Time stands still on the Science Museum clock tower as a poignant reminder of the moment the trembler struck Christchurch in the early hours of Saturday 4 September 2010.
Time stands still on the Science Museum clock tower as a poignant reminder of the moment the trembler struck Christchurch in the early hours of Saturday 4 September 2010.
Time stands still on the Science Museum clock tower as a poignant reminder of the moment the trembler struck Christchurch in the early hours of Saturday 4 September 2010.
An aerial photograph looking west over the Arts Centre and Christ's College towards Hagley Park. The photograph has been captioned by BeckerFraserPhotos, "At the centre of this photo is a group of heritage stone buildings. Canterbury Museum and Christ's College were extensively earthquake strengthened prior to the EQs and re-opened to the public relatively quickly. The Arts Centre is undergoing extensive renovations. Hagley Park and the Botanic Gardens provide a richly colourful surrounding to these historic buildings".
A photograph of CEISMIC Digital Content Analyst Alexandra King and the Canterbury Cultural Recovery Centre intern, Moya Sherriff, discussing the collections. In the background is material from the Kaiapoi Museum's collection.
German born colonist, Sir Julius von Haast, was an explorer specialising in geology. Amongst his many achievements was the founding of the Canterbury Museum. Born Johann Franz von Haast in 1822, in…
A photograph of Julia Holden's Whittaker's Big Egg Hunt artwork on display at the Auckland Museum. The artwork was on display during a black tie auction where it was auctioned to raise money for the Starship Foundation.
A photograph of painted artworks from the Whittaker's Big Egg Hunt on display at the Auckland Museum. The eggs were on display during a black tie auction where they were sold to raise money for the Starship Foundation.
A photograph of painted artworks from the Whittaker's Big Egg Hunt on display at the Auckland Museum. The eggs were on display during a black tie auction where they were sold to raise money for the Starship Foundation.
A photograph of an exhibition sign next to 'The Snapa Crapa', a bike with a toilet for a seat. 'The Snapa Crapa' was on display in the Canterbury Quakes exhibition at the Canterbury Museum.
A photograph of an exhibition sign next to 'The Snapa Crapa', a bike with a toilet for a seat. 'The Snapa Crapa' was on display in the Canterbury Quakes exhibition at the Canterbury Museum.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.
A photograph of an exhibition sign next to the Speaker's Chair on display in the Canterbury Quakes exhibition at the Canterbury Museum. The Speaker's Chair stood at the southern end of the Stone Chamber of the Canterbury Provincial Chambers, and survived the 22 February 2011 earthquake despite the damage to the chamber.
A photograph of the Speaker's Chair on display in the Canterbury Quakes exhibition at the Canterbury Museum. The Speaker's Chair stood at the southern end of the Stone Chamber of the Canterbury Provincial Chambers, and survived the 22 February 2011 earthquake despite the damage to the chamber.
An aerial photograph captioned by BeckerFraserPhotos, "The Arts Centre and Botanic Gardens at the top".
Canterbury Museum is inviting visitors to view Quake City for free during the special exhibition's reopening this weekend, 16 & 17 September. The newly-relocated exhibition that tells stories from the Canterbury earthquakes, reopened on 14 September.
A photograph of the John Robert Godley statue on display in the Canterbury Quakes exhibition at the Canterbury Museum. The statue fell off its plinth in Cathedral Square during the 22 February 2011 earthquake, exposing two time capsules.
A photograph of an exhibition sign next to the 'Quilt for Christchurch', in the Canterbury Quakes exhibition at the Canterbury Museum. The quilt was created by members of the public who sent squares to The Breeze radio station in Auckland.
A photograph of a quilt on display in the Canterbury Quakes exhibition at the Canterbury Museum. The quilt was created by members of the public who sent squares to The Breeze radio station in Auckland to be part of the 'Quilt for Christchurch'.
A photograph of equipment from the New Zealand Fire Service Urban Search and Rescue team on display in the Canterbury Quakes exhibition at the Canterbury Museum. The equipment was used during the emergency response to the 22 February 2011 earthquake.
A notice on the cordon fence around the site where the CTV building once was. It says 'Please respect this site. In recognition of the special significance this site holds for the people of our city and all those affect by the earthquakes, the Christchurch City Council is working with Canterbury Museum to preserve aspects of our remembering. Tributes may be left at this site. Older tributes will be removed from archiving by the Canterbury Museum to become part of the city's memory of the Canterbury Earthquakes. Organic materials will be composted and used in the city's gardens'.
Archaeologists are often faced with the question of what happens to artefacts after an excavation is complete? As is the case for a lot of excavations, artefacts can find themselves housed in museums. This centuries old institution found its beginning … Continue reading →
A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
An entry from Jennifer Middendorf's blog for 11 January 2013 entitled, "Only slightly loco".