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Images for Christ Church Cathedral; more images...

Images, UC QuakeStudies

A close up of the damaged stonework of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the wall to limit further damage.

Images, UC QuakeStudies

A close up of the front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Bracing has been placed against the front wall to limit further damage.

Images, UC QuakeStudies

A close up of the front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the wall to limit further damage.

Images, UC QuakeStudies

Members of the public take photographs of the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral. The tower and the front wall of the building have partially collapsed. Steel bracing has been added to the front wall for support.

Images, UC QuakeStudies

Members of the public take photographs of the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral. The tower and the front wall of the building have partially collapsed. Steel bracing has been added to the front wall for support.

Images, UC QuakeStudies

Members of the public take photographs of the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral. The tower and the front wall of the building have partially collapsed. Steel bracing has been added to the front wall for support.

Images, UC QuakeStudies

Members of the public take photographs of the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral. The tower and the front wall of the building have partially collapsed. Steel bracing has been added to the front wall for support.

Images, UC QuakeStudies

A photograph of a veterinarian holding a pigeon at SPCA Canterbury. The pigeon was named Barney Rubble due to the fact that it was found amongst the rubble and debris of the ChristChurch Cathedral.

Images, UC QuakeStudies

The front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the wall to limit further damage. The Citizens' Memorial statue stands to the left.

Images, UC QuakeStudies

The front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against the front wall to limit further damage. The Citizens' Memorial statue stands to the left.

Images, UC QuakeStudies

The front of Christ Church Cathedral showing its broken tower. Bracing has been placed on the front wall to limit further damage. Security fences have been placed around the cathedral to restrict access. The Wizard of Christchurch talks to members of the public. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look.

Images, UC QuakeStudies

The front of Christ Church Cathedral showing its broken tower. Bracing has been placed on the front wall to limit further damage. Security fences have been placed around the cathedral to restrict access. The Wizard of Christchurch talks to members of the public. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look.

Images, UC QuakeStudies

The front of Christ Church Cathedral showing its broken tower. Bracing has been placed on the front wall to limit further damage. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look.

Videos, NZ On Screen

This promotional travelogue, made for the Christchurch City Council, shows off the city and its environs. Filmed at a time when New Zealand’s post-war economy was booming as it continued its role as a farmyard for the “Old Country”, it depicts Christchurch as a prosperous city, confident in its green and pleasant self-image as a “better Britain” (as James Belich coined NZ’s relationship to England), and architecturally dominated by its cathedrals, churches and schools. Many of these buildings were severely damaged or destroyed in the earthquakes of 2010 and 2011.

Research papers, University of Canterbury Library

This is an ethnographic case study, tracking the course of arguments about the future of a city’s central iconic building, damaged following a major earthquake sequence. The thesis plots this as a social drama and examines the central discourses of the controversy. The focus of the drama is the Anglican neo-Gothic Christ Church Cathedral, which stands in the central square of Christchurch, New Zealand. A series of major earthquakes in 2010/2011 devastated much of the inner city, destroying many heritage-listed buildings. The Cathedral was severely damaged and was declared by Government officials in 2011 to be a dangerous building, which needed to be demolished. The owners are the Church Property Trustees, chaired by Bishop Victoria Matthews, a Canadian appointed in 2008. In March 2012 Matthews announced that the Cathedral, because of safety and economic factors, would be deconstructed. Important artefacts were to be salvaged and a new Cathedral built, incorporating the old and new. This decision provoked a major controversy, led by those who claimed that the building could and should be restored. Discourses of history and heritage, memory, place and identity, ownership, economics and power are all identified, along with the various actors, because of their significance. However, the thesis is primarily concerned with the differing meanings given to the Cathedral. The major argument centres on the symbolic interaction between material objects and human subjects and the various ways these are interpreted. At the end of the research period, December 2015, the Christ Church Cathedral stands as a deteriorating wreck, inhabited by pigeons and rats and shielded by protective, colourfully decorated wooden fences. The decision about its future remains unresolved at the time of writing.

Images, UC QuakeStudies

The Wizard of Christchurch talks to people viewing the damaged Christ Church Cathedral. Bracing has been placed against the front wall to limit further damage. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look.

Images, UC QuakeStudies

Damage to the front of Christ Church Cathedral. The tower has been damaged and bracing has been placed on the front wall (right) to limit further damage. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look.

Videos, UC QuakeStudies

A video of an interview with Joe Bennett, columnist and Lyttelton resident, about his experiences during the 22 February 2011 earthquake, and his hopes for post-quake Christchurch. This video was part of The Press's 'Christchurch, one year after February 22, 2011' series.

Audio, Radio New Zealand

It was so nearly lost. As the Christ Church Anglican Cathedral is being rebuilt, historian Edmund Bohan is releasing a history of the distinctive Gothic building. It shows it was controversial even before work started on designing it, let alone building in. From the laying of the foundations to the official opening, it took 40 years, after squabbles over pretty much every aspect of its construction - not to mention the huge problems raising the money to build it in the City Centre. In Heart of the City: The Story of Christchurch's Controversial Cathedral, Edmund is critical of the former Anglican Bishop Victoria Matthews' determination to demolish the badly-damaged cathedral after the Canterbury earthquakes, to replace it with a modern church. And he tells Lynn Freeman he's very much looking forward to seeing the Cathedral restored to its former glory after a lengthy and pricey rebuild. But first he sets the scene. Back in the 1860s, there was controversy over where the cathedral should go, its design, whether it should be in stone or timber - even if there should be a cathedral built at all! Heart of the City: The Story of Christchurch's Controversial Cathedral, by Edmund Bohan is published by Quentin Wilson Publishing.

Images, UC QuakeStudies

A photograph of SPCA Field Officer Vanessa Hampton releasing a pigeon at SPCA Canterbury as a symbol of love, hope and renewal. The pigeon was named Barney Rubble due to the fact that it was found amongst the rubble and debris of the ChristChurch Cathedral.

Images, UC QuakeStudies

Members of the public view the damaged tower of Christ Church Cathedral. Bracing has been placed on the front wall to the right to limit further damage. In the centre of the crowd stands a wire cage filled with stones. After the earthquake, love notes to Christchurch were written on the stones.

Videos, UC QuakeStudies

A video of Lianne Dalziel speaking to a public gathering about her reasons for standing for the mayoralty of Christchurch. Dalziel talks about starting her mayoralty where Share an Idea left off, making the Council a high performing team, and getting the community involved in the decisions about the future of the city. The video also includes footage of Dalziel taking a tour of the Christchurch central city. Dalziel visits the ChristChurch Cathedral, pointing out a sign which reads, "The earthquakes stopped us, but inept procedures are killing us". She also visits the new Westende Jewellers building, which she notes was the first rebuild in the Christchurch central city but will come down as part of CERA's Transport Plan. Dalziel is shown socialising with members of the public and watching the Christchurch Wizard bless New Regent Street.

Videos, UC QuakeStudies

A video showing members of the SPCA standing for two minutes in silence a week after the 22 February 2011 earthquake, in memory of those who lost their lives. A pigeon, found in the ChristChurch Cathedral after the quakes, is released at the end of the two-minutes' silence.

Images, Canterbury Museum

One red and black fabric quilt comprised of pieced and appliquéd block work with both hand and machine stitching; machine quilted with embellishments and a one piece bordered back; an image of the ChristChurch Cathedral is in the centre and features pen work. Designed and quilted by the Coast Quilters of Whangaroa from fabric sent in by listener...

Images, UC QuakeStudies

A photograph of a veterinarian and SPCA Field Officer preparing a pigeon before the two minutes of silence held in respect for those who lost their lives in the 22 February 2011 earthquake. The pigeon was to be released as a symbol of love, hope and renewal after the two minutes of silence. It was found amongst the rubble and debris of the ChristChurch Cathedral and named Barney Rubble.

Research papers, Victoria University of Wellington

Architecture and music have a long intertwining history.These respective creative forces many times have collaborated into monumental place, harboured rich occasion, been catalyst for cultural movement and defined generations. Together they transcend their respective identities. From dinky local church to monstrous national stadia, together they are an intense concentration, a powerfully addictive dosage where architecture is the place, music is the faith, and people are the reason.  Music is a programme that architecture often celebrates in poetic and grand fashion; a superficial excuse to symbolise their creative parallels. But their relationship is much richer and holds more value than just the opportunity to attempt architectural metaphor.While music will always overshadow the architecture in the sense of a singular event, architecture is like the soundman behind the mixing desk. It’s not the star front and centre grabbing your attention, but is responsible for framing the star. It is the foundational backdrop, a critical pillar. Great architecture can help make great music. In this sense music is a communication of architecture, it is the ultimate creative function.  Christchurch, New Zealand, is a city whose story changed in an instant. The seismic events of 2010 and 2011 have become the overriding subject of its historical narrative, as it will be for years to come. Disaster redefines place (the town of Napier, struck by an earthquake in 1931, exemplifies this). There is no quantifiable justification for an exploration of architecture and music within the context of Christchurch. The Town Hall, one of New Zealand’s most architecturally significant buildings, is under repair. The Christ Church Cathedral will more than likely be rebuilt to some degree of its former self. But these are echoes of the city that Christchurch was.They are saved because they are artefact. Evidence of history.This thesis makes the argument for the new, the better than before, and for the making of opportunity from disaster, by proposing a ‘new’ town hall, conceived from the sound of old.