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Images, Alexander Turnbull Library

PM John Key sits at a large desk in a very large chair looking disconcerted as a messenger says 'after your display in the charity match - John Wright wants you on standby for India. Context - The charity match for Christchurch played at the Basin reserve on Sunday 9 March 2011. The prime minister played along with actors Russell Crowe and James Nesbitt, who were opposing coaches with the match being refereed by Ian McKellen in Sunday's match starting at 4pm. Key will face an over from the Australian spin king during the innings break at the Basin, which Cricket Wellington expects could sell out as early as today. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

ACT leader Rodney Hide stands alone in the middle of a blasted plain that was once the 'Christchurch CBD' and says 'A level playing field, excellent. Now we can leave the rest to the market'. Context - Christchurch after the earthquakes of 4 September 2010 and 22 February 2011. ACT explicitly promotes a free market philosophy - a (literal) level playing field in the Christchurch CBD sounds like an excellent opportunity to test the powers of the free market. Quantity: 1 digital cartoon(s).

Research papers, The University of Auckland Library

The Canterbury earthquake sequence of 2010-2011 wrought ruptures in not only the physical landscape of Canterbury and Christchurch’s material form, but also in its social, economic, and political fabrics and the lives of Christchurch inhabitants. In the years that followed, the widespread demolition of the CBD that followed the earthquakes produced a bleak landscape of grey rubble punctuated by damaged, abandoned buildings. It was into this post-earthquake landscape that Gap Filler and other ‘transitional’ organisations inserted playful, creative, experimental projects to bring life and energy back into the CBD. This thesis examines those interventions and the development of the ‘Transitional Movement’ between July 2013 and June 2015 via the methods of walking interviews and participant observation. This critical period in Christchurch’s recovery serves as an example of what happens when do-it-yourself (DIY) urbanism is done at scale across the CBD and what urban experimentation can offer city-making. Through an understanding of space as produced, informed by Lefebvre’s thinking, I explore how these creative urban interventions manifested a different temporality to orthodox planning and demonstrate how the ‘soft’ politics of these interventions contain the potential for gentrification and also a more radical politics of the city, by creating an opening space for difference.