A photograph of a camera operator from TVNZ filming the placement of Crack'd for Christchurch's artwork ottoman onto a platform. The platform is in the Green Room garden on Colombo Street.
A photograph of a camera operator from TVNZ filming the placement of Crack'd for Christchurch's ottoman artwork onto a platform. The platform is in the Green Room garden on Colombo Street.
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "July 2014. Freezing cold in the workshop. We saw a remarkable assortment of clothes against the cold, including blankets and hats. From left: Kathryn Innes, Helen Campbell, and Marie Hudson."
A photograph of Crack'd for Christchurch's armchair artwork being loaded on to the back of a truck. The armchair has been wrapped in a tarpaulin. Straps wound under the armchair are being lifted by a mechanical arm.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last!"
A photograph of a workstation in Crack'd for Christchurch's workshop. The workstation includes pieces of broken china, a pair of cutters for breaking up china, a plastic container to hold china pieces, and two mosaic plans. One of the plans has a piece of mesh laid over the top. The other is being used to lay out the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."
A video montage of Canterbury Tales, a carnivalesque procession through the central city, led by Free Theatre Christchurch. The film depicts the construction and set up, through to the main public events. It also includes interviews with Peter Faulkenberg (Canterbury Tales and Free Theatre Christchurch Artistic Director) and George Parker (Canterbury Tales and Free Theatre Christchurch Producer).
A photograph of Marie Hudson working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of Helen Campbell working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of Helen Campbell and Marie Hudson working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of a half-finished flower mosaic. The mosaic has been made out of pieces of broken china which have been laid over a paper design. Mesh has also been placed over the design so that it can be transferred easily to Crack's for Christchurch's concrete chair. Other pieces of china are scattered around the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."
A photograph of Crack'd for Christchurch's partially-completed mosaic on their armchair.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of Crack'd for Christchurch's armchair artwork being loaded on to the back of a truck. The armchair has been wrapped in a tarpaulin and sits on a pallet. Straps wound under the armchair are being lifted by a mechanical arm.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last!"
A photograph of Helen Campbell working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A digital copy of a plan for the Greening the Rubble Green Room garden on Colombo Street. The plan shows a sketch of the garden including a raised floor, flower beds, a paved path, and a picket fence. It also contains measurements and notes on what will be planted in the beds.
A photograph of Crack'd for Christchurch's partially-completed mosaic on their armchair.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of the paved path in the Green Room garden on Colombo Street. The path was designed to travel around the garden, leading up to the platform holding Crack'd for Christchurch's armchair and ottoman artworks.Crack'd for Christchurch comments, "The Green Room was built by Jonathan Hall and planted by Gina Payne."
A photograph of a temporary installation titled Orbis, which was created by students from the University of Auckland, in partnership with Twisted Hop. Orbis was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary structure titled Synthesis, which was created by students from CPIT, in partnership with Dance Hall and Soda Bar. Synthesis was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled Orbis, which was created by students from the University of Auckland, in partnership with Twisted Hop. Orbis was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of Jayne White preparing lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into winter."
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of local artist Gaby Montejo in a cow onesie, before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of a temporary, inflatable structure titled Upload, which was created by students from the University of Auckland, in partnership with Chirney Coffee. Upload was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. Attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. Attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.