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Images, UC QuakeStudies

A wall on the former site of Piko Wholefoods has been painted with the address of their new premises. A damaged part of the wall is covered with a graffiti paste-up of an elastoplast, with a speech bubble reading, "You poor thing".

Images, UC QuakeStudies

Damage to the Caxton Press building (left) and the adjoining building. In front is a pile of bricks, cordonned off with tape and road cones to keep the public away. Spray-painted codes show that the buildings have been checked by USAR.

Images, UC QuakeStudies

A brick fence has been spray painted after it was cleared by a USAR team. This system was used following the February earthquake to mark buildings that have been checked. Restricted access tape has been placed across the gates. A pile of bricks have fallen onto the footpath.

Images, UC QuakeStudies

Detail of the front entrance to the Croydon House B&B Hotel. The front door has been removed and left in front. On the door are spray paint markings left by USAR after the building was checked. Cordon tape restricting access to the buildings can be seen.

Images, UC QuakeStudies

Detail of spray painted codes left after a building had been cleared by a USAR team. This system was used following the February earthquake to mark buildings that have been checked. This building has also been red-stickered, and has a notice that says "Danger. Do Not Enter".

Images, UC QuakeStudies

A photograph of the entrance to Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets. The entranceway is made of lights on a steel frame, and leads to a painted "red carpet".

Videos, UC QuakeStudies

A video of an interview with stonemason Mark Whyte, about the demolition of the Holy Trinity Church in Avonside. Whyte discusses how the building should have been deconstructed slowly in order to salvage unique heritage material such as stained-glass windows and hand-painted ceilings.

Images, UC QuakeStudies

A digitally manipulated image of people in Re:Start Mall. The photographer comments, "In Christchurch there is a temporary mall that is made out of shipping containers. The containers painted in nice bright colours, colourful shade sails and various advertisements give the place a very merry feel".

Images, UC QuakeStudies

A view through cordon fencing towards the front entrance to the Croydon House B&B Hotel, the side wall of which crumbled. The front door has been removed and left in front. On the are spray paint markings left by USAR after the building was checked. Cordon tape restricting access to the buildings can be seen.

Images, UC QuakeStudies

The facade of the building housing the Daily Bagel and the Covent Fruit Centre has fallen away, leaving the building unstable and dangerous. The front wall has toppled onto the footpath leaving a pile of bricks. The front windows of this and surrounding buildings have been spray-painted with USAR codes 'No Go' and the times they were checked.

Images, UC QuakeStudies

A portaloo ouside an apartment building, on the wall next to it is a red sticker, informing the public the site is dangerous and not to enter. On the other side are spray painted codes left by USAR after it had been cleared. This system was used following the February earthquake to mark buildings that have been checked.

Articles, UC QuakeStudies

The project report for Poetica, part of Gap Filler project 20, Walls. Poetica was an urban poetry project in which an interactive poetry installation was painted on the wall of 614 Colombo Street. The purpose of the project was to visualise the regeneration of Christchurch as an unwritten poem by allowing members of the public to writing poetry on the Poetica wall.

Images, UC QuakeStudies

A digitally manipulated photograph of the foyer of the Christchurch Art Gallery. The photographer comments, "The Christchurch art gallery has been closed to the public since the February 2011 earthquake and its reopening seems to be in the distant future. I want to convey the feeling that if art is not looked at darkness starts to overcome it and the paint starts to peel off".

Images, UC QuakeStudies

A digitally manipulated photograph of the Ozone Hotel's sign, leaning against a cordon fence. The photographer comments, "This sign was all that remained after the demolition of the historical Ozone Hotel, which was damaged in the Christchurch earthquakes. The sign disappeared so hopefully it will reappear at a later date in a museum. The bits of blue were the painted bricks of the hotel, which made it really stand out".

Images, eqnz.chch.2010

Demolition continues on the old Beckenham shops after the 7.1 magnitude earthquake in Christchurch on the 4th September 2010. So sad to see history die - both buildings and business. Took this image in HDR and processed in PhotoMatix and PaintShop Pro 8. Below are two other images of the shops one soon after the earthquake and the other sever...

Images, UC QuakeStudies

Workers seen through a gap between wooden pallets in GapFiller's Pallet Pavillion. The photographer comments, "Though it looks strange and Photoshopped this is a straight shot through pallets painted blue. The Pallet Pavilion is built on the site of the demolished Crowne Plaza Hotel. It was built by volunteers, mainly students and construction engineers over 6 weeks. Here students are being given health and safety instructions before helping out on completing the temporary structure".

Videos, NZ On Screen

Chimney Book takes rubble from the Christchurch earthquake, and turns it into the building blocks of a film exploring life in the quake zone. Christchurch musician Blair Parkes took bricks from his chimney — destroyed in the 22 February 2011 aftershocks — painted a letter or symbol on each, then scanned them into his computer. Sound and word form the spine of the result, which is part diary, part experimental film. Parkes explores his experiences of living in Christchurch since the quake through words like 'dust', 'memory', 'place', and a question: 'is it over?'

Images, UC QuakeStudies

Spray-painted writing on the side of a car parking building reads "0 cars". The photographer comments, "Strangely and appropriately this graffiti was on a car park. In fact the graffiti was 100% correct as the car park is in the Christchurch earthquake red zone and there should be zero cars now inside it. It may have been put on by an anti car protester or just an indication that the car park is empty. One of the suggestions for the City plan for the rebuilt Christchurch was for a pedestrian and cycle only area, which also fits in with 0 CARS".

Images, UC QuakeStudies

A protest sign painted on a fence shows an image of the cathedral spire and the words "Save + restore, stone by precious stone!" The photographer comments, "The Christchurch Cathedral got very badly damaged in the earthquake. It was being demolished down to a safe level before a major protest managed to stop it going too far. There is still an ongoing debate on what to do with the Cathedral. In the meantime a cardboard cathedral made out of a steel framework and massive toilet roll tubes is being constructed close by. This is to the right of the protest about the closure of Christchurch schools".

Images, UC QuakeStudies

A protest sign painted on a fence shows a bulldozer labelled "Govt." driven by a woman (presumably representing Education Minister Hekia Parata) running over a sheep labelled "Chch schools", next to the words "Every time you close a school you have to build a jail - Mark Twain." The photographer comments, "Due to the earthquakes in Christchurch and parents leaving the area to give their children a quieter and more education friendly life a lot of the local schools especially in the East of Christchurch are to be closed or amalgamated. This was a decision by the government without consultation with any other authorities. Mark Twain actually said 'Every time you stop a school, you will have to build a jail'".

Research papers, University of Canterbury Library

The New Zealand city of Christchurch suffered a series of devastating earthquakes in 2010-11 that changed the urban landscape forever. A new rebuilt city is now underway, largely based on the expressed wishes of the populace to see Christchurch return to being a more people-oriented, cycle-friendly city that it was known for in decades past. Currently 7% of commuters cycle to work, supported by a 200km network of mostly conventional on-road painted cycle lanes and off-road shared paths. The new "Major Cycleways" plan aims to develop approximately 100km of high-quality cycling routes throughout the city in 5-7 years. The target audience is an unaccompanied 10-year-old cycling, which requires more separated cycleways and low-volume/speed "neighbourhood greenways" to meet this standard. This presentation summarises the steps undertaken to date to start delivering this network. Various pieces of research have helped to identify the types of infrastructure preferred by those currently not regularly cycling, as well as helping to assess the merits of different route choices. Conceptual cycleway guidelines have now been translated into detailed design principles for the different types of infrastructure being planned. While much of this work is based on successful designs from overseas, including professional advice from Dutch practitioners, an interesting challenge has been to adapt these designs as required to suit local road environments and road user expectations. The first parts of the new network are being rolled out now, with the hope that this will produce an attractive and resilient network for the future population that leads to cycling being a major part of the local way of life.