A photograph of a set of twenty paintings by Julia Holden. The paintings are of abandoned houses in the residential red zone.
A photograph of children's paintings attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A story submitted by Lyndsay Fenwick to the QuakeStories website.
A story submitted by Sharon Stevens to the QuakeStories website.
A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 24, and is part of the Crux project.
A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 42, and is part of the Crux project.
A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 44, and is part of the Crux project.
A photograph of a paste up of a child holding a sign which reads, "It mite be a bit broke here but it ain't Haiti".
A photograph of spectators at 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of children's paintings attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of a shipping container covered in a crocheted quilt, on the corner of Nayland Street and Wakefield Avenue in Sumner.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of a musician at 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A digital copy of a painting by Julia Holden. The painting is of buildings on the corner of Gloucester Street and New Regent Street.
A photograph of students setting up the Pavilions & Lighting Devices market for LUXCITY.
A digital copy of a painting by Julia Holden. The painting is of the badly-damaged Farmers car park building on Gloucester Street.
Photograph captioned by BeckerFraserPhotos, "Corner High and Manchester Streets, viewed from Alice in Videoland".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of children's paintings attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
Transcript of Lorraine's earthquake story, captured by the UC QuakeBox project.
A copy of the CanCERN online newsletter published on 21 September 2012
An entry from Deb Robertson's blog for 23 April 2012 entitled, "Show and tell: Assembly Point Quilt".
A digital copy of a painting by Julia Holden. The painting is of an excavator parked on a cleared block of land. The land is on Colombo Street, near the corner of Armagh Street.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.