A photograph looking east along Oxford Terrace from outside the former site of Donna Allfrey's house. Allfrey's house was demolished after her land was zoned Red. The sites of many other demolished houses can be seen to the left.
A photograph of the former site of the Locke family's house at 392 Oxford Terrace. The Locke's house was deconstructed after their land was zoned Red. The photographer comments, "The house was deconstructed and rebuilt on another site".
A photograph of the former site of the Locke family's house at 392 Oxford Terrace. The Locke's house was deconstructed after their land was zoned Red. The photographer comments, "The house was deconstructed and rebuilt on another site".
A photograph of the former site of the Locke family's house at 392 Oxford Terrace. The Locke's house was deconstructed after their land was zoned Red. The photographer comments, "The house was deconstructed and rebuilt on another site".
A photograph of the former site of Donna Allfrey's house on Oxford Terrace. Allfrey's house was demolished after her land was zoned Red. The photographer comments, "Large section of the front fence has been stolen by looters".
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "OVTRK OG bimonthly meetings with CERA Strategy and Policy - May 2015 update".
Emergency personnel gathered on Madras Street outside the collapsed Canterbury Television building. A digger and the Urban Search and Rescue team can be seen searching the rubble while fire fighters work to extinguish the fire in the building.
Reverend Peter Beck leading a prayer at the Stronger Christchurch Infrastructure Rebuild Team (SCIRT) opening. Mayor Bob Parker is standing to the right of Reverend Peter Beck. The ceremony was held in Burwood Park.
A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
A photograph of the former site of the Locke family's house at 392 Oxford Terrace. The Locke's house was deconstructed after their land was zoned Red. The photographer comments, "The house was deconstructed and rebuilt on another site".
A photograph of Robin Duff's house at 386 Oxford Terrace. Weeds have grown near the fence and the grass has not been mowed. A yellow sticker on the door indicates that the access to the house is restricted.
Summary of oral history interview with Susan Allen about her experiences of the Canterbury earthquakes.
Transcript of Garth's earthquake story, captured by the UC QuakeBox project.
A pdf transcript of Paula Brankin's earthquake story, captured by the UC QuakeBox project.
A huge milestone in the rebuild of the Christchurch Cathedral. Twelves years since the Canterbury earthquakes caused extensive damage to the building, community leaders and project managers have gathered inside the cathedral this morning for the first time since the quakes. It also marks the completion of stablisation phase of the project. Our reporter Adam Burns went along.
Falling gable of the Anglican Community of the Sacred Name building left a gaping hole in the roof in the magnitude 7.1 earthquake that hit Christchurch on 4 September 2010. The chimney would have toppled as well had it not been braced.
This research investigates creativity in a post-disaster setting. The data explore creativity at the intersection of the affected community of Christchurch, New Zealand and the social processes that followed the earthquakes of 2010 - 2012. Personal and contextual influences on creative ideas implemented for community or commercial benefit are also examined. Viewed as creative, unique approaches to post-disaster problem solving were celebrated locally, nationally and internationally (Bergman, 2014; Wesener, 2015; Cloke & Conradson, 2018). Much has been written about creativity, particularly creativity in organisations and in business. However, little is known with regards to who creates after a disaster, why individuals choose to do so and what impact the post-disaster context has on their creative activity. This exploratory study draws on the literature from the fields of creativity, disasters, psychology, sociology and entrepreneurship to interpret first-hand accounts of people who acted on creative ideas in a physically and socially altered environment. A mixed method - albeit predominantly qualitative - approach to data gathering was adopted that included interviews (n=45) with participants who had been the primary drivers of creative ideas implemented in Christchurch after September 2010 – the first major (7.1 magnitude) earthquake in a prolonged sequence of thousands of aftershocks. Key findings include that a specific type of creativity results from the ‘collision’ between individuals and social processes activated by a disaster situation. This type of creativity could be best categorised as ‘little c’ or socially adaptive and emerges through a prosocial filter. There is wide consensus amongst creativity researchers - principally social psychologists - that for output to be considered creative it must be both novel and useful (Runco & Jaegar, 2012). There is greater tolerance for the novelty component after a disaster as novelty itself has greater utility, either as a distraction or because alternatives are few. Existing creativity models show context as input – an additional component of the creative process – but after a disaster the event itself becomes the catalyst for social processes that result in the creativity seen. Most participants demonstrated characteristics commonly associated with creativity and could be categorised as either a ‘free thinker’ and/or an ‘opportunist’. Some appear preadapted to create and thrive in unstable circumstances. Findings from participants’ completion of a Ten Item Personality Inventory (TIPI) showed an apparent reduced need for extraversion in relation to implementing creative ventures in society. This factor, along with higher levels of agreeableness may indicate a potentially detrimental effect on the success of creative ideas established after a disaster, despite earnest intentions. Three new models are presented to illustrate the key findings of this study. The models imply that disasters enhance both the perceived value of creativity and the desire to act creatively for prosocial ends. The models also indicate that these disaster influenced changes are likely to be temporary.
A photograph of High Street near the intersection with Manchester Street. Wire fencing has been placed across the street as a cordon. A sign on a lamppost reads, "Temporary road closure. High Street will be closed between Cashel and Manchester Street from 7 am on 12/7/2010 to 6 pm on 4/10/2010. Enquires 0800 SAFE4U". In the background, the Westpac Trust Building can be seen as well as rubble lining the street.
The west-side of the Arts Centre along Rolleston Avenue near the entrance to the Botanic Gardens. Wire fencing and road cones have been placed around the building as a cordon. To the left, a crane is parked next to the building. The spire has been removed and braced on the footpath to limit damage.
A photograph of an exhibition sign next to two time capsules on display in the Canterbury Quakes exhibition at the Canterbury Museum. The time capsules were discovered in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
The north-west end of the Arts Centre on the corner of Rolleston Avenue and Worcester Boulevard. The tip of the gable is missing as well as the spire which has been removed and braced on the footpath to limit damage. Wire fencing and road cones have been placed around the building as a cordon. In the distance, a crane is working on the building.
Canterbury Earthquakes Symposium - Social Recovery 101 – Waimakariri District Council's social recovery framework and lessons learnt from the Greater Christchurch earthquakes This panel discussion was presented by Sandra James, Director (Connecting People) The Canterbury Earthquakes Symposium, jointly hosted by the Department of the Prime Minister and Cabinet and the Christchurch City Council, was held on 29-30 November 2018 at the University of Canterbury in Christchurch. The purpose of the event was to share lessons from the Canterbury earthquakes so that New Zealand as a whole can be better prepared in future for any similar natural disasters. Speakers and presenters included Greater Christchurch Regeneration Minister, Hon Dr Megan Woods, Christchurch Mayor, Lianne Dalziel, Ngāi Tahu chief executive, Arihia Bennett, head of the public inquiry into EQC, Dame Sylvia Cartwright, urban planner specialising in disaster recovery and castrophe risk management, Dr Laurie Johnson; Christchurch NZ chief executive and former Press editor, Joanna Norris; academic researcher and designer, Barnaby Bennett; and filmmaker, Gerard Smyth. About 300 local and national participants from the public, private, voluntary sectors and academia attended the Symposium. They represented those involved in the Canterbury recovery effort, and also leaders of organisations that may be impacted by future disasters or involved in recovery efforts. The focus of the Symposium was on ensuring that we learn from the Canterbury experience and that we can apply those learnings.
Canterbury Earthquakes Symposium - Ōtautahi creative spaces: Strengthening the recovery context through a collective arts-based approach This panel discussion was presented by Dr Catherine Savage, Director (Ihi Research) and Kim Morton, Director (Ihi Research) The Canterbury Earthquakes Symposium, jointly hosted by the Department of the Prime Minister and Cabinet and the Christchurch City Council, was held on 29-30 November 2018 at the University of Canterbury in Christchurch. The purpose of the event was to share lessons from the Canterbury earthquakes so that New Zealand as a whole can be better prepared in future for any similar natural disasters. Speakers and presenters included Greater Christchurch Regeneration Minister, Hon Dr Megan Woods, Christchurch Mayor, Lianne Dalziel, Ngāi Tahu chief executive, Arihia Bennett, head of the public inquiry into EQC, Dame Sylvia Cartwright, urban planner specialising in disaster recovery and castrophe risk management, Dr Laurie Johnson; Christchurch NZ chief executive and former Press editor, Joanna Norris; academic researcher and designer, Barnaby Bennett; and filmmaker, Gerard Smyth. About 300 local and national participants from the public, private, voluntary sectors and academia attended the Symposium. They represented those involved in the Canterbury recovery effort, and also leaders of organisations that may be impacted by future disasters or involved in recovery efforts. The focus of the Symposium was on ensuring that we learn from the Canterbury experience and that we can apply those learnings.
A photograph of rhubarb growing in the garden of the Locke family's property at 392 Oxford Terrace. The photographer comments, "The rhubarb was planted by Elsie Locke and was famous in the Avon Loop. It survived despite being untended and I took some and planted it in my own garden".
A photograph of street art. The artwork is on the wall surrounding Waltham Pool and faces towards Wilsons Road. Behind the pool gate is a pile of building material covered in a tarpaulin and weighted down with tyres.
A view across Wakefield Avenue to the Sumner Returned Services' Association Building and The Razza Bar and Bistro. A large rock has fallen from the cliff behind the buildings and crushed part of the Returned Services' Association Building. Smaller rocks have fallen onto the footpath and the road.
Student leaders, including UCSA President Kohan McNab and Sam Johnston, head of the Student Volunteer Army, leading students from the University of Canterbury in a two minute silence to remember those who died in the 22 February 2011 earthquake. They have stood on top of the ENSOC fire engine to address the crowd, and the event has been filmed from that vantage point. The students have been enjoying a barbeque lunch break in Burwood Park after volunteering to dig up liquefaction as part of the Student Volunteer Army.
The topic of ‘resilience’ thinking seems of late to have superseded that of ‘sustainability’ thinking. Sustainability means simply that which sustains and lasts but has taken on many different subtle nuances over the last 20 years since it came into common parlance with the Bruntland Report of 1987, which sought to clarify the definition. However, resilience ‘speak’ has become hot property now, especially highlighted since Christchurch experienced a natural disaster in the form of several large earthquakes from Sep 2010 until most recently in December 2011. Many people comment on how resilient people have been, how resilient the city has been, so it seems timely to investigate what resilience actually means and importantly, resilient to what and of what? (Lorenz, 2010). This essay will look at the concept of systems and resilience, definitions and theories will be explored generally and then these concepts will be more closely defined within the context of a particular system, that of Somerfield School located in the western suburbs of Christchurch.
A photograph of The Press newspapers on display in the Canterbury Quakes exhibition at the Canterbury Museum. The newspapers where discovered inside a time capsule found in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
A photograph of The Press newspapers on display in the Canterbury Quakes exhibition at the Canterbury Museum. The newspapers where discovered inside a time capsule found in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.