil Liquefaction during Recent Large-Scale Earthquakes (Auckland, New Zealand, 2-3 December 2013). The 2010-2011 Canterbury earthquakes in New Zealand and the 2011 off the Pacific Coast of Tohoku Earthquake in Japan have caused significant damage to many residential houses due to varying degrees of soil liquefaction over a very wide extent of urban areas unseen in past destructive earthquakes. While soil liquefaction occurred in naturally-sedimented soil formations in Christchurch, most of the areas which liquefied in Tokyo Bay area were reclaimed soil and artificial fill deposits, thus providing researchers with a wide range of soil deposits to characterize soil and site response to large-scale earthquake shaking. Although these earthquakes in New Zealand and Japan caused extensive damage to life and property, they also serve as an opportunity to understand better the response of soil and building foundations to such large-scale earthquake shaking. With the wealth of information obtained in the aftermath of both earthquakes, information-sharing and knowledge-exchange are vital in arriving at liquefaction-proof urban areas in both countries. Data regarding the observed damage to residential houses as well as the lessons learnt are essential for the rebuilding efforts in the coming years and in mitigating buildings located in regions with high liquefaction potential. As part of the MBIE-JSPS collaborative research programme, the Geomechanics Group of the University of Auckland and the Geotechnical Engineering Laboratory of the University of Tokyo co-hosted the workshop to bring together researchers to review the findings and observations from recent large-scale earthquakes related to soil liquefaction and discuss possible measures to mitigate future damage. http://librarysearch.auckland.ac.nz/UOA2_A:Combined_Local:uoa_alma21151785130002091

Research papers, University of Canterbury Library

The QuakeCoRE Emerging Researchers Chapter (QERC) is a network of students and emerging researchers composed of three chapters: Auckland, Canterbury, and Wellington. Our aim is to promote networking, collaboration, and knowledge sharing among emerging researchers in the earthquake resilience community. QERC does this by organising technical, social, and outreach events. As with everyone else during the pandemic crisis, QERC had to change its approach in organising events. However, instead of treating it as an obstacle, QERC utilised the lockdown period as an opportunity to connect the three chapters and organised more events than they usually would during normal times. In the 11 weeks that universities were closed and New Zealand was under Alert Levels 2, 3 and 4, QERC organised 15 various events such as research presentations, well-being workshops, a women's catch-up, and a trivia night. However, as the weeks went by, the novelty of online meetings faded and fewer people came to the virtual events. Therefore as soon as the country moved to Alert Level 1, the Chapters started organising in-person events, which members were eager to attend. Nonetheless, the option to join events remotely still remains and the three chapters continue to collaborate for various events.

Research papers, The University of Auckland Library

In 2010 and 2011, Aotearoa New Zealand was hit by a number of major disasters involving loss of human life and severe disruption to social, ecological and economic wellbeing. The Pike River mine explosions were closely followed by a sequence of major earthquakes in Christchurch, seismic events that have permanently altered the lives of thousands of people in our third largest city, the closure of the central business district and the effective abandonment of whole residential areas. In early October 2011, the ship, Rena, grounded on a reef off the port of Tauranga and threatened a major oil spill throughout the Bay of Plenty, where local communities with spiritual and cultural connections to the land depend on sea food as well as thrive on tourism. The Council for Social Work Education Aotearoa New Zealand (CSWEANZ), representing all the Schools of Social Work in New Zealand, held a ‘Disaster Curriculum’ day in November 2011, at which social workers and Civil Defence leaders involved in the Christchurch earthquakes, the Rena Disaster, Fiji floods and the Boxing Day tsunami presented their narrative experience of disaster response and recovery. Workshops discussed and identified core elements that participants considered vital to a social work curriculum that would enable social work graduates in a range of community and cultural settings to respond in safe, creative and informed ways. We present our core ideas for a social work disaster curriculum and consider a wide range of educational content based on existing knowledge bases and new content within a disaster framework. http://www.swsd-stockholm-2012.org/

Research papers, University of Canterbury Library

Tsunami events including the 2004 Indian Ocean Tsunami and the 2011 Tohoku Earthquake and Tsunami confirmed the need for Pacific-wide comprehensive risk mitigation and effective tsunami evacuation planning. New Zealand is highly exposed to tsunamis and continues to invest in tsunami risk awareness, readiness and response across the emergency management and science sectors. Evacuation is a vital risk reduction strategy for preventing tsunami casualties. Understanding how people respond to warnings and natural cues is an important element to improving evacuation modelling techniques. The relative rarity of tsunami events locally in Canterbury and also globally, means there is limited knowledge on tsunami evacuation behaviour, and tsunami evacuation planning has been largely informed by hurricane evacuations. This research aims to address this gap by analysing evacuation behaviour and movements of Kaikōura and Southshore/New Brighton (coastal suburb of Christchurch) residents following the 2016 Kaikōura earthquake. Stage 1 of the research is engaging with both these communities and relevant hazard management agencies, using a survey and community workshops to understand real-event evacuation behaviour during the 2016 Kaikōura earthquake and subsequent tsunami evacuations. The second stage is using the findings from stage 1 to inform an agent-based tsunami evacuation model, which is an approach that simulates of the movement of people during an evacuation response. This method improves on other evacuation modelling approaches to estimate evacuation times due to better representation of local population characteristics. The information provided by the communities will inform rules and interactions such as traffic congestion, evacuation delay times and routes taken to develop realistic tsunami evacuation models. This will allow emergency managers to more effectively prepare communities for future tsunami events, and will highlight recommended actions to increase the safety and efficiency of future tsunami evacuations.