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Images for walking; more images...

Images, UC QuakeStudies

Two people examine damage to a house in Richmond. The brick wall is badly cracked and twisted, and some bricks have fallen, exposing the lining paper and framing below. The photographer comments, "These photos show our old house in River Rd and recovery work around Richmond and St Albans. The near wall is leaning at an alarming angle. I didn't like walking past it".

Images, UC QuakeStudies

A photograph looking north up Manchester Street from the intersection with Cashel Street. Police tape and road cones have been placed across the street with a sign reading, "Road closed". In the background, members of the public can be seen walking along the street. Wire fencing in the distance has been used to make a cordon before Hereford Street .

Images, UC QuakeStudies

A photograph of members of the Wellington Emergency Management Office Emergency Response Team walking down Gloucester Street towards Latimer Square. To the right, shipping containers have been stacked beside the square. A cordon of wire fences and road cones have also been used to cordon off the street in the distance.

Images, UC QuakeStudies

A photograph of people walking past strings of blue tarpaulin flags on the Worcester Street bridge. The installation, titled Eye of the Storm/em>, was created for Canterbury Tales by students from the School of Design at the University of Technology Sydney. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of Olivia standing next to a Adshel bus stop poster. The poster has an All Right? poster with her quote on it, in answer to the question, "What makes us feel all right?" "Keeping active and busy by walking around the park every day. Olivia, Belfast." All Right? posted the photograph on their Facebook page.

Images, UC QuakeStudies

A photograph of emergency management personnel walking down Manchester Street towards the intersection of High and Lichfield Streets. Many of the buildings on the left side of the road have been damaged by the earthquakes. In the distance rubble from the earthquake-damaged buildings has spilled onto the road. Steel fences have been placed along the footpath to the left.

Articles, UC QuakeStudies

A PDF copy of a poster created with the All Right? Poster Generator. The poster features the responses from a number of Christchurch residents about what makes them feel good, such as "Walking up Harry Ell makes everything all right. Alana, Cashmere." The posters were placed around the city at locations such as cafes, doctors surgeries and fish and chip shops. All Right? posted this poster on their Facebook Timeline on 10 May 2013 at 4:07pm.

Images, UC QuakeStudies

A photograph looking east down Gloucester Street from near the Manchester Street intersection. Members of the Wellington Emergency Management Office Emergency Response Team and construction workers are walking down the street. To their right is the new Press House building with many broken windows. In the foreground, the Coachman building has sustained earthquake damage to the façade. Wire fences have been placed around the building as a cordon.

Images, UC QuakeStudies

A photograph of emergency management personnel walking in a line down Lichfield Street towards the intersection of Madras Street . The members in white hazmat suits are holding their hands over their heads while members of the New Zealand Army take the lead and follow from behind. Rubble from several earthquake-damaged buildings has scattered across the street to the right. Plastic fencing has been placed along the left side of the road as a cordon. In the background there are several earthquake-damaged buildings along Lichfield Street.

Research papers, The University of Auckland Library

The Canterbury earthquake sequence of 2010-2011 wrought ruptures in not only the physical landscape of Canterbury and Christchurch’s material form, but also in its social, economic, and political fabrics and the lives of Christchurch inhabitants. In the years that followed, the widespread demolition of the CBD that followed the earthquakes produced a bleak landscape of grey rubble punctuated by damaged, abandoned buildings. It was into this post-earthquake landscape that Gap Filler and other ‘transitional’ organisations inserted playful, creative, experimental projects to bring life and energy back into the CBD. This thesis examines those interventions and the development of the ‘Transitional Movement’ between July 2013 and June 2015 via the methods of walking interviews and participant observation. This critical period in Christchurch’s recovery serves as an example of what happens when do-it-yourself (DIY) urbanism is done at scale across the CBD and what urban experimentation can offer city-making. Through an understanding of space as produced, informed by Lefebvre’s thinking, I explore how these creative urban interventions manifested a different temporality to orthodox planning and demonstrate how the ‘soft’ politics of these interventions contain the potential for gentrification and also a more radical politics of the city, by creating an opening space for difference.