A photograph of a crowd surrounding Murmur, a large-scale installation which is part of LUXCITY.
A photograph of an architecture student setting up the Silhouette Carnival installation for LUXCITY.
A photograph of a band playing on stage in the 'Sound Cone' space at LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of a singer on stage in the 'Sound Cone' space at LUXCITY.
A photograph of a guitarist on stage in the 'Sound Cone' space at LUXCITY.
A photograph of Dematerialization - an immersive experience linking physical space and virtual reality. This virtual performance was created by Patrick Hegarty, Madeline Sewall and Jayden Kenny, for FESTA 2014.
A photograph of a guitarist on stage in the 'Sound Cone' space at LUXCITY.
A photograph of Dematerialization - an immersive experience linking physical space and virtual reality. This virtual performance was created by Patrick Hegarty, Madeline Sewall and Jayden Kenny, for FESTA 2014.
A photograph of students installing In Your Face, which is part of LUXCITY.
A photograph of students installing In Your Face, which is part of LUXCITY.
A photograph of a musician on stage in the 'Sound Cone' space at LUXCITY.
A photograph of an acrobat practicing a performance for 'Sound Cone' at LUXCITY.
A photograph of a performer at the 'Sound Cone' project at LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of a band playing on stage in the 'Sound Cone' space at LUXCITY.
A photograph of students installing In Your Face, which is part of LUXCITY.
A photograph of a musician on stage in the 'Sound Cone' space at LUXCITY.
A photograph of visitors to the In Your Face installation at LUXCITY.
A photograph of students installing In Your Face, which is part of LUXCITY.
Moira Fraser in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
Moira Fraser standing in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
Moira Fraser standing in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A digital copy of a painting by Julia Holden. The painting is of building rubble and machinery. Gloucester Arcade and the badly-damaged Farmers building are in the background to the right.
A photograph of a temporary installation titled Etch-A-Sketch. The installation is part of LUXCITY.
A photograph of visitors to LUXCITY in front of the large-scale installation titled Etch-A-Sketch.
A photograph of visitors to LUXCITY in front of the large-scale installation titled Etch-A-Sketch.
A photograph of visitors to LUXCITY in front of the large-scale installation titled Etch-A-Sketch.
A photograph of a temporary installation titled Etch-A-Sketch. The installation is part of LUXCITY.