A photograph of the installation titled In Your Face on Gloucester Street, which is part of LUXCITY.
A photograph of architecture students and visitors at the In Your Face installation, which is part of LUXCITY.
A poem written on Gap Filler and Poetica's "Instant Poetry" wall on Colombo Street. The poem reads, "With gap-tooth smiles, still she stands, with eyes still open, a lovers glance. Michelle".
A photograph of a young visitor being lifted up to view the In Your Face installation at LUXCITY.
A photograph of the installation titled In Your Face on Gloucester Street, which is part of LUXCITY.
A photograph of people creating silhouettes inside one of the tent-like sculptures of Silhouette Carnival at LUXCITY.
A photograph of people gathered in front of the temporary light installation titled Etch-A-Sketch.
A photograph of visitors to LUXCITY in front of the large-scale installation titled Etch-A-Sketch.
Photograph captioned by BeckerFraserPhotos, "The Cashel Street and High Street intersection used to be very dominated by buildings".
The site of Gap Filler's first project at 832 Colombo Street. A mobile coffee vender can be seen as well as a garden made out of pot plants and lots of seating.
A photograph of the installation titled In Your Face on Gloucester Street, which is part of LUXCITY.
A photograph of people creating silhouettes inside one of the tent-like sculptures of Silhouette Carnival at LUXCITY.
A photograph of a crowd surrounding the In Your Face installation on Gloucester Street during LUXCITY.
A photograph of a temporary installation titled Etch-A-Sketch. The installation is part of LUXCITY.
A view across Battersea Street in Sydenham to Churchill's Tavern, which has been badly damaged in the 22 February 2011 earthquake. Masonry from the building's top storey has collapsed onto the footpath and several of its windows have fallen out. A member of the New Zealand Police Force is walking across Colombo Street in the background.
Photograph captioned by BeckerFraserPhotos, "It's not easy to spot, but look at the floor level in this picture. By the bar, it's about half a metre higher than in the foreground. Pressure under the floor pushed the whole floor up".
The "I hope Christchurch will..." blackboard on the corner of Tuam and Colombo Streets. Members of the public are invited to fill in the gaps with what they would like to see in the rebuilt city. Messages can be seen, such as, "Bring back cruising" and "Be filled with chocolate!".
The project report for Poetica, part of Gap Filler project 20, Walls. Poetica was an urban poetry project in which an interactive poetry installation was painted on the wall of 614 Colombo Street. The purpose of the project was to visualise the regeneration of Christchurch as an unwritten poem by allowing members of the public to writing poetry on the Poetica wall.
A photograph of artist Julia Morison talking to another woman at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of Marie Hudson and Jonathan Hall helping to direct Crack'd for Christchurch's ottoman artwork as it is lowered onto a platform in the Green Room garden on Colombo Street.
A view 4 weeks after the 7.1 magnitude earthquake in Christchurch. Corner of Colombo and Byron Streets. Given a bit of a HDR process to add some of what I was "feeling" at the time.
An aerial photograph of Cambridge Terrace with the cleared PGC site in the upper centre. The photograph was captioned by BeckerFraserPhotos, "The area inside the cordon that is north of the river which encompasses the PGC site and Kilmore Street. The expectation is that this area will soon be outside the cordon".
A view after the 7.1 magnitude earthquake in Christchurch 04 September 2010. Corner of Colombo and Byron Streets. Given a bit of a HDR process to add some of what I was "feeling" at the time.
The September Canterbury earthquake. These pictures were taken of The New Zealand Army, along with Police, minding the cordons. This was beside The Press building, and behind the Christchurch Cathedral. Note: these photos were taken on a cellphone; mind the quality.
A view after the 7.1 magnitude earthquake in Christchurch 4 September 2010. Corner of Colombo and Byron Streets. Given a bit of a HDR process to add some of what I was "feeling" at the time.
A photograph of the partially-completed Green Room garden on Colombo Street. Crack'd for Christchurch's armchair and mosaic artworks are on a platform in the back. The armchair and ottoman have been wrapped in tarpaulins until their unveiling. Wire fences have been placed around the section as a cordon.Crack'd for Christchurch comments, "Flora and Otto waiting for their big day, with the garden still to be finished."
A photograph of vacant sites on either side of Gloucester Street. Across the road in the distance, students are installing In Your Face, which is part of LUXCITY.