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Research papers, University of Canterbury Library

This thesis considers the presence and potential readings of graffiti and street art as part of the wider creative public landscape of Christchurch in the wake of the series of earthquakes that significantly disrupted the city physically and socially. While documenting a specific and unprecedented period of time in the city’s history, the prominence of graffiti and street art throughout the constantly changing landscape has also highlighted their popularity as increasingly entrenched additions to urban and suburban settings across the globe. In post-quake Christchurch, graffiti and street art have often displayed established tactics, techniques and styles while exploring and exposing the unique issues confronting this disrupted environment, illustrating both a transposable nature and the entwined relationship with the surrounding landscape evident in the conception of these art forms. The post-quake city has afforded graffiti and street art the opportunity to engage with a range of concepts: from the re-activation and re-population of the empty and abandoned spaces of the city, to commentaries on specific social and political issues, both angry and humorous, and notably the reconsideration of entrenched and evolving traditions, including the distinction between guerrilla and sanctioned work. The examples of graffiti and street art within this work range from the more immediate post-quake appearance of art in a group of affected suburbs, including the increasingly empty residential red-zone, to the use of the undefined spaces sweeping the central city, and even inside the Canterbury Museum, which housed the significant street art exhibition Rise in 2013-2014. These settings expose a number of themes, both distinctive and shared, that relate to both the post-disaster landscape and the concerns of graffiti and street art as art movements unavoidably entangled with public space.

Images, UC QuakeStudies

An aerial photograph of the Christchurch central city. The photograph has been captioned by BeckerFraserPhotos, "High Street runs across this photograph in the top third from the old Majestic Theatre at the intersection of Manchester and Lichfield Streets to the intersection of Madras and St Asaph Street which is just beyond the edge of the photo".

Articles, Christchurch uncovered

If you walk along the Avon River by Cashel Street you might catch a glimpse of the small gondolas taking their fares for a leisurely punt through the city and botanical gardens. Today this attraction is aimed largely at tourists, … Continue reading →

Articles, Christchurch uncovered

Down on the corner of a Lyttelton street, there was a butcher, a courier and a large family to meet… Or at least, one could have met them about 150 odd years ago when three early settler families in Lyttelton … Continue reading →

Articles, Christchurch uncovered

Today for your viewing pleasure, we present a selection of interesting, unusual and aesthetically pleasing ceramics from Christchurch sites. Enjoy! Jessie Garland References Adamson, J. & Bader, H-D. 2008. Archaeological Excavation Report on the Street Homestead, Penrod Drive, Bell Block, &#8...

Images, UC QuakeStudies

A photograph looking south down Colombo Street from the intersection of Gloucester Street. In the distance a crane is hanging over Cathedral Square. Below the crane is a pile of rubble from the partially-demolished tower of ChristChurch Cathedral. To the right is a smaller crane and a steel structure which will be used to brace the front of the Cathedral.

Images, eqnz.chch.2010

Wednesday 28 March 2012. File reference: CCL-2012-03-28-IMG_0824 From the collection of Christchurch City Libraries.