Looking from the intersection of Worcester Boulevard and Montreal Street. The damaged Arts Centre is in the background with some of its wall boarded up. Going past it is a red Christchurch Sightseeing Tour bus which offers tours of central Christchurch.
A document outlining the history of the Townsend Telescope and Observatory at the Christchurch Arts Centre. The document was written by Karen Pollard, Associate Professor in the Department of Physics and Astronomy at the University of Canterbury.
Photograph captioned by Fairfax, "Anne Edmond (proprietor) of Annie's wine bar and restaurant located in the Christchurch Arts Centre. Business is returning to normal despite the damage and closure of surrounding buildings caused by the September earthquake".
Photograph captioned by Fairfax, "Anne Edmond (proprietor) of Annie's wine bar and restaurant located in the Christchurch Arts Centre. Business is returning to normal despite the damage and closure of surrounding buildings caused by the September earthquake".
Photograph captioned by Fairfax, "Anne Edmond (proprietor) of Annie's wine bar and restaurant located in the Christchurch Arts Centre. Business is returning to normal despite the damage and closure of surrounding buildings caused by the September earthquake".
A red double-decker tour bus sits outside the former Registry building of the Christchurch Arts Centre. A broken window has been boarded up and security fencing has been placed around the building. A sign pointing towards the Christchurch Art Gallery is attached to the fence.
A PDF copy of pages 22-23 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'TEDxEQChCh'. Photos: Neil Macbeth
The historic Townsend Teece telescope in Otautahi Christchurch was badly damaged in the 2011 earthquake, but has been expertly restored and is now reinstalled back in its central city home at the Arts Centre.
A PDF copy of pages 352-353 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Breaking Wonderful'. Photos by Jesse Roscoe
A video of a panel discussion at the 2016 Seismics in the City Conference. The panel is titled, "Engaging: Generating Community Input and Feedback".Leanne Curtis of Breakthrough Services, Evan Smith, Programme Manager of Eastern Vision, and André Lovatt, CEO of the Arts Centre, present case studies.The theme of the panel reads, "'Regenerate Christchurch must and will engage with the community around what will be done' (André Lovatt, Chair, Regenerate Christchurch). Learning from the past by tapping the wisdom of communities and applying the lessons to the future as we shape the new city."
Part four of the audio that makes up Gap Filler's 29th project, the Transitional City Audio Tour. This part of the tour begins in the Re:Start Mall on Cashel Street and includes commentary on the performance Last Day of Mankind at the Bridge of Remembrance. The tour then moves up Oxford Terrace, along the banks of the Avon River, until it reaches Worcester Boulevard. Turning left, it travels down Worcester Boulevard, past the Christchurch Art Gallery, providing commentary on the new and old art in the area, and the Christchurch Arts Centre. Lastly, it moves up Montreal towards Cranmer Square.
A photograph of a sign on the exterior of the Lions Transitional Facility. The sign reads, "St Albans Community Centre. A Lions Community Partnership".
Aerial footage of the Christchurch central city, taken in April 2011, several months after the 22 February 2011 earthquake. The video shows damage to the Cathedral of the Blessed Sacrament, Manchester Street, the Press building, the Octagon Live restaurant, St Elmo Courts, Cashel Mall, the Regent Theatre, the Arts Centre, Woolsack Lane, and the Farmers Building car park. It also shows USAR members meeting in Cathedral Square.
A PDF copy of pages 228-229 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Lions Transitional Facility'. Photos: Irene Boles
A video of an interview with stonemason Ben West about his work in the Canterbury rebuild. West talks about the work that he has done on the Magistrates Court.
One green cotton t-shirt bearing the logo of the Student Volunteer Army in black print on the centre front and the words ‘Christchurch, New Zealand’ in black ink in Japanese and Spanish on the reverse. Jason Pemberton, from the Student Volunteer Army organising committee, wore this t-shirt during the cleanup following the 22 February 2011 earth...
There's a big weekend in store for Christchurch where the curtain is being raised on the new Court Theatre. The new $56 million playhouse is the theatre's first permanent home since the 2011 earthquake destroyed its Arts Centre venue.
A video of a panel discussion at the 2016 Seismics in the City Conference. The panel is titled, "Engaging: Generating Community Input and Feedback".Leanne Curtis of Breakthrough Services, Evan Smith, Programme Manager of Eastern Vision, and André Lovatt, CEO of the Arts Centre, respond to questions from the floor. Brendon Burns, of Brendon Burns and Associates, facilitates the discussion.The theme of the panel reads, "'Regenerate Christchurch must and will engage with the community around what will be done' (André Lovatt, Chair, Regenerate Christchurch). Learning from the past by tapping the wisdom of communities and applying the lessons to the future as we shape the new city."
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
One red cap with Hawkes Bay softball logo at centre front; cap has been has been decorated with signatures and messages from the Hawkes Bay Under-19s Softball Team. This red cap, featuring the logo of the Hawkes Bay under 19s softball team, has been decorated with signatures and messages. The cap was left at the Canterbury Television (CTV) site...
A photograph of the exterior of the Lions Transitional Facility. A wooden ramp leads up to the entrance to the facility.
In Christchurch the Court Theatre is about to reopen, more than nine months after the earthquake ruined its inner city premises. The country's most successful professional theatre, which used to be in the 19th century gothic style Arts Centre, has moved to a shed in the suburbs.
Andre Lovatt grew up in Christchurch and completed a masters degree in Civil Engineering at Canterbury before taking up a position in Singapore working on, among other things, the $6.7 billion Marina Bay Sands waterfront resort. After almost 10 years in Southeast Asia he has returned to his earthquake ravaged home to take on a project with a much smaller price tag. Andre is the new CEO of the Christchurch Arts Centre and his job is to oversee the $290 million dollar project that will, if it's successful, return the centre to its former glory by the end of 2019.
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre (from left: Diana Isaac, Elisie Locke, Charles Luney and Margaret Mahy) that it didn't appear like the work of vandals, but looked quite homely and warm".
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, scratching his head as he looks at the damaged clock drive of the Townsend Telescope. The telescope was damaged during the 22 February 2011 earthquake, when the Observatory tower at the Christchurch Arts Centre collapsed. Kershaw has been given the task of restoring the telescope.
The University of Canterbury CEISMIC Canterbury Earthquake Digital Archive draws on the example of the Centre for History and New Media’s (CHNM) September 11 Archive, which was used to collect digital artefacts after the bombing of the World Trade Centre buildings in 2001, but has gone significantly further than this project in its development as a federated digital archive. The new University of Canterbury Digital Humanities Programme – initiated to build the archive – has gathered together a Consortium of major national organizations to contribute content to a federated archive based on principles of openness and collaboration derived directly from the international digital humanities community.
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, sitting among the damaged parts of the Townsend Telescope. The telescope was damaged during the 22 February 2011 earthquake, when the Observatory tower at the Christchurch Arts Centre collapsed. Kershaw has been given the task of restoring the telescope. In this photograph he is holding the telescope's clock drive.
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, sitting among the damaged parts of the Townsend Telescope. The telescope was damaged during the 22 February 2011 earthquake, when the Observatory tower at the Christchurch Arts Centre collapsed. Kershaw has been given the task of restoring the telescope. In this photograph he is holding the telescope's clock drive.