A photograph of Aaron Hapuku, Maori Health Promoter for Community and Public Health, taking part in #FiveYearsOn. Hapuku holds a sign which reads, "Five years on, I feel... Grattitude [sic] for all of the amazing people in my life// Aaron Hapuku, Birdlings Flat".
Meeting the Sustainable Development Goals by 2030 involves transformational change in the business of business, and social enterprises can lead the way in such change. We studied Cultivate, one such social enterprise in Christchurch, New Zealand, a city still recovering from the 2010/11 Canterbury earthquakes. Cultivate works with vulnerable youth to transform donated compost into garden vegetables for local restaurants and businesses. Cultivate’s objectives align with SDG concerns with poverty and hunger (1 & 2), social protection (3 & 4), and sustainable human settlements (6 & 11). Like many grant-supported organisations, Cultivate is required to track and measure its progress. Given the organisation’s holistic objectives, however, adequately accounting for its impact reporting is not straightforward. Our action research project engaged Cultivate staff and youth-workers to generate meaningful ways of measuring impact. Elaborating the Community Economy Return on Investment tool (CEROI), we explore how participatory audit processes can capture impacts on individuals, organisations, and the wider community in ways that extend capacities to act collectively. We conclude that Cultivate and social enterprises like it offer insights regarding how to align values and practices, commercial activity and wellbeing in ways that accrue to individuals, organisations and the broader civic-community.
A photograph of equipment from the New Zealand Fire Service Urban Search and Rescue team on display in the Canterbury Quakes exhibition at the Canterbury Museum. The equipment was used during the emergency response to the 22 February 2011 earthquake.
A photograph of workers and members of the Hutt City Emergency Response team and New Zealand Urban Search and Rescue team posing for a photograph. The photograph was taken outside the United States headquarters in Latimer Square.
A photograph of computers and desks from the Department of Civil and Natural Resources Engineering at the University of Canterbury. These were set up in the Sunday School room of the Avonhead Baptist Church after the 22 February 2011 earthquake.
A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
University of Canterbury Vice-Chancellor Rod Carr conferring with former Chancellor Rex Williams, inside the UCSA's "Big Top" tent. The tent was erected in the UCSA car park to provide support for students in the aftermath of the 22 February 2011 earthquake. Around them students have gathered to watch a local musician play. The student have spent the day clearing liquefaction from Christchurch properties as part of the Student Volunteer Army.
A PDF copy of a fact sheet about hydraulic fracturing (fracking) in the South Island created by Anglican Advocacy in 2011. The fact sheet contains information about the possible impacts of fracking on water and the risk of earthquakes.
A car which was crushed by falling masonry from Wave House (Winnie Bagoes Pizza Bar) on Gloucester Street during the 22 February 2011 earthquake. Emergency personnel have spray painted the car with the word "Clear" to indicate it has been checked for trapped or injured people.
A photograph of the Locke family's partially-deconstructed house at 392 Oxford Terrace. Wire fencing has been placed around the outside of the property. The photographer comments, "The house was deconstructed over three weeks. The materials were then stored in the shipping container until the house was reconstructed at a new site".
A photograph of street art on a fence near the roundabout of St Martins Road and Gamblins Road. The artwork depicts a Star Wars Stormtrooper and Space Invaders characters.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "what OVTRK has been up to and notice of forum".
A photograph of staff from Abseil Access in the car park outside their office on Quakers Quay in Woolston. The staff are standing next to a trailer full of rocks which they have gathered from the Port Hills. The rocks will be painted and used to define the boundaries of Rock on Eastside, an outdoor lounge and art space on the corner of Linwood Avenue and Aldwins Road.
A photograph of students enjoying Rock on Eastside, an outdoor lounge and art space on the corner of Aldwins Road and Linwood Avenue. The students have decorated the site by painting rocks they found throughout Christchurch and laying them out in patterns. There is also furniture made out of pallets in the background and 'Rock on Eastside' has been painted on the wall of a building.
A photograph of children and parents painting rocks for Rock on Eastside on the corner of Linwood Avenue and Aldwins Road. Rock on Eastside was an outdoor lounge and art space facilitated by Gap Filler and Youthtown. The paint was donated by Resene.
A photograph of students participating in a Youthtown workshop at Eastgate Mall. The students are painting rocks for the Rock on Eastside outdoor lounge and art space which is facilitated by Gap Filler and Youthtown. The rocks will be used to create artworks on the site on the corner of Aldwins Road and Linwood Avenue.
A photograph of street art on the Cathedral Square side of the Cathedral Junction building. The artwork was created by street artist Rone Wright for the RISE Festival. The artwork is titled 'Teresa', and depicts Australian model Teresa Oman.
A photograph of street art on the Cathedral Square side of the Cathedral Junction building. The artwork was created by street artist Rone Wright for the RISE Festival. The artwork is titled 'Teresa', and depicts Australian model Teresa Oman.
A photograph of the interior of the partially-demolished Odeon Theatre. The top of the walls have been demolished and a nearby building on Manchester Street is visible in the background. Elephants have been painted on the wall of this building.
A photograph of the interior of the partially-demolished Odeon Theatre. The top of the walls have been demolished, and a nearby building on Manchester Street is visible in the background. Elephants have been painted on the closest wall of this building.
A photograph of the former sites of several houses on Bangor Street. The houses were demolished after the land was zoned Red. A stake has been placed in the ground to the left. A message written on the stake reads, "412 Oxford Terrace waste water". Grass has begun to grow in the empty sites.
An PDF copy of the back of All Right? Pacific playing cards. In the centre of the card is the CPH Pacific Health logo, three interwoven traditional bands and a red band in a star-like shape. The card-back also includes the All Right? logo.
An PDF copy of the All Right? Pacific playing cards box template. The front of the box includes the CPH Pacific Health logo, and reads, "It's all right to love your Pacific culture." The back of the box also includes the Pacific Health logo and reads, "Communication is the heartbeat of healthy family relationships".
A photograph of the Locke family's partially-deconstructed house at 392 Oxford Terrace. Wire fencing has been placed around the outside of the property. The photographer comments, "The house was deconstructed over three weeks. The materials were then stored in the shipping container until the house was reconstructed at a new site".
A photograph of the Locke family's partially-deconstructed house at 392 Oxford Terrace. Wire fencing has been placed around the outside of the property. The photographer comments, "The house was deconstructed over three weeks. The materials were then stored in the shipping container until the house was reconstructed at a new site".
A photograph of the house number spray-painted on the footpath in front of 390 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the house number spray-painted on the footpath in front of 372 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the house number spray-painted on the footpath in front of 396 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the house number spray-painted on the footpath in front of 398 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the house number spray-painted on the footpath in front of 422 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".