A photograph of Tunnel House Supper Club - a pop-up restaurant located at Agropolis. The restaurant existed for one night only, during FESTA 2014.
A photograph of a detail of Mike Hewson's artwork, 'Government Life Suspension', on the side of the former Chancery Arcade.
A photograph of Mike Hewson's artwork, 'Government Life Suspension', being installed on the side of the former Chancery Arcade.
A photograph of a placard tied to the cordon fence surrounding the Isaac Theatre Royal. The placard reads, "Why is this real not that".
A photograph of Mike Hewson's artwork, 'Deconstruction', being installed on the walkway between Ballantyne's and the former bus exchange building.
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar.
A photograph of the Life in Vacant Spaces headquarters, an off-grid, sub-consent office building.
A photograph of the Life in Vacant Spaces headquarters, an off-grid, sub-consent office building.
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar.
A photograph of street art on a wall in Sydenham. A message on the wall reads, "Christchurch, destined to rise".
A photograph of a woman looking at Mike Hewson's installation 'View from the Studio' in Re:Start Mall.
A photograph of a woman looking at Mike Hewson's installation 'View from the Studio' in Re:Start Mall.
A photograph of Dematerialization - an immersive experience linking physical space and virtual reality. This virtual performance was created by Patrick Hegarty, Madeline Sewall and Jayden Kenny, for FESTA 2014.
A technical drawing of Crack'd for Christchurch's armchair artwork. The drawing includes height and width measurements for the back of the chair.
A photograph of Helen Campbell using a tool to remove excess grout from Crack'd for Christchurch's armchair mosaic.
A digital copy of a plan for Crack'd for Christchurch's armchair artwork. The plan shows three views of an armchair from different angles.
A photograph of Jenny Cooper labelling boxes of broken china in Crack'd for Christchurch's workshop.Crack'd for Christchurch comments, "Jenny Cooper always labelling, labelling, labelling."
A photograph of Marie Hudson removing the excess adhesive from a mosaic flower on Crack'd for Christchurch's armchair artwork.
A photograph of Jayne White working to attach one of the flower mosaics to Crack'd for Christchurch's armchair artwork.
A photograph of Crack'd for Christchurch's ottoman artwork being lowered onto a platform in the Green Room garden on Colombo Street.
A photograph of Marie Hudson during her visit to Mary Calder. Calder wrote a touching letter to the Crack'd for Christchurch team when they began the project.
A photograph of Jennie Cooper and Marie Hudson in the crowd during the launch of the Green Room on Colombo Street.
A photograph of pieces of whole and broken china in a dish rack.Crack'd for Christchurch comments, "China washed and waiting to be broken down."
A photograph of the almost-completed mosaic on Crack'd for Christchurch's ottoman.Crack'd for Christchurch comments, "Otto mosaicked but not grouted."
A photograph of the almost-completed mosaic on Crack'd for Christchurch's ottoman.Crack'd for Christchurch comments, "Otto mosaicked but not grouted."
A photograph of people dancing on the Gap Filler Dance-O-Mat during Super WOW Disco. The event was part of FESTA 2014.
A photograph of people dancing on the Gap Filler Dance-O-Mat during Super WOW Disco. The event was part of FESTA 2014.
A photograph of people dancing on the Gap Filler Dance-O-Mat during Super WOW Disco. The event was part of FESTA 2014.
A photograph of Katherine Innes breaking up pieces of china in the garage where Crack'd for Christchurch are working on their armchair artwork.
A photograph of Helen Campbell using a tool to remove excess grout from Crack'd for Christchurch's armchair mosaic.